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Ever wondered what really goes on in the mind of a serial killer? What drove Ian Brady to his crimes? Have we discovered Bradys hidden code? Our extensive research into these murders may have given us something others may have overlooked. Was Myra Hindley a genuine victim of Brady's ideas as she has previously stated? Was she just his partner in crime? Perhaps she may have taken it a step further. Brady told David Smith he was making a "Story to impress". He wasn't making a story, he was living it. In this book, we believe we may hold the true answers to the endless questions circling this brutal case.
This book explores the representation of real-life serial murders as adapted for the screen and popular culture. Bringing together a selection of essays from international scholars, Serial Killing on Screen: Adaptation, True Crime and Popular Culture examines the ways in which the screen has become a crucial site through which the most troubling of real-life crimes are represented, (re)constructed and made accessible to the public. Situated at the nexus of film and screen studies, theatre studies, cultural studies, criminology and sociology, this interdisciplinary collection raises questions about, and implications for, thinking about the adaptation and representation of true crime in popular culture, and the ideologies at stake in such narratives. It discusses the ways in which the adaptation of real-life serial murder intersects with other markers of cultural identity (gender, race, class, disability), as well as aspects of criminology (offenders, victims, policing, and profiling) and psychology (psychopathy, sociopathy, and paraphilia). This collection is unique in its combined focus on the adaptation of crimes committed by real-life criminal figures who have gained international notoriety for their plural offences, including, for example, Ted Bundy, Ian Brady and Myra Hindley, Aileen Wuornos, Jack the Ripper, and the Zodiac, and for situating the tales of these crimes and their victims’ stories within the field of adaptation studies.
This book investigates the changes and continuities in the ways in which sexual violence has been interpreted and represented in Britain since 1965. It explores the representational trail of the Moors murders and subsequent trial of 1966, the emergence of age of consent abolitionism in the 1970s, Cleveland’s child sexual abuse crisis of 1987-8, and 2010 and 20s contemplations on the Jimmy Savile scandal. Harnessing research into popular media forms and a huge range of personal, political and professional records, Nick Basannavar carefully parses and illustrates the ways in which journalists, medical workers, politicians, lobbyists and other groups assembled and animated their narratives, revealing complex rhetorical and emotional processes. This book challenges problematic conceptual dichotomies such as silence/noise or ignorance/knowledge. It shows instead that although categories such as ‘child sexual abuse’ and ‘paedophilia’ may be relatively recent linguistic value-constructs, sexual violence against children has existed and been represented across historical moments, in changeable and challenging ways.
This book examines the media and cultural responses to the awful crimes of Brady and Hindley, whose murders provided a template for future media reporting on serial killers. It explores a wide variety of topics relating to the Moors Murders case including: the historical and geographical context of the murders, the reporting of the case and the unique features which have become standard for other murder cases e.g. nicknames for the serial killers, and it discusses the nature of evil and psychopaths and how they are represented in film, drama, novels and art. It also questions the ethics of the “serial killing industry” and how the modern cultural fixation on celebrity has extended to serial killers, and it explores the impact on the journalists and police officers from being involved in such cases including some interviews with them. The treatment of Brady and Hindley by the media also raises profound questions about the nature of punishment including the links between mental illness and crime and whether there is ever the prospect of redemption. This book draws on cultural studies, criminology, sociology and socio-legal studies to offers a multi-dimensional analysis of the impact of this case and then uses this as a basis for the analysis of more recent cases such as the crimes of Peter Sutcliffe and Harold Shipman.
Ian Brady and Myra Hindley's spree of torture, sexual abuse, and murder of children in the 1960s was one of the most appalling series of crimes ever committed in England, and remains almost daily fixated upon by the tabloid press. In The Gates of Janus, Ian Brady himself allows us a glimpse into the mind of a murderer as he analyzes a dozen other serial crimes and killers. Criminal profiling by a criminal was not invented by the dramatists of Dexter. Novelist and true-crime writer Colin Wilson, author of the famous and influential book The Outsider, remarks in his introduction to Brady's book that one must first explore the depraved reaches of human consciousness to truly understand human character. When first released in 2001, The Gates of Janus sparked controversy attended by a huge media splash. The new edition, the first in paperback, provides the reader with a decade and a half of updates, including Brady's letters to the publisher, both providing information regarding his own demented history along with demands that Feral House remove its unflattering afterword written by author Peter Sotos.
'Infamous, I have become disowned, but I am one of your own' - Myra Hindley, from her unpublished autobiography On 15 November 2002, Myra Hindley, Britainâe(tm)s most notorious murderess, died in prison, one of the rare women whose crimes were deemed so indefensible that âe~lifeâe(tm) really did mean âe~lifeâe(tm). But who was the woman behind the headlines? How could a seemingly normal girl grow up to commit such terrible acts? Her defenders claim she fell under Ian Bradyâe(tm)s spell, but is this the truth? Was her insistence that she had changed, that she felt deep remorse and had reverted to the Catholicism of her childhood genuine or a calculating bid to win parole? One of Your Own explores these questions and many others, drawing on a wide range of resources, including Hindleyâe(tm)s own unseen writings, hundreds of recently released prison files, fresh interviews and extensive new research. Compellingly well written, this is the first in-depth study of Hindley and the challenging, definitive biography of Britainâe(tm)s âe~most-hated womanâe(tm).
ON 15 MAY 2017, IAN BRADY DIED IN HOSPITAL, ENTIRELY UNREPENTANT OF HIS EVIL CRIMES. WITH HIM ALMOST CERTAINLY DIED THE SECRET OF WHERE THE BODY OF TWELVE-YEAR-OLD KEITH BENNETT, THE LAST OF HIS AND MYRA HINDLEY'S YOUNG VICTIMS, LIES. Ian Brady was one of the most notorious and reviled serial killers in Britain. With his co-conspirator, Myra Hindley, he committed what became known as 'the Moors Murders' in which five children were abducted, assaulted and murdered. Dr Chris Cowley has a PhD in Cognitive Psychology and lectures in Forensic Criminology. He is in the unique position of having had exclusive access to Brady and, for six years, conducted groundbreaking research by corresponding with Brady and visiting him in prison. By gaining his trust, Cowley was able to take an unrivalled look inside the mind of a serial killer. This in-depth and revealing book reproduces letters and transcripts of conversations with Brady which, until the first edition came out, had never been published before. Using this fresh perspective and original material, Dr Cowley sheds new light on what went wrong in Brady's formative years to set him on a path of crime, and how Hindley became the lethal factor that started Brady's murder cycle. It also reveals Brady's unflinching account of being caught and convicted of serial murder, and his thoughts and emotions concerning Hindley, recorded as he moved into his second decade on hunger strike. This important study provides information that is essential to our understanding of the psychology of serial killers. By broadening our knowledge of these complex issues, we can increase the likelihood of catching murderers, and perhaps even prevent their terrible crimes from taking place.
In 1981, Peter Sutcliffe, the 'Yorkshire Ripper', was convicted of thirteen murders and seven attempted murders. All his proven victims were women: most were prostitutes.Astonishingly, however, this is not the whole truth. There is a still-secret story of how Sutcliffe's terrible reign of terror claimed at least twenty-two more lives and left five other victims with terrible injuries. These crimes - attacks on men as well as women - took place all over England, not just in his known killing fields of Yorkshire and Lancashire.Police and prosecution authorities have long known that Sutcliffe's reign of terror was far longer and far more widespread than the public has been led to believe. But the evidence has been locked away in the files and archives, ensuring that these murders and attempted murders remain unsolved today.As a result, the families of at least twenty-two murdered women have been cheated of their right to know how and why their loved ones died: the pain of living with that may diminish over time, but it never fades away completely. Five other victims survived his attacks: their plight, too, has never been officially acknowledged.Worse still, police blunders and subsequent suppression of evidence ensured that three entirely innocent men were imprisoned for murders committed by the Yorkshire Ripper. They each lost the best parts of their adult lives, locked up and forgotten in stinking cells for more than two decades.This book, by a former police Intelligence Officer, is the story not just of those long-cold killings, of the forgotten families and of three terrible miscarriages of justice. It also uncovers Peter Sutcliffe's real motive for murder - and reveals how he manipulated police, prosecutors and psychiatrists to ensure that he serves his sentence in the comfort of a psychiatric hospital rather than a prison cell.
Utopia is a work of fiction and socio-political satire by Thomas More published in 1516 in Latin. The book is a frame narrative primarily depicting a fictional island society and its religious, social and political customs. Many aspects of More's description of Utopia are reminiscent of life in monasteries.
Contributes to Foucauldian scholarship by contextualizing Foucault's key concepts and identifying current and emerging applications of his work.