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This “page-turning biography” reveals the extraordinary life of the children’s book author behind Goodnight Moon and The Runaway Bunny (BookPage). Millions of people around the world know Margaret Wise Brown through her classic works of children’s literature. But few know that she was equally remarkable for her business savvy, her thirst for adventure, and her vital role in a children’s book publishing revolution. Margaret used her whimsey and imagination to create stories that allowed girls to see themselves as equal to boys. And she spent days researching subjects, picking daisies, and observing nature, all in an effort to precisely capture a child’s sense of wonder as they discovered the world. Living extravagantly off her royalties, Margaret embraced life with passion and engaged in tempestuous love affairs with both men and women. Among her great loves was the gender-bending poet and ex-wife of John Barrymore who went by the pen name Michael Strange. She later became engaged to a younger man who was the son of a Rockefeller and a Carnegie. When she died unexpectedly at the age of forty-two, Margaret left behind a cache of unpublished work and a timeless collection of books. Drawing on newly-discovered personal letters and diaries, author Amy Gary reveals an intimate portrait of this creative genius whose unrivaled talent breathed new life in to the literary world.
This collection explores for the first time the importance of secret history in the literature of the long eighteenth century.
During the eighteenth century, treatises on the science of elocution, gesture and naturalness abounded. This title draws together a representative selection of the most difficult-to-access texts in the period. It helps cultural historians to examine the place of stagecraft in the eighteenth-century imagination.
During the eighteenth century, theatrical writing developed as a genre. The publishing market responded to a seemingly insatiable appetite for accounts of the personalities, social lives and performances of celebrated entertainers. This series features actors who were significant in their development of new ways of performing Shakespeare.
Focuses on David Garrick and the leading actors of his company at Drury Lane. This book tells how, in their time, Garrick, Macklin and Woffington were as famous for their achievements on the stage as they were infamous for their activities off it. It draws a selection of the actors' own words with those of their contemporaries and critics.
Worrall presents an innovative transposition of social assemblage theory into eighteenth-century British theatre and performance history.