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An American writer's account of the Chinese Revolution of 1911-12, including his experiences fighting alongside Chinese revolutionaries. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Excerpt from The Second Revolution in China, 1913: My Adventures of the Fighting Around Shanghai, the Arsenal, Woosung Forts My descriptions may perhaps contain facts which will not probably appeal to all of my readers who may not have been soldiers, as being connected with the work of a newspaper man, but when one has worn the coat of H. M. the Emperor Francis Joseph I. of Austria's army as I have, it will be easily understood I took no account of the risks, and went as far as I could when collecting the news during the fighting. Desiring to serve the public with as authentic and as real a report about the last episode in China's history, I have tried my best to fulfil my duty as a newspaper man, and now submit my labours to an indulgent public. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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