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An American writer's account of the Chinese Revolution of 1911-12, including his experiences fighting alongside Chinese revolutionaries. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Excerpt from The Second Revolution in China, 1913: My Adventures of the Fighting Around Shanghai, the Arsenal, Woosung Forts My descriptions may perhaps contain facts which will not probably appeal to all of my readers who may not have been soldiers, as being connected with the work of a newspaper man, but when one has worn the coat of H. M. the Emperor Francis Joseph I. of Austria's army as I have, it will be easily understood I took no account of the risks, and went as far as I could when collecting the news during the fighting. Desiring to serve the public with as authentic and as real a report about the last episode in China's history, I have tried my best to fulfil my duty as a newspaper man, and now submit my labours to an indulgent public. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
The first truly global history of revolutions and revolutionary waves in the modern age, from Atlantic Revolutions to Arab Spring.
The Routledge History of Death Since 1800 looks at how death has been treated and dealt with in modern history – the history of the past 250 years – in a global context, through a mix of definite, often quantifiable changes and a complex, qualitative assessment of the subject. The book is divided into three parts, with the first considering major trends in death history and identifying widespread patterns of change and continuity in the material and cultural features of death since 1800. The second part turns to specifically regional experiences, and the third offers more specialized chapters on key topics in the modern history of death. Historical findings and debates feed directly into a current and prospective assessment of death, as many societies transition into patterns of ageing that will further alter the death experience and challenge modern reactions. Thus, a final chapter probes this topic, by way of introducing the links between historical experience and current trajectories, ensuring that the book gives the reader a framework for assessing the ongoing process, as well as an understanding of the past. Global in focus and linking death to a variety of major developments in modern global history, the volume is ideal for all those interested in the multifaceted history of how death is dealt with in different societies over time and who want access to the rich and growing historiography on the subject. Chapter 1 of this book is freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.
In a remarkable example of history as detective work, Brian Martin pieces together the fascinating and complex story of the Shanghai Green Gang and its charismatic leader, Du Yuesheng. Martin sifts through a variety of fragmentary and at times contradictory evidence—from diplomatic dispatches to memoirs to police reports—to produce the most comprehensive account of this chaotic period of Chinese history. In analyzing the Green Gang's system of organized crime in Shanghai, the author broadens our understanding of a critical aspect of Chinese urban history and sheds light on the history of drug trafficking and organized crime worldwide. Martin argues that the Green Gang, the most powerful secret society in China during the first half of the twentieth century, was a resilient social organization that adapted successfully to the complex environment of a modernizing urban society. Illustrating its multilayered and complex relations with the bourgeoisie, the industrial proletariat, and the foreign and domestic political authorities, Martin demonstrates how these factors led to the Green Gang's absorption into the corporate state system after 1932.
Shanghai's illustrious history and phenomenal future is celebrated in this book, which examines the evolution of the city's architecture and urban form in order to contextualise the challenges facing the city today. The physical legacies that reflect Shanghai's uniqueness historically and contemporarily are examined chronologically using specific case studies of exemplary architecture interwoven in a compelling narrative that unlocks the many mysteries surrounding this amazing metropolis. Some of the most influential colonial architecture in the world, outstanding examples of Modernism and Art Deco, and an exceptional selection of eclectic and vernacular architecture reflecting Shanghai's many adopted cultures are revealed. This is the first book ever to examine this remarkable subject in a manner that is both comprehensive and captivating in its written content and stunningly illustrated with over 300 archive and contemporary photographs and maps.
Laurits Andersen was a Danish tobacco entrepreneur and prominent businessman in China from the 1880s until his death in 1928. He was the manager of the American trading firm Mustard & Co. in Shanghai, introducing machine-produced cigarettes to the Chinese market in the late 1800s, at a time when cigarettes were gaining enormous popularity elsewhere in the world. He attained late fame in his native Denmark when shortly before his death he donated a large sum of money to the National Museum, which he had visited frequently as a boy. Laurits Andersen was born in a small village near Elsinore, Denmark, in 1849, and grew up in Copenhagen where he worked as an apprentice at a machine works. From 1870, he lived in East Asia, experiencing wars and revolutions and forming close bonds with the political elite in Imperial China. Laurits Andersen is a role model for later generations, displaying the courage to seek ones fortunes overseas, and showing that with drive, diligence, and willpower, and a preparedness to venture down untrodden paths, one can achieve ambitious goals.