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Carmen pays a visit to an old friend, soap opera star and stand-up comedian Walt Willey. Little does she realize a Gaelic astrological cult has targeted Willey as the perfect ritual sacrifice. Can Dr. Mirage overcome his collegiate rivalry with Walt in time to thwart the druidical menace before he winds up a Welsh-worshipped write-off in T?r na n?g?
Hwen's hunger pains indicate his powers are fading -- and only Sandria Darque can help. In the face of this startling realization, the doctor decides to take up cooking.
While Carmen struggles to make Hwen corporeal again, Master Darque lures the couple into his latest nefarious plan involving a strong man, a demolitions expert -- and Shadowman!?
Dr. Mirage investigates a mass disappearance from a New York subway train. The Deathsmith has arrived! A demon with the power to mold flesh, and it's come looking for Carmen. But before Hwen can challenge this monstrous adversary he must first survive dinner with the in-laws!
Parapsychologist Doctor Hwen Mirage and his brazilian bombshell, kickboxing-expert wife Carmen Ruiz are in world class, stuff-of-legend love. A love so strong it transcends time, space, death, and the sorcerous power of Master Darque. But can it withstand the second life of Dr. Mirage as an insubstantial specter of necromantic energy incapable of holding, kissing or even touching his wife?
Dr. Mirage saved the world from the Chaos Effect, but at the loss of his restored physical form. Having done it once before can Dr. Mirage now figure out how to make his necromantic energy form physical again?
At a ski resort in Aspen, Colorado, Carmen and Hwen are stalked by a deadly, protean servant of Master Darque looking for a reservoir of necromantic power to feed on.
Contains materials originally published in single magazine form as The death-defying Doctor Mirage #1-5, The death-defying Doctor Mirage: second lives #1-4, and The death-defying Doctor Mirage #1 plus edition.
What do the comic book figures Static, Hardware, and Icon all have in common? Black Superheroes, Milestone Comics, and Their Fans gives an answer that goes far beyond “tights and capes,” an answer that lies within the mission Milestone Media, Inc., assumed in comic book culture. Milestone was the brainchild of four young black creators who wanted to part from the mainstream and do their stories their own way. This history of Milestone, a “creator-owned” publishing company, tells how success came to these mavericks in the 1990s and how comics culture was expanded and enriched as fans were captivated by this new genre. Milestone focused on the African American heroes in a town called Dakota. Quite soon these black action comics took a firm position in the controversies of race, gender, and corporate identity in contemporary America. Characters battled supervillains and sometimes even clashed with more widely known superheroes. Front covers of Milestone comics often bore confrontational slogans like “Hardware: A Cog in the Corporate Machine is About to Strip Some Gears.” Milestone's creators aimed for exceptional stories that addressed racial issues without alienating readers. Some competitors, however, accused their comics of not being black enough or of merely marketing Superman in black face. Some felt that the stories were too black, but a large cluster of readers applauded these new superheroes for fostering African American pride and identity. Milestone came to represent an alternative model of black heroism and, for a host of admirers, the ideal of masculinity. Black Superheroes, Milestone Comics, and Their Fans gives details about the founding of Milestone and reports on the secure niche its work and its image achieved in the marketplace. Tracing the company's history and discussing its creators, their works, and the fans, this book gauges Milestone alongside other black comic book publishers, mainstream publishers, and the history of costumed characters.
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