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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Excerpt from The Seat of War in the East, From Eighty-One Drawings Made During the War in the Crimea In offering to the Public the following pages, designed to illustrate Mr. Simpson's series of drawings of the "Seat of War in the East," the Author is fully conscious how far his humble efforts fall short of what is due to the merits of these admirable productions, and to the genius of the accomplished artist. He is no less sensible that the slight historic sketch of the principal events of the War, from its commencement up to the middle of last winter, which forms the earlier portion of the Work, is but a too inadequate tribute to the bravery, the endurance, and the self-devotion of the noblest and most glorious Army which ever poured forth its blood in defence of the liberties and of the honour of England. But, whatever may be his short-comings in these and other respects, he will feel that he has not written quite in vain if he shall have succeeded in throwing one additional ray of light on the spirit-stirring and pathetic story, every detail of which has an absorbing interest for millions of his fellow-countrymen, and in cancelling one fraction of the vast debt of gratitude which England owes to the most chivalrous and heroic of her sons. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
This lengthy work includes a plethora of lavish illustrations by William Simpson which depict important scenes from the front lines of the Crimean conflict. Background information is also included.
[Illustrated with over two hundred and sixty maps, photos and portraits, of the battles, individuals and places involved in the Crimean War] Lady Alicia Blackwood née Lambart, (1818 - 30 July 1913) was an English painter and nurse, married to the Rev. James Stevenson Blackwood. As she recounts in A Narrative of Personal Experiences & Impressions during a Residence on the Bosphorus throughout the Crimean War (1881), Lady Alicia Blackwood and her husband "were deeply moved to go out" after hearing of "the battle of Inkerman, that terribly hard-fought struggle". Dr. Blackwood obtained a chaplaincy to the forces; Lady Alicia and two young women friends accompanied him, determined to find some way to help. Lady Alicia applied to Florence Nightingale at Scutari in Dec. 1854. Nightingale's opinion of ladies who came out to assist the hospitals was generally low, but she took to Lady Balckwood and she was delegated by Nightingale to create and manage an unofficial hospital for the wives, widows and children of soldiers in Scutari. In a letter of March 18, 1855, Nightingale disparagingly refers to the women and children as Allobroges, the shrieking camp followers of the ancient Gauls. In her account, Lady Alicia describes the horrific conditions under which she found them, "as much sinned against as sinning", and discusses the changes she was able to make for their relief as part of her work. Blackwood's respect for Nightingale and her work are evident throughout her account, which is both vivid and enjoyable to read.