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This paperback includes all six books in the Lost Children Series by USA TODAY bestselling author Krista Street that reviewers have called, "the perfect mix of romance, mystery, action, and fantasy!" After waking up in an alleyway without a whisper of a memory, Lena begins an arduous journey west following an irresistible instinct. Armed with nothing but a tattooed symbol on her inner wrist, and the ability to see auras, Lena ends up in Colorado and quickly learns she's not alone. Seven other young adults converge on the same spot, and they're all just like her-strangers who woke up in random cities with missing memories, tattooed symbols, and unique paranormal powers. One, in particular, catches her attention. Dark-eyed, super-strong, and drop-dead gorgeous, Flint, moves with the speed of a tornado but is determined to avoid Lena's gaze. Yet something within her reaches for him, as if her soul knows he's her safe place. But safety is merely an illusion. Pooling together their scraps of memories and unique talents, Lena, Flint, and the rest of the gang discover their sinister, hidden origins-and it's not a pretty past. There are other lost children, locked away, unable to escape, and the clock is ticking. Because if Lena and her new family can't rescue all of the lost children in time-none of them will survive. ****************************************************************** Buy now! ******************************************************************
NEW YORK TIMES 10 BEST BOOKS OF THE YEAR • “An epic road trip [that also] captures the unruly intimacies of marriage and parenthood ... This is a novel that daylights our common humanity, and challenges us to reconcile our differences.” —The Washington Post In Valeria Luiselli’s fiercely imaginative follow-up to the American Book Award-winning Tell Me How It Ends, an artist couple set out with their two children on a road trip from New York to Arizona in the heat of summer. As the family travels west, the bonds between them begin to fray: a fracture is growing between the parents, one the children can almost feel beneath their feet. Through ephemera such as songs, maps and a Polaroid camera, the children try to make sense of both their family’s crisis and the larger one engulfing the news: the stories of thousands of kids trying to cross the southwestern border into the United States but getting detained—or lost in the desert along the way. A breath-taking feat of literary virtuosity, Lost Children Archive is timely, compassionate, subtly hilarious, and formally inventive—a powerful, urgent story about what it is to be human in an inhuman world.
Twelve-year-old Josephine Russing lives alone with her father. Mr. Russing is a distant, cold man best known for his insistence that every member of their town wear gloves at all times, just as he does--even at home--and just as he forces his daughter to do as well. Then one day Josephine meets a boy named Fargus. But when she tries to follow him, he mysteriously disappears and Josephine finds herself in another world called Gulm. Gulm is ruled by the "Master," a terrifying villain who has taken all the children of Gulm. With Fargus by her side, and joined by Fargus's friend Ida, Josephine must try to find her way home. As the trio attempt to evade the Master, they encounter numerous adventures and discover the surprising truth about the land of Gulm, and Josephine's own life back home.
In a small college town in Pennsylvania the lives of a bigamist's wife, a Polish orphan, an ex-priest and his wife—a former nun—and a mute teenage runaway intersect. The Season of Lost Children explores the question of what constitutes family and finds that the answer is often closer than we think, if only we look with and within our hearts. The Season of Lost Children can be enjoyed on its own, but was also written as part of The Fenston Trilogy, in which Blomain planned to trace fifty years of the interwoven lives and friendship of three women in a bucolic Pennsylvania college town. While The Season of Lost Children focuses on the life of the eccentric former nun, Eleanor Roderi, the first novel in the planned trilogy, A Trick of Light, chronicles the heartbreaking discovery and redemption of Hattie Darling, the only daughter of the town's first family.
World War II tore apart an unprecedented number of families. This is the heartbreaking story of the humanitarian organizations, governments, and refugees that tried to rehabilitate Europe’s lost children from the trauma of war, and in the process shaped Cold War ideology, ideals of democracy and human rights, and modern visions of the family.
Cast out of the city of Agora where they were left at the end of The Midnight Charter, Mark and Lily must now survive in a dense forest. The strange villages, terrifying nightmares, and powerful witches they find there are even more frightening than Agora with all its slums and secrets. In an adventure that expands with every turn of the page, David Whitley delivers a novel as thrilling and horrifying as his characters' darkest dreams.
IIn 1973, a young ACLU attorney filed a controversial class-action lawsuit that challenged New York City’s operation of its foster-care system. The plaintiff was an abused runaway named Shirley Wilder who had suffered from the system’s inequities. Wilder, as the case came to be known, was waged for two and a half decades, becoming a battleground for the conflicts of race, religion, and politics that shape America’s child-welfare system. The Lost Children of Wilder gives us the galvanizing history of this landmark case and the personal story at its core. Nina Bernstein takes us behind the scenes of far-reaching legal and legislative battles, but she also traces the life of Shirley Wilder and her son, Lamont, born when Shirley was only fourteen and relinquished to the very system being challenged in her name. Bernstein’s account of Shirley and Lamont’s struggles captures the heartbreaking consequences of the child welfare system’s best intentions and deepest flaws. In the tradition of There Are No Children Here, this is a major achievement of investigative journalism and a tour de force of social observation, a gripping book that will haunt every reader who cares about the needs of children.
It starts with a footprint. It ends with a murder. Wildlife tracker and wilderness survival expert Tye Caine just wants to live in the woods and be left alone, but a killer haunts the misty forests of the Pacific Northwest. When someone attempts to abduct a child, and a local resident is murdered, Tye is drawn into a web of hidden secrets and madness. Soon he finds himself teamed up with a motley crew of the local librarian, a retired detective, his best friend, and a local blacksmith with a secret. First, they try to separate the truth from lies, then find themselves just trying to survive. If you like mysteries set in the wilderness, with a hint of the supernatural, download Valley of Lost Children today.
This stormy sequel to Never Ever is packed with more of everything you loved in Book 1: twists, action, revenge, and romance! Just a few weeks ago, Wylie Dalton was living on magical Minor Island where nobody ages past seventeen, and in love with Phinn, the island's leader. Now, her home is a creaky old boat where she's joined a ragtag group of cast-offs from the island, all dead-set on getting revenge on Phinn for betraying them. But when the Lost Kids invade their former paradise, they're stunned to find that their once-secret island is no longer so secret, and that a much bigger enemy is gunning for Phinn . . . and all the Minor Island kids. Told from both Wylie's and Phinn's perspectives, this dramatic sequel reveals that when you Never Ever grow up, the past has a way of catching up to you.
FAIRYTALES FOR LOST CHILDREN is narrated by people constantly on the verge of self-revelation. These characters - young, gay and lesbian Somalis - must navigate the complexities of family, identity and the immigrant experience as they tumble towards freedom. Set in Kenya, Somalia and South London, these stories are imbued with pathos, passion and linguistic playfulness, marking the arrival of a singular new voice in contemporary fiction. Praise for FAIRYTALES FOR LOST CHILDREN: 'Fantastic writing. I am most highly impressed. I've read some of the stories more than once and saw in each of them plenty of talent everywhere - in every sinew and vein.' - NURUDDIN FARAH 'There is nothing more humbling than good writing except when the author is fiercely beautiful and ferociously generous of heart. That Diriye Osman should possess so much talent is only fair in light of his goodness. Read this book.' - MESHELL NDEGEOCELLO -The characters in these fairy tales are displaced in multiple, complicated ways. But Osman's storytelling creates a shelter for them; a warm place which is both real and imaginary, in which they find political, sexual, and ultimately psychic liberation.' - ALISON BECHDEL 'East Africa. South London. Queer. Displaced. Mentally Ill. My excitement over Osman and his writing comes, in part, out of delight at the impossibility of categorisation.' - ELLAH ALLFREY The Telegraph