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This work provides the most comprehensive critical coverage of Chicano fiction to date. The papers in this volume cover all the major figures in Chicano fiction of the 1960s and 1970s as well as the theory of the Chicano novel, New Mexican narratives, and the urban experience in Chicano fiction. Ernestina N. Eger has produced an extensive bibliography of criticism on Chicano fiction, an outstanding scholarly contribution.
The first book-length collection of criticism dealing with the work of a single Chicano author contains 15 articles by U.S. and European scholars, an autobiography, a 24-page bibliography on Anaya, three appendixes, and an index.
In 1977 I knew Tomas Rivera only as a name. I had read his novel, "... y no se lo trago la tierra" and I had talked about his work and career with friends. One cold winter day, after talking to Rolando Hinojosa about a keynote speaker for the First Midwest Latino Conference on Higher Education, I called Tomas and invited him to be that speaker. He accepted. Why did he come to the frozen corn fields of DeKalb, Illinois? He came because he knew the Midwest as a migrant worker. He came because he knew that Chicanos and Hispanics lived and worked throughout the United States. He came because he wanted to reach out to Chicanos and contribute to their life. He came because he knew that the human voice, the personal contact, was magic. He came because he knew the power of words and of communication, and he knew that an individual can make a difference. We are all better because Tomas came to DeKalb, and because he contributed so much. I remember Tomas as a strong but gentle man who loved life and loved people. This volume in honor of Tomas is a small contribution, a small repayment, for all that Tomas gave us. All of the contributors to this special volume of homenaje to Tomas Rivera have their own memories of Tomas. Each has been touched by his life and his works in different ways, yet each remembers. Their contributions to this volume are their way of honoring that memory and that man, Tomas Rivera. -- from the preface by Vernon E. Lattin