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In an eerie country house, a cruel old man is decapitated When Peter Coffin’s mysterious great-uncle Tobias summons the family to his manor in the wilds of Michigan, his aunt warns him to stay away. Peter goes anyway, arriving at the edge of the sprawling estate well after midnight. Wading through the muck in the darkness, he passes a fearsome figure on the road, and when he arrives at the front door, he is greeted by cousins bearing shotguns. An ax-murdering madman is on the loose, but just as dangerous are the creatures Peter will encounter inside the house: his family. When old Tobias is murdered, both his head and his will go missing. The police suspect the ax killer, but Peter knows better. After all, if there is one thing his aunt has taught him, it is that you should never trust a Coffin.
In an eerie country house, a cruel old man is decapitated. When Peter Coffin's mysterious great-uncle Tobias summons the family to his manor in the wilds of Michigan, his aunt warns him to stay away. Peter goes anyway, arriving at the edge of the sprawling estate well after midnight. Wading through the muck in the darkness, he passes a fearsome figure on the road, and when he arrives at the front door, he is greeted by cousins bearing shotguns. An ax-murdering madman is on the loose, but just as dangerous are the creatures Peter will encounter inside the house: his family. When old Tobias is murdered, both his head and his will go missing. The police suspect the ax killer, but Peter knows better. After all, if there is one thing his aunt has taught him, it is that you should never trust a Coffin.
Jonathan Latimer (1906-1983) wrote nine detective novels. He also wrote or co-wrote 20 film scripts, including such noir classics as the second version of Dasheill Hammett's The Glass Key, Kenneth Fearing's The Big Clock, and Cornell Woolrich's The Night Has a Thousand Eyes. Moving to television writing, he scripted 45 original stories and adapted 50 Eric Stanley Gardner novels for the Perry Mason series.
Includes Part 1, Number 2: Books and Pamphlets, Including Serials and Contributions to Periodicals July - December)
Michigan in the Novel records 1,735 novels published from 1816 through 1996 that are set wholly or partially in the state of Michigan. Consulting literally thousands of novels and visiting scores of libraries, Robert Beasecker spent more than twenty years researching this exhaustive bibliography. Works included are mainstream fiction, mystery and romance novels, juveniles, religious tracts, dime novels, and other marginal or popular genre literature. Omitted are short stories, poetry, drama, screenplays and pageants, and serially published novels with no subsequent separate publication. Through its six indexes, Michigan in the Novel provides literary and cultural access to Michigan novels, classifying novels by to title, series, setting, chronology, subject and genre, and Michigan imprints. Intended to serve as a guide for students, teachers, scholars, and readers to explore Michigan's vast, varied, and rich literary landscape, Michigan in the Novel is the most expansive compilation of its kind.
100 American Crime Writers features discussion and analysis of the lives of crime writers and their key works, examining the developments in American crime writing from the Golden Age to hardboiled detective fiction. This study is essential to scholars and an ideal introduction to crime fiction for anyone who enjoys this fascinating genre.
This work is a composite index of the complete runs of all mystery and detective fan magazines that have been published, through 1981. Added to it are indexes of many magazines of related nature. This includes magazines that are primarily oriented to boys' book collecting, the paperbacks, and the pulp magazine hero characters, since these all have a place in the mystery and detective genre.
One reviewer referred to the well-loved third novel in Latimer's Bill Crane series as 'rough, rowdy and rum-soaked'. And true to form, just as in his previous investigations, Crane drinks his way through his current case, that of a young suicide whose body disappears just as Crane arrives on the scene. But is there any connection between this body, and the disappearance of a young woman from a wealthy New York family? In order to retrieve the missing body, and find the murderer, Crane must run the gauntlet of both local cops and gangsters, who believe he is implicated. As well as a fascinating mystery, The Lady in the Morgue is packed full of atmosphere and period detail, from its opening scene in a morgue to its frank treatment of drug addiction and references to contemporary music.
An introduction to and advice on book collecting with a glossary of terms and tips on how to identify first editions and estimated values for over 20,000 collectible books published in English (including translations) over the last three centuries-about half are literary titles in the broadest sense (novels, poetry, plays, mysteries, science fiction, and children's books); and the other half are non-fiction (Americana, travel and exploration, finance, cookbooks, color plate, medicine, science, photography, Mormonism, sports, et al).
With six days remaining until he goes to the electric chair for the murder of his wife, wealthy broker Robert Westland needs help, fast. He insists that he has been framed, and Bill Crane, a private detective with a method and manner all his own, must prove his client's innocence. In a mixture of the humorous and the macabre, Crane's investigation, set against an evocative Depression-era backdrop, turns up more than a few queer characters - including a tight-lipped valet and a dypsomanic widow - who may or may not know something about who really murdered Mrs Westland.