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SHORTLISTED FOR THE HWA DEBUT CROWN | THE BEST FIRST NOVEL AWARD | THE MCKITTERICK PRIZE | THE PAUL TORDAY MEMORIAL PRIZE | THE WAVERTON GOOD READ AWARD | A ZOE BALL ITV BOOK CLUB PICK 'REMARKABLE' Sarah Perry 'EXTRAORDINARILY IMMERSIVE' Guardian 'A REALLY, REALLY GOOD READ' BBC R2 Book Club' 'LYRICAL' Stylist 'POETIC' Daily Mail 1627. In a notorious historical event, pirates raided the coast of Iceland and abducted 400 people into slavery in Algiers. Among them a pastor, his wife, and their children. In her acclaimed debut novel Sally Magnusson imagines what history does not record: the experience of Asta, the pastor's wife, as she faces her losses with the one thing left to her - the stories from home - and forges an ambiguous bond with the man who bought her. Uplifting, moving, and sharply witty, The Sealwoman's Gift speaks across centuries and oceans about loss, love, resilience and redemption. 'Sally Magnusson has taken an amazing true event and created a brilliant first novel. It's an epic journey in every sense: although it's historical, it's incredibly relevant to our world today. We had to pick it' Zoe Ball Book Club 'Richly imagined and energetically told' Sunday Times 'The best sort of historical novel' Scotsman 'Compelling ' Good Housekeeping 'An accomplished and intelligent novel' Yrsa Sigurðardóttir, author of Why Did You Lie? 'Vivid and compelling' Adam Nichols, co-translator of The Travels of Reverend Ólafur Egilsson
A seventeenth-century minister tells his story of abduction by pirates, and a solo journey from Algiers to Copenhagen, in this remarkable historical text. In summer 1627, Barbary corsairs raided Iceland, killing dozens and abducting almost four hundred people to sell into slavery in Algiers. Among those taken was Lutheran minister Olafur Egilsson. Reverend Olafur—born in the same year as William Shakespeare and Galileo Galilei—wrote The Travels to chronicle his experiences both as a captive and as a traveler across Europe as he journeyed alone from Algiers to Copenhagen in an attempt to raise funds to ransom the Icelandic captives that remained behind. He was a keen observer, and the narrative is filled with a wealth of detail―social, political, economic, religious―about both the Maghreb and Europe. It is also a moving story on the human level: We witness a man enduring great personal tragedy and struggling to reconcile such calamity with his understanding of God. The Travels is the first-ever English translation of the Icelandic text. Until now, the corsair raid on Iceland has remained largely unknown in the English-speaking world. To give a clearer sense of the extraordinary events connected with that raid, this edition of The Travels includes not only Reverend Olafur’s first-person narrative but also a collection of contemporary letters describing both the events of the raid itself and the conditions under which the enslaved Icelanders lived. Also included are appendices containing background information on the cities of Algiers and Salé in the seventeenth century, on Iceland in the seventeenth century, on the manuscripts accessed for the translation, and on the book’s early modern European context.
'A fine book' The Sunday Times 'Powerful' Guardian 'Wonderful' The Telegraph 'Moving, funny, warm' Mail on Sunday 'Brave, compassionate, tender and honest' Metro 'This book began as an attempt to hold on to my witty, storytelling mother with the one thing I had to hand. Words. Then, as the enormity of the social crisis my family was part of began to dawn, I wrote with the thought that other forgotten lives might be nudged into the light along with hers. Dementia is one of the greatest social, medical, economic, scientific, philosophical and moral challenges of our times. I am a reporter. It became the biggest story of my life.' Sally Magnusson Sad and funny, wise and honest, Where Memories Go is a deeply intimate account of insidious losses and unexpected joys in the terrible face of dementia, and a call to arms that challenges us all to think differently about how we care for our loved ones when they need us most. Regarded as one of the finest journalists of her generation, Mamie Baird Magnusson's whole life was a celebration of words - words that she fought to retain in the grip of a disease which is fast becoming the scourge of the 21st century. Married to writer and broadcaster Magnus Magnusson, they had five children of whom Sally is the eldest. As well as chronicling the anguish, the frustrations and the unexpected laughs and joys that she and her sisters experienced while accompanying their beloved mother on the long dementia road for eight years until her death in 2012, Sally Magnusson seeks understanding from a range of experts and asks penetrating questions about how we treat older people, how we can face one of the greatest social, medical, economic and moral challenges of our times, and what it means to be human.
Set against Iceland's stark landscape, Hannah Kent brings to vivid life the story of Agnes, who, charged with the brutal murder of her former master, is sent to an isolated farm to await execution. Set against Iceland's stark landscape, Hannah Kent brings to vivid life the story of Agnes, who, charged with the brutal murder of her former master, is sent to an isolated farm to await execution. Horrified at the prospect of housing a convicted murderer, the family at first avoids Agnes. Only Tv=ti, a priest Agnes has mysteriously chosen to be her spiritual guardian, seeks to understand her. But as Agnes's death looms, the farmer's wife and their daughters learn there is another side to the sensational story they've heard. Riveting and rich with lyricism, Burial Rites evokes a dramatic existence in a distant time and place, and asks the question, how can one woman hope to endure when her life depends upon the stories told by others?
A beautifully written memoir of a family’s year living in Reykjavik, Iceland that “captures the fierce beauty of the Arctic landscape”—from the acclaimed author of Ghost Wall (Booklist). Sarah Moss had a childhood dream of moving to Iceland, sustained by a wild summer there when she was nineteen. In 2009, she saw an advertisement for a job at the University of Iceland and applied on a whim, despite having two young children and a comfortable life in Kent, England. The resulting adventure was shaped by Iceland’s economic collapse, which halved the value of her salary; by the eruption of the volcano Eyjafjallajokull; and by a collection of new friends, including a poet who saw the only bombs fall on Iceland in 1943; a woman who speaks to elves; and a chef who guided Sarah’s family around the intricacies of Icelandic cuisine. Moss explored hillsides of boiling mud and volcanic craters and learned to drive like an Icelander on the unsurfaced roads that link remote farms and fishing villages in the far north. She watched the northern lights and the comings and goings of migratory birds, and as the weeks and months went by, she and her family learned new ways to live. Names for the Sea is her compelling and very funny account of living in a country poised on the edge of Europe, where modernization clashes with living folklore.
By the winner of the 2021 Nobel Prize in Literature Abbas has never told anyone about his past; about what happened before he was a sailor on the high seas, before he met his wife Maryam outside a Boots in Exeter, before they settled into a quiet life in Norwich with their children, Jamal and Hanna. Now, at the age of sixty-three, he suffers a collapse that renders him bedbound and unable to speak about things he thought he would one day have to. Jamal and Hanna have grown up and gone out into the world. They were both born in England but cannot shake a sense of apartness. Hanna calls herself Anna now, and has just moved to a new city to be near her boyfriend. She feels the relationship is headed somewhere serious, but the words have not yet been spoken out loud. Jamal, the listener of the family, moves into a student house and is captivated by a young woman with dark-blue eyes and her own, complex story to tell. Abbas's illness forces both children home, to the dark silences of their father and the fretful capability of their mother Maryam, who began life as a foundling and has never thought to find herself, until now. ________________________ 'Gurnah is a master storyteller' FINANCIAL TIMES 'Gurnah writes with wonderful insight about family relationships and he folds in the layers of history with elegance and warmth' THE TIMES
“The Scottish myth of the selkie—a seal that can transform into human form—inspires a tale of life on the margins, forgiveness and redemption” (The Guardian). Donald, a young fisherman, is overwhelmed when he comes across a group of exotic women dancing on the shore beneath the moonlight. They are selkies—seals that shed their skin once a year and become human for a few hours. Overcome by their beauty and magic, Donald kidnaps one—a choice that will determine his future. Now, back home in his close-knit Scottish village, he must take responsibility for what he has done. Donald has been bullied and isolated all his life, but thanks to his mother and his stolen selkie wife, he finds the courage to question, then change the culture of the town that has been mired in the past for generations. Yet despite their mutual happiness, he can never truly forgive himself for the thoughtless act that brought his wife to him. This enchanting story works its way to a surprising yet satisfying ending. Based on a beloved Scottish legend, Sealskin is a timeless tale of the responsibilities of love—and the inner strength required to atone for terrible wrongs. “A haunting tale of family and consequences . . . The writing is sorrowful and lovely, with a well-earned, satisfying conclusion.” —Publishers Weekly (starred review) “A powerful tale of love, learning and forgiveness, Sealskin is a bold and moving read that I was sad to put down.” —The Bookbag “Well-written and atmospheric . . . Bristow paints a vivid setting and knows how to tug on the heartstrings.” —Fantasy Literature
A compulsive, disturbingly relevant, twisty and powerful psychological, social-media thriller ... NUMBER ONE BESTSELLER 'Brilliantly twisty. I loved it' Lisa Jewell 'Another dark banger from the Orenda Books stable... A brilliant, twisty cat-and-mouse book about fandom and obsession' Erin Kelly 'Effortlessly readable, intensely chilling. That ending floored me' Chris Whitaker ***LONGLISTED for the Guardian's Not the Booker Prize*** ___________________ Tom is a successful author, but he's struggling to finish his novel. His main distraction is an online admirer, Evie, who simply won't leave him alone. Evie is smart, well read and unstable; she lives with her father and her social-media friendships are not only her escape, but everything she has. When she's hit with a restraining order, her world is turned upside down, and Tom is free to live his life again, to concentrate on writing. But things aren't really adding up. For Tom is distracted but also addicted to his online relationships, and when they take a darker, more menacing turn, he feels powerless to change things. Because maybe he needs Evie more than he's letting on. A compulsive, disturbingly relevant, twisty and powerful psychological thriller, The Closer I Get is also a searing commentary on the fragility and insincerity of online relationships, and the danger that can lurk just one like' away... ___________________ 'This book will make you rethink your social media obsession. Dangerous from page one, lit by bursts of black humour, ultimately honest about the frailty of ego and the masks we all wear. Terrifically readable' Sarah Hilary So good. Such brilliant characters. Great premise and a thrilling read' Nina Pottell, Prima 'A sucker-punch of a twist that took my breath away! Absurdly gripping, and enough to unnerve anyone who has ever spent any time online' Angela Clarke 'As perfect a thriller as you'll read all year' Caz Frear 'A gripping ride through the heartlands of need and hurt. Even at his most thrilling, Paul Burston never loses his sense of real pain and suffering' Philip Hensher 'Chillingly recognisable. A delicious tour de force' Alex Marwood 'Compelling, creepy and completely believable' Mel McGrath 'Dark, devious and with a growing sense of dread' Neil Broadfoot 'Brilliantly written, tense and compelling' Amanda Jennings 'Dark twisty fiction at its very best' SJI Holliday 'One of the best books you'll read this year' Ed James 'Unsettling. Taut. Menacing. Burston puts the killer into killer twist' Jonathan Harvey 'Witty and insightful' Susie Boyt 'Brilliant, chilling, totally awesome writing' Miranda Dickinson 'An absolute stunner... with a deliciously twisted ending' Lisa Hall 'The book is a masterpiece in sustained suspense and smart literate contemporary horror. Bravo Mr Burston' Derek Farrell 'Very easy to read, certainly keeps you hooked in with plenty of twists. I suspect it will be a big read this summer' Fiona Sharp 'It's about a gay novelist who becomes the target of an online stalker and is dark, thought-provoking, and totally riveting. As comebacks go, it's on a par with Madonna bursting out of a giant disco ball in a pink leotard!’ Matt Cain ‘Gripped and terrified by Paul Burston’s new novel, bloody hell!!!’ Rowan Coleman
A frank and humorous encyclopedic history of the forgotten life of urine and its many uses in society. Alchemists sought gold in it. David Bowie refrigerated it to ward off evil. In the trenches of Ypres soldiers used it as a gas mask, whereas modern-day terrorists add it to home-made explosives. All the Fullers, Tuckers and Walkers in the phonebook owe their names to it, and in 1969 four bags for storing it were left on the surface of the moon. Bought and sold, traded and transported, even carried to work in jugs, urine has made bread rise, beer foam and given us gunpowder, stained glass, Robin Hood’s tights, and Vermeer’s Girl With A Pearl Earring. And we do produce an awful lot of it. Humans alone make almost enough to replace the entire contents of Loch Lomond every year. Add the incalculable volume contributed by the rest of the animal kingdom and it might soon displace a small ocean. No wonder it gets everywhere. In Life of Pee Sally Magnusson unveils the secret history of civilization’s most unsavory and unsung hero, and discovers how our urine footprint is just as indelible as our carbon one.