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'The Seagull' is a play by Russian dramatist Anton Chekhov. It is generally considered to be the first of his four major plays. The play dramatizes the romantic and artistic conflicts between four characters: the famous middlebrow story writer Boris Trigorin, the ingenue Nina, the fading actress Irina Arkadina, and her son the symbolist playwright Konstantin Treplev.
"Includes the rediscovered part four"--Cover.
Smeagull the Seagull comes to the house near the shore every day and knocks on the sliding glass door. He knocks when he¿s hungry, and the people who live there feed him. Smeagull rules the roost! Keeping him fed is an exhausting job, but when Smeagull disappears, it makes clear what an important family member Smeagull has become. There are few places on earth without seagulls, both on shore and inland, and every child will find Smeagull captivating and yet familiar. Smeagull the Seagull teaches young children that animals are precious and have needs and feelings and family, just like us.This is a true story. Smeagull is a wild herring gull who does indeed knock at Valerie and Mark¿s house every day where he is fed scraps from sustainable seafood.The book is illustrated in full color by the graphic designer, Valerie Elaine Pettis. The text is written in rhyme by Mark Seth Lender, a published author and producer for wildlife content at Living on Earth, which is nationally broadcast on Public Radio.
"In a quiet harbor in New England, a sea captain named Ellis is visited by a seagull. By the end of the week the seagull had retuned and was eating crackers out of the captain's hand. They continued their friendship the entire season and the next year in the spring the gull retuned. After four years of friendship, the wild seagull named Polly still visits. This unlikely story of a wild bird and a friendly sea captain reminds us how we are all connected"--
Offers Williams' adaptation of a late nineteenth-century drama about an actress' rejection of the advances of a melancholy, lovesick young man.
While the influence of Chekhov in modern theater worldwide, and especially in America, has been immense, translations into English have tended to be too literary and have not communicated the full emotional power and precise attention to detail of Chekhov's Russian. Milton Ehre began translating Chekhov's plays to provide professional theaters with performance texts that capture the feel and rhythms of spoken, rather than written, language. Chekhov for the Stage is the first publication of his revised versions of The Three Sisters, Uncle Vanya, The Cherry Orchard, and The Sea Gull. Ehre's sensitive renderings of these classics make this volume the translation of choice for performers and directors, teachers, and the general reading public.
There was a time in Miami when it seemed impossible to go through a week without news coverage of the men, women and children escaping Cuba and being pulled off of makeshift rafts in the middle of the Florida Straits. One out of four did not survive the dangerous journey; the others barely hung on with little food and water. Most of the lucky ones were saved by a group of volunteers who called themselves Brothers to the Rescue (BTTR). Seagull One is the never-before-told story of the men and women representing nineteen nationalities who came together to fly in rickety Cessnas over the Florida Straits to search for rafters fleeing Communist Cuba. It is a fascinating account of how José Basulto, a Cuban exile and Bay of Pigs veteran, founded BTTR with the humanitarian mission of saving the lives of the desperate souls willing to brave the ocean in pursuit of freedom. The group’s tactics were sometimes controversial, including protests against both the Cuban and U.S. governments, yet the organization managed to save over 4,200 people they would seldom, if ever, meet. Seagull One also records the infiltration of two spies, one who was a double agent working for the FBI. Together these two volunteers collaborated with the Castro government in planning the shoot down over international waters of two unarmed Cessnas flying a humanitarian mission on February 24, 1996. The cold-blooded murder of four innocent men (three American citizens and one legal resident) led to significant changes in U.S.-Cuba relations. Over one hundred people were interviewed for Seagull One. Their stories come to life in this nonfiction narrative that reads like a novel.
Debut author-illustrator Sydni Gregg explores the unlikely friendship between a seagull and sea dragon—and how their two worlds might be more similar than they ever could imagine. Meet Seagull. Meet Sea Dragon. One comes from the sky. One comes from the sea. And both are scared of the other’s world. But when they meet, they discover they might have more in common than they ever imagined. Debut author-illustrator Sydni Gregg beautifully illustrates the idea that sometimes new friends can come from unlikely and unexpected places.
Seemore loves watching people enjoy historic Revere Beach, the first public beach in the United States. When he sees children argue and destroy other's sandcastles, he swoops in to teach them the benefit of getting along and sharing.
When Stella's little seagull friend gets poorly from the plastic stuck in its tummy, Stella wants to do anything she can to try and help. From beach clean ups to banning plastic straws, her ideas spread around the community and make a huge impact. Thanks to Stella, the little seagull and all its animal friends can live in a better environment.