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"MOONFLOWER," Part Four Ernie has double- and triple-crossed so many people he doesn't even remember what side he's on, so how is he the one getting backstabbed? Scorpionus and Moonflower enact their plans: one wants to control how we look, the other wants to control how we thinkÑwho will win? Nobody!
"JAZZ APPLE ARMAGEDDON," Part One The fate of the world rests in the hands of the worst person on it! NEW ONGOING SERIES from the writer of DEADLY CLASS! RICK REMENDER launches an all-new comedy espionage series, THE SCUMBAG—the story of Ernie Ray Clementine, a profane, illiterate, drug-addicted biker with a fifth-grade education. He’s the only thing standing between us and total Armageddon because this dummy accidentally received a power-imbuing serum, making him the world’s most powerful super spy. This new ongoing series will feature a murderers’ row of all-star artistic talent rotating each issue. The first issue showcases the stunning work of LEWIS LaROSA, with subsequent chapters and covers by brilliant talents such as ANDREW ROBINSON, ERIC POWELL, TULA LOTAY, WES CRAIG, ROLAND BOSCHI, SIMONE DI MEO, MARGUERITE SAUVAGE, DUNCAN FEGREDO, YANICK PAQUETTE, MIKE McKONE, DAVE JOHNSON, MORENO DINISIO, and many more!
"MOONFLOWER," Part Three Ernie has gotten himself into a mess. He has managed to join every spy group on Earth, pretzeled his double cross into a triple cross, and on top of everything else, he hasnÕt heard a thing other than crunchy, neo-hippy music since he got to the moon. Something has to give.
"New Jews'?" is the first comprehensive study of American Jewish identity in Hollywood movies of the new millennium. Despite the argument that we live in a "post-racial" society with supposedly "new" Jewish characters emerging on the big screen, this book details how traditional racial stereotypes of American Jews persist in popular films from the first decade of this century. In clear and readable prose, the book offers an innovative and penetrating look at dozens of American Jewish "meddling matriarchs," "neurotic nebbishes," "pampered princesses," and "scheming scumbags" from 21st century film, whether Hollywood blockbusters like Meet the Fockers and Sex and the City or indie favorites like Garden State and Kissing Jessica Stein. Throughout the book, famous American Jewish characters played by the likes of Jim Carrey, Tom Cruise, Anne Hathaway, Kate Hudson, Scarlett Johansson, Sarah Jessica Parker, Adam Sandler, and Ben Stiller are discussed, with the ultimate conclusion that movies today are marked less by the emergence of "new Jews" than by the continued - but dynamic and transformed -- presence of the same old stereotypes.
“MOONFLOWER” The world, once again, rests in the hands of the worst person on it! Ernie Ray Clementine—a profane, illiterate, drug-addicted biker—accidentally received a power-imbuing serum, making him the world’s most powerful super spy. This time, Ernie is going to the moon to stop MADAM HIVE—leader of an evil hippie cult, THE MOONFLOWER—who plans to use a mind-altering love-ray to transform every human on Earth into a like-minded hippie. Collects THE SCUMBAG #6-10
When unspeakable danger strikes close to home, She’ll risk everything for justice. Piper Comstock and her dog, Izzy, live a peaceful life in the Oregon forest. Until her best friend and his daughter are targeted by an assassin. US Marshal Gavin McQueen knows the truth—a witness in protection has been compromised. Now a gang kingpin wants revenge. Piper vows to help Gavin catch the culprit. But as the danger—and duo—grows closer, is the peril to Piper’s life…or to her heart? From Harlequin Intrigue: Seek thrills. Solve crimes. Justice served. Discover more action-packed stories in theseries. All books are stand-alone with uplifting endings but were published in the following order:
The full story of the rise and spectacular comeback of the band hailed as the saviors of punk rock. It's hard to believe that in early 2004 Green Day was considered over -- the band was still together, but they were dismissed as a strictly '90s phenomenon, incapable of re-creating the success of their groundbreaking album Dookie. Then American Idiot debuted at #1 on the Billboard charts, stayed on the charts for nearly 18 months, and went on to sell more than four million records and to win the Grammy for Record of the Year for "Boulevard of Broken Dreams." Combining unique access to Green Day with a seasoned journalists nose for a great story, Marc Spitz gives the complete account of the band, from their earliest days to their most recent explosion of popularity and critical acclaim. Foremost, Nobody Likes You is a story of friendship and the transporting power of playing very loud music. It is the story of how high school dropout Billie Joe Armstrong came to write song lyrics that inflamed the political conscience of fans in a way that two Yale graduates couldn't. Green Days story -- from rise, to fall, to rise again -- has never been fully told.
"JAZZ APPLE ARMAGEDDON," Part Three As the clock ticks on Scorpionus's deadly weapon, Sister Mary must motivate the one person capable of stopping itÑol Ernie Ray! Can he save the day or will he $#!% it all up while trying?
Classic radical feminist statement from the woman who shot Andy Warhol “Life in this society being, at best, an utter bore and no aspect of society being at all relevant to women, there remains to civic-minded, responsible, thrill-seeking females only to overthrow the government, eliminate the money system, institute complete automation and destroy the male sex.” Outrageous and violent, SCUM Manifesto was widely lambasted when it first appeared in 1968. Valerie Solanas, the woman who shot Andy Warhol, self-published the book just before she became a notorious household name and was confined to a mental institution. But for all its vitriol, it is impossible to dismiss as the mere rantings of a lesbian lunatic. In fact, the work has proved prescient, not only as a radical feminist analysis light years ahead of its time—predicting artificial insemination, ATMs, a feminist uprising against underrepresentation in the arts—but also as a stunning testament to the rage of an abused and destitute woman. In this edition, philosopher Avital Ronell’s introduction reconsiders the evocative exuberance of this infamous text.
This book explores the paradox of the 'security dilemma' in International Relations, as applied to the post-9/11 context of homeland security. It argues that the more security you have, the more security you will need, as enhancing security raises public expectations.