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4e de couv.: Considered one of the most significant and comprehensive assemblages of Polynesian works, the Blackburn Collection of Polynesian Art contains objects from nearly every area of Polynesia from Hawaii to Rapa Nui (Easter Island) to Aotearoa (New Zealand), and the many islands in between. The traditional forms are both ceremonial and functional from delicate ivory ornaments and finely textured barkcloth to formidable weaponry and imposing sculpture in coral, wood, and stone. Adrienne L. Kaeppler sets the Blackburn Collection of Polynesian Art the larger context of Polynesian cultural and artistic traditions in her illustrated introduction and suite of essays featuring significant objects from the collection. Selected paintings, drawings, engravings, photographs, documents, and medals related to Polynesia provide additional cultural and historical context. Following the essay is a fully illustrated catalog of the collection organized by island area. In Polynesia, the visual arts and associated objects serve as physical representations of the underlying aesthetic, social, and religious aspects of island cultures. In some cases, the eloquent objects here may be all that remain of once-vibrant traditions.
With more than one hundred illustrations--most in full color--this volume offers a stimulating and insightful account of two dynamic artistic cultures, traditions that have had a considerable impact on modern western art through the influence of artists such as Gauguin. After an introduction to Polynesian and Micronesian art separately, the book focuses on the artistic types, styles, and concepts shared by the two island groups, thereby placing each in its wider cultural context. From the textiles of Tonga to the canoes of Tahiti, Adrienne Kaeppler sheds light on religious and sacred rituals and objects, carving, architecture, tattooing, and much more.
Surrendered by Islanders, captured as a trophy in a burst of missionary zeal, then shipped to England to begin a new life as an object of curiosity and fascination - this is the story of a constantly transforming idol.
Includes detailed chapters devoted to each of the five major cultural regions of the Pacific: Australia, Melanesia, Micronesia, Polynesia, and the islands of Southeast Asia.
The Polynesian concept of atua -- of gods, figurative objects and associated beliefs -- developed over thousands of years and spread throughout the region. The superb examples of sculpture illustrated in this volume provide an island-by-island insight into this rich and intriguing heritage. Intrepid seafarers first discovered Polynesia 3000 years ago and, gradually, the region came to be inhabited by the communities established by these explorers. Across central and eastern Polynesia, from the Cook, Austral, Society and Marquesas islands, the Tuamotu Archipelago, Tahiti, Rapa Nui, the Hawaiian Islands and Aotearoa New Zealand, unique, yet coherent, societies developed. With that a complex and sustaining spiritual world came into being. Sculptures of ancestral gods connected the Polynesians with Te Po, the supernatural world, giving them strength and sacred knowledge. A hierarchy of supernatural beings -- atua -- resides within Te Po, inhabiting animals and birds, or particular aspects of the landscape. Among the atua were the deified spirits of human ancestors, particularly those famous for their invincibility, political strength or navigation skill. Polynesians created, revered and communicated with their atua in a relationship of profound intimacy. This way of life suffered a violent rupture with the arrival of Christianity in the 18th century. It is this volume's privilege to chronicle the integral role played by the atua in Polynesian daily life through images and text that convey the power of a still-living culture.
Tongan art, with its elegant sculpture, headrests, body adornment, clubs, containers, tools and fibre work, has made an outstanding contribution to the culture of Oceania. In The Art of Tonga, Keith St. Cartmail's achievement is to draw together all the strands of this island kingdom's material culture into a single volume--surprisingly no other work has done this to date. The author begins by outlining the history of Tonga, then comprehensively details all aspects of Tongan art, ancient and modern. He clearly documents the significance and widespread influence of this beautiful art work through West Polynesia, and argues that despite recent neglect, and in spite of being mutilated and destroyed by missionaries, and dispersed by collectors to all corners of the earth, Tongan art is nonetheless alive and well. Authoritative and accessible, The Art of Tonga is lavishly illustrated with superb and important examples of Tongan art from throughout its history. It is essential reading for anyone with an interest in the magnificent cultures of Oceania.
Atea: Nature and Divinity in Polynesia focuses on an array of artistic creations that illuminate how Polynesians traditionally understood their relationship with the divine as active, dynamic, and manifested in the plants, feathers, and fibers of the islands they inhabited. Featuring some thirty exceptional works of Polynesian art that date from the late eighteenth to the nineteenth century, Atea examines celebrated examples of figural sculpture in wood and whale ivory; superbly executed feather headdresses and cloaks; and visually compelling fiber works, such as painted barkcloths and a small-scale spirit house, or temple. The author’s compelling essay represents a new phase in scholarship that looks to recover the early ritual landscape of Polynesia by examining the material nature of the art itself.
Describes the formation, geography, ecology, and inhabitants of the isolated Easter Island in the Pacific Ocean.
"The imagery of Marquesan art is testament to the myriad beings and creatures who inhabited the Marquesan universe - gods, ancestors, humans, lizards, turtles, fish - and to the islands' complex social and political organization. These art forms are explored in the present volume, published in conjunction with the exhibition "Adorning the World: Art of the Marquesas Islands," held at The Metropolitan Museum of Art."--BOOK JACKET.