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“Sharp and exciting, always vivacious and sensory . . . All I want is more—more of these sweet vicious girls and their helplessly loving leader, changing themselves, one another and the world.” —Amal El-Mohtar, The New York Times Book Review The Craft for Gen Z: The Scratch Daughters, indie bestselling author H. A. Clarke crafts a brilliant, award-nominated sequel to The Scapegracers: a raw and roiling tribute to queer lineage, to finding oneself, and to the deep love of chosen family. Sideways Pike is desperate. It turns out that Madeline Kline didn’t want to make out with her; infinitely worse, she was only flirting to get access to Sideways’ specter. Madeline has ripped the magical soul out of Sideways’ throat, and with it, everything that makes a witch feel whole. Madeline would know: the Chantry boys took hers, and she’s going to use Sideways’ specter to hunt them down and get it back. Sideways Pike, lesbian witch extraordinaire, isn’t going to let little things like a treacherous crush or a brutal family of creepy witch hunters stop her, even if it means tracking down Madeline without the Scapegracers—her best friends, her coven, the girls she’s come to love ferociously above all else. But Sideways and her trusty bike are in for a bumpy ride . . .
“Sharp and exciting, always vivacious and sensory . . . All I want is more—more of these sweet vicious girls and their helplessly loving leader, changing themselves, one another and the world.” —Amal El-Mohtar, The New York Times Book Review The Craft for Gen Z: The Scratch Daughters, indie bestselling author H. A. Clarke crafts a brilliant, award-nominated sequel to The Scapegracers: a raw and roiling tribute to queer lineage, to finding oneself, and to the deep love of chosen family. Sideways Pike is desperate. It turns out that Madeline Kline didn’t want to make out with her; infinitely worse, she was only flirting to get access to Sideways’ specter. Madeline has ripped the magical soul out of Sideways’ throat, and with it, everything that makes a witch feel whole. Madeline would know: the Chantry boys took hers, and she’s going to use Sideways’ specter to hunt them down and get it back. Sideways Pike, lesbian witch extraordinaire, isn’t going to let little things like a treacherous crush or a brutal family of creepy witch hunters stop her, even if it means tracking down Madeline without the Scapegracers—her best friends, her coven, the girls she’s come to love ferociously above all else. But Sideways and her trusty bike are in for a bumpy ride . . .
"Printed in Smell-i-vision, with real scratch-n-sniff ink!"
Whose truth is the lie? Stay up all night reading the sensational psychological thriller that has readers obsessed, from the #1 New York Times bestselling author of Too Late and It Ends With Us. #1 New York Times Bestseller · USA Today Bestseller · Globe and Mail Bestseller · Publishers Weekly Bestseller Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of bestselling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity’s notes and outlines, hoping to find enough material to get her started. What Lowen doesn’t expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read. Page after page of bone-chilling admissions, including Verity's recollection of the night her family was forever altered. Lowen decides to keep the manuscript hidden from Jeremy, knowing its contents could devastate the already grieving father. But as Lowen’s feelings for Jeremy begin to intensify, she recognizes all the ways she could benefit if he were to read his wife’s words. After all, no matter how devoted Jeremy is to his injured wife, a truth this horrifying would make it impossible for him to continue loving her.
Never Let Me Go meets The Giver in this haunting debut about a cult on an isolated island, where nothing is as it seems. Years ago, just before the country was incinerated to wasteland, ten men and their families colonized an island off the coast. They built a radical society of ancestor worship, controlled breeding, and the strict rationing of knowledge and history. Only the Wanderers -- chosen male descendants of the original ten -- are allowed to cross to the wastelands, where they scavenge for detritus among the still-smoldering fires. The daughters of these men are wives-in-training. At the first sign of puberty, they face their Summer of Fruition, a ritualistic season that drags them from adolescence to matrimony. They have children, who have children, and when they are no longer useful, they take their final draught and die. But in the summer, the younger children reign supreme. With the adults indoors and the pubescent in Fruition, the children live wildly -- they fight over food and shelter, free of their fathers' hands and their mothers' despair. And it is at the end of one summer that little Caitlin Jacob sees something so horrifying, so contradictory to the laws of the island, that she must share it with the others. Born leader Janey Solomon steps up to seek the truth. At seventeen years old, Janey is so unwilling to become a woman, she is slowly starving herself to death. Trying urgently now to unravel the mysteries of the island and what lies beyond, before her own demise, she attempts to lead an uprising of the girls that may be their undoing. Gather the Daughters is a smoldering debut; dark and energetic, compulsively readable, Melamed's novel announces her as an unforgettable new voice in fiction.
INSTANT NEW YORK TIMES BESTSELLER From the author of the New York Times bestseller Homecoming—“An ambitious, compelling historical mystery with a fabulous cast of characters…Kate Morton at her very best.” —Kristin Hannah “An elaborate tapestry…Morton doesn’t disappoint.” —The Washington Post "Classic English country-house Goth at its finest." —New York Post In the depths of a 19th-century winter, a little girl is abandoned on the streets of Victorian London. She grows up to become in turn a thief, an artist’s muse, and a lover. In the summer of 1862, shortly after her eighteenth birthday, she travels with a group of artists to a beautiful house on a bend of the Upper Thames. Tensions simmer and one hot afternoon a gunshot rings out. A woman is killed, another disappears, and the truth of what happened slips through the cracks of time. It is not until over a century later, when another young woman is drawn to Birchwood Manor, that its secrets are finally revealed. Told by multiple voices across time, this is an intricately layered, richly atmospheric novel about art and passion, forgiveness and loss, that shows us that sometimes the way forward is through the past.
NEW YORK TIMES BESTSELLER • From the bestselling author of Mexican Gothic and Velvet Was the Night comes a lavish historical drama reimagining of The Island of Doctor Moreau set against the backdrop of nineteenth-century Mexico. “This is historical science fiction at its best: a dreamy reimagining of a classic story with vivid descriptions of lush jungles and feminist themes. Some light romance threads through the heavier ethical questions concerning humanity.”—Library Journal (starred review) “The imagination of Silvia Moreno-Garcia is a thing of wonder, restless and romantic, fearless in the face of genre, embracing the polarities of storytelling—the sleek and the bizarre, wild passions and deep hatreds—with cool equanimity.”—The New York Times (Editors’ Choice) ONE OF THE BEST BOOKS OF THE YEAR: The New York Times Book Review, Time, NPR, Polygon, Tordotcom, Paste, CrimeReads, Booklist Carlota Moreau: A young woman growing up on a distant and luxuriant estate, safe from the conflict and strife of the Yucatán peninsula. The only daughter of a researcher who is either a genius or a madman. Montgomery Laughton: A melancholic overseer with a tragic past and a propensity for alcohol. An outcast who assists Dr. Moreau with his experiments, which are financed by the Lizaldes, owners of magnificent haciendas and plentiful coffers. The hybrids: The fruits of the doctor’s labor, destined to blindly obey their creator and remain in the shadows. A motley group of part human, part animal monstrosities. All of them live in a perfectly balanced and static world, which is jolted by the abrupt arrival of Eduardo Lizalde, the charming and careless son of Dr. Moreau’s patron, who will unwittingly begin a dangerous chain reaction. For Moreau keeps secrets, Carlota has questions, and, in the sweltering heat of the jungle, passions may ignite. The Daughter of Doctor Moreau is both a dazzling historical novel and a daring science fiction journey.
If you fell in love with 1960s North Carolina when reading Where the Crawdads Sing by Delia Owens, Donna Everhart’s The Moonshiner’s Daughter will transport you right back. Everhart’s sensitive and expert storytelling will capture you in this Southern coming-of-age novel! Set in North Carolina in 1960 and brimming with authenticity and grit, The Moonshiner’s Daughter evokes the singular life of sixteen-year-old Jessie Sasser, a young woman determined to escape her family’s past . . . Generations of Sassers have made moonshine in the Brushy Mountains of Wilkes County, North Carolina. Their history is recorded in a leather-bound journal that belongs to Jessie Sasser’s daddy, but Jessie wants no part of it. As far as she’s concerned, moonshine caused her mother’s death a dozen years ago. Her father refuses to speak about her mama, or about the day she died. But Jessie has a gnawing hunger for the truth—one that compels her to seek comfort in food. Yet all her self-destructive behavior seems to do is feed what her school’s gruff but compassionate nurse describes as the “monster” inside Jessie. Resenting her father’s insistence that moonshining runs in her veins, Jessie makes a plan to destroy the stills, using their neighbors as scapegoats. Instead, her scheme escalates an old rivalry and reveals long-held grudges. As she endeavors to right wrongs old and new, Jessie’s loyalties will bring her to unexpected revelations about her family, her strengths—and a legacy that may provide her with the answers she has been longing for.
Beverly Lewis Bestseller, Beautifully Repackaged In The Prodigal, Leah Ebersol knows all too well that the truth can be thorny, even heartbreaking. But when an alarming secret is brought to light, she must make another difficult choice, one that could be further complicated by a prodigal who few expected to return.
A collection of essays from today’s most acclaimed authors—from Cheryl Strayed to Roxane Gay to Jennifer Weiner, Alexander Chee, Nick Hornby, and Jonathan Franzen—on the realities of making a living in the writing world. In the literary world, the debate around writing and commerce often begs us to take sides: either writers should be paid for everything they do or writers should just pay their dues and count themselves lucky to be published. You should never quit your day job, but your ultimate goal should be to quit your day job. It’s an endless, confusing, and often controversial conversation that, despite our bare-it-all culture, still remains taboo. In Scratch, Manjula Martin has gathered interviews and essays from established and rising authors to confront the age-old question: how do creative people make money? As contributors including Jonathan Franzen, Cheryl Strayed, Roxane Gay, Nick Hornby, Susan Orlean, Alexander Chee, Daniel Jose Older, Jennifer Weiner, and Yiyun Li candidly and emotionally discuss money, MFA programs, teaching fellowships, finally getting published, and what success really means to them, Scratch honestly addresses the tensions between writing and money, work and life, literature and commerce. The result is an entertaining and inspiring book that helps readers and writers understand what it’s really like to make art in a world that runs on money—and why it matters. Essential reading for aspiring and experienced writers, and for anyone interested in the future of literature, Scratch is the perfect bookshelf companion to On Writing, Never Can Say Goodbye, and MFA vs. NYC.