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A historical novel of prejudice and plague, The Scourges of Heaven sweeps gracefully, joyfully, painfully across centuries and generations. Through Cynthia Anne Ferguson, orphaned aboard a vessel carrying immigrants, hopes, dreams, and cholera from the Old World to the New, David Dick paints a world where the causes of disease are little understood, where faith is not always a comfort, where human questioning often goes unanswered, and where unexpected death is frequently attributed to the wrath of an angry God. Cynthia's story unfolds in the midst of the first of four great cholera epidemics to sweep America in the mid-nineteenth century, and her journey through life, from New Orleans up the Mississippi and Ohio rivers and across the Bluegrass to Lexington, parallels the track followed by the deadly scourge. More powerfully told than any factual, statistical, or scientific account could ever manage, yet based upon historical events, this tale of disease, ignorance, and narrow-mindedness is supported by a central theme of hope that ultimately brings redemption.
The following Commentary may perhaps be regarded with the less interest by some readers, as not being founded on a critical examination of the original Text. Perhaps, however, there may also be readers, who are glad to have their attention withdrawn from difficulties, to them insuperable, and fixed on those deep and pervading characteristics, which it is the privilege of holiness to read in the sacred page. Criticism may contradict the interpretation of a sentence, and give a different turn to particulars; but the main scope of the work is founded on principles of a higher order, and involves a perception of truths to which the acutest critic may perchance be blind. The utmost that criticism can do for the study of Holy Writ is to furnish as it were a correct Text for the reading of the spiritual eye. And if there is any Book in the sacred Canon in which the bearing of words is more important than the mere thing said, it is the Book of Job. Aeterna Press
An immersive, gripping account of the rise and fall of Iran's glamorous Pahlavi dynasty, written with the cooperation of the late Shah's widow, Empress Farah, Iranian revolutionaries and US officials from the Carter administration In this remarkably human portrait of one of the twentieth century's most complicated personalities, Mohammad Reza Pahlavi, Andrew Scott Cooper traces the Shah's life from childhood through his ascension to the throne in 1941. He draws the turbulence of the post-war era during which the Shah survived assassination attempts and coup plots to build a modern, pro-Western state and launch Iran onto the world stage as one of the world's top five powers. Readers get the story of the Shah's political career alongside the story of his courtship and marriage to Farah Diba, who became a power in her own right, the beloved family they created, and an exclusive look at life inside the palace during the Iranian Revolution. Cooper's investigative account ultimately delivers the fall of the Pahlavi dynasty through the eyes of those who were there: leading Iranian revolutionaries; President Jimmy Carter and White House officials; US Ambassador William Sullivan and his staff in the American embassy in Tehran; American families caught up in the drama; even Empress Farah herself, and the rest of the Iranian Imperial family. Intimate and sweeping at once, The Fall of Heaven recreates in stunning detail the dramatic and final days of one of the world's most legendary ruling families, the unseating of which helped set the stage for the current state of the Middle East.
Written and set on the banks of the Neva, St Petersburg Dialogues is a startlingly relevant analysis of the human prospect at the end of the twentieth century. As the literary critic George Steiner has remarked, "the age of the Gulag and of Auschwitz, of famine and ubiquitous torture, ... nuclear threat, the ecological laying waste of our planet, the leap of endemic, possibly pandemic, illness out of the very matrix of libertarian progress" is exactly what Maistre foretold. In the Dialogues Maistre addressed a number of topics which are discussed briefly or not at all in his other works already available in English. These include an apologetic for traditional Christian beliefs about providence, reflections on the social role of the public executioner and the "divinity" of war, a critique of John Locke's sensationalist psychology, meditations on prayer and sacrifice, and a mini-course on "illuminism." The literary form is that of the "philosophical conversation" -- one that allowed Maistre to be deliberately provocative and to indulge his taste for paradox, a "methodical extravagance" that he judged particularly appropriate for the eighteenth-century salon. Translator and editor Richard Lebrun provides a full scholarly edition of this classic work, complete with an introduction, chronology, critical bibliography, and generous explanatory notes. The Dialogues will be of interest to scholars of literary history as well as the history of ideas.
Most vols. for 1890- contain list of members of the Folk-lore Society.