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Iris Bennington is furious when she discovers her younger brother is following the instructions found in the acclaimed advice columns on How to be a Gentleman. The so-called "advice" is more likely to turn her brother into a scoundrel than a true gentleman. Iris decides to locate the author of the columns and confront him. Merritt Steel, the Earl of Ashby, cannot help but be amused by the slip of a woman who comes calling. Unwilling to let such a delightful potential conquest go, he proposes a wager: bring him anyone off the street and he can pass them off as a gentleman. It's a bargain she readily accepts—but with a twist. Their bargain proves to be a greater challenge than either anticipated. Merritt finds it near impossible to keep his hands off Iris, and she begins to see the undeniable appeal of ungentlemanly behavior... Each book in the Lords of Vice series is STANDALONE: * The Scoundrel and the Lady * The Marquess and the Maiden * The Earl and the Reluctant Lady
As the heyday of the Chicano Movement of the late 1960s to early 70s fades further into history and as more and more of its important figures pass on, so too does knowledge of its significance. Thus, Chicano Movement For Beginners is an important attempt to stave off historical amnesia. It seeks to shed light on the multifaceted civil rights struggle known as “El Movimiento” that galvanized the Mexican American community, from laborers to student activists, giving them not only a political voice to combat prejudice and inequality, but also a new sense of cultural awareness and ethnic pride. Beyond commemorating the past, Chicano Movement For Beginners seeks to reaffirm the goals and spirit of the Chicano Movement for the simple reason that many of the critical issues Mexican American activists first brought to the nation’s attention then—educational disadvantage, endemic poverty, political exclusion, and social bias—remain as pervasive as ever almost half a century later.
Selected as one of the San Francisco Chronicles' 15 best books of 2021 From critically acclaimed author Maceo Montoya comes an inventive and adventurous satirical novel about a Mexican-American artist’s efforts to fulfill his vision: to paint masterful works of art. His plans include a move to Paris to join the ranks of his artistic hero, Gustave Courbet—except it’s 1943, and he’s stuck in the backwoods of New Mexico. Penniless and prone to epileptic fits, even his mother thinks he’s crazy. Ernie Lobato has just inherited his deceased uncle’s manuscript and drawings. At the urging of his colleague, an activist and history buff (Lorraine Rios), Ernie sends the materials to a professor of Chicanx literature (Dr. Samuel Pizarro). Throughout the novel, Dr. Pizarro shares his insights and comments on the uncle’s legacy in a series of annotations to his text and illustrations. As Ernie’s uncle battles a world that is unkind to “starving artists,” he runs into other tormented twentieth-century artists, writers, and activists with ambitions to match his own: a young itinerant preacher (Reies López Tijerina); the “greatest insane artist” (Martín Ramirez); and Oscar Zeta Acosta who is hellbent on self-destruction. Will the fortuitous encounters with these prophetic figures result in his own genius being recognized? Or will his uncompromising nature consign him to what he fears most? Told through a combination of words and images in the tradition of classic works such as Don Quixote and Alice in Wonderland, Preparatory Notes for Future Masterpieces features fifty-one vivid black-and-white pen drawings. This complex and engaging story also doubles as literary criticism, commenting on how outsiders’ stories fit into the larger context of the Chicanx literary canon. A unique and multilayered story that embraces both contradiction and possibility, it also sheds new light on the current state of Chicanx literature while, at the same time, contributing to it. Propulsive, humorous, and full of life, this candid novel will be loved not only by Beat fiction fans but by contemporary fiction lovers as well.
This eBook features the unabridged text of ‘Candide; Or, the Optimist by Voltaire - Delphi Classics (Illustrated)’ from the bestselling edition of ‘The Collected Works of Voltaire’. Having established their name as the leading publisher of classic literature and art, Delphi Classics produce publications that are individually crafted with superior formatting, while introducing many rare texts for the first time in digital print. The Delphi Classics edition of Voltaire includes original annotations and illustrations relating to the life and works of the author, as well as individual tables of contents, allowing you to navigate eBooks quickly and easily. eBook features: * The complete unabridged text of ‘Candide; Or, the Optimist by Voltaire - Delphi Classics (Illustrated)’ * Beautifully illustrated with images related to Voltaire’s works * Individual contents table, allowing easy navigation around the eBook * Excellent formatting of the textPlease visit www.delphiclassics.com to learn more about our wide range of titles
“A brilliant and innovative take on an issue close to the hearts and minds of families who have one foot planted firmly on both sides of the border. It is a deportation story in reverse: a bold re-envisioning with unexpected consequences, mystery, and insight.”—Tim Z. Hernandez, author of Mañana Means Heaven After Wopper Barraza’s fourth drunk driving violation, the judge orders his immediate deportation. “But I haven’t been there since I was a little kid,” says Wopper, whose parents brought him to California when he was three years old. Now he has to move back to Michoacán. When he learns that his longtime girlfriend is pregnant, the future looks even more uncertain. Wopper's story unfolds as life in a rural village takes him in new and unexpected directions. This immigrant saga in reverse is a story of young people who must live with the reality of their parents’ dream. We know this story from the headlines, but up to now it has been unexplored literary territory.
She was young, beautiful, innocent. He vowed to protect her . . . from himself. The scoundrel's surprise... Six years of Lady Shelbourne's School for Girls gave her polish. But nothing could tame the passion Calandra Locke felt for Sir Scarborough Weston, her father's employer, the man she'd loved since childhood. She knew that Scar remembered her as a horseback-riding hoyden, but surely he would be stunned by the woman she had become. Callie was determined to be his wife. No one knew him better, could make him happier than she. If only he would let her . . . The scoundrel's dilemma.... How could Scarborough Weston tell his steward's daughter that his desire for her was the one feeling he could not afford to indulge? After all, he was a notorious rake whose fascination with a woman lasted no longer than a successful seduction. He vowed never to hurt Callie, and tried to keep her at arm's length. But even as he set about finding her a suitable husband, Callie's unconventional beauty tested his resolve, her passionate nature teasing him, tempting him, driving him out of control and making him do the unthinkable. Could he really be falling in love?
Filastro is a bully, used to beating up his wife, six of their seven children, and the riffraff of his village in Mexico. But he can't bring himself to harm his youngest son, Edmund, whose limbs resemble sticks and whose head seems too big for his puny body. The older children, who loathe their father, escape him by fleeing to the United States, and Edmund, who is fixated on an indifferent Ingrid Genera and yearns to learn the guitar in order to serenade her, is the only child left at home. In the wake of a drunken episode, Filastro is tortured and eventually crippled by a stranger. His wife moves out of the house, and the irrepressible Edmund, who lobbies in vain for his mother to come home, becomes his father's caregiver. In a desperate attempt to win back his wife, Filastro braves crossing the Rio Grande to beseech the forgiveness of each of his six children scattered across America.
Two decades into the twenty-first century, contemporary Latinx writers have established themselves within an evolving literary tradition. Imaginative Possibilities collects interviews with some of these authors to explores the writers’ processes, aesthetics, creative trajectories, and places within the larger body of Latinx literature. The interviews address artistic, professional, and cultural issues including the building of intellectual communities, the writing and publication process, and the practical economics of making a living. US Latinx writers discuss how they navigate the overwhelmingly white publishing industry, the academic book market, higher education, and MFA culture while exploring questions of representation, hybridity, and mestizaje. Through these conversations, a truth emerges: Latinx literature speaks not with one voice, but many.
In v.1-8 the final number consists of the Commencement annual.