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Maya Banks, the New York Times bestselling author of romance and romantic suspense has captivated readers with her steamy Scottish historical novels, perfect for fans of Julie Garwood. Never Seduce a Scot features a remarkable woman whose rare gift teaches a gruff Scottish warrior how to listen with his heart. Eveline Armstrong is fiercely loved and protected by her powerful clan, but outsiders consider her “touched.” Beautiful, fey, with a level, intent gaze, she doesn’t speak. No one, not even her family, knows that she cannot hear. Content with her life of seclusion, Eveline has taught herself to read lips and allows the outside world to view her as daft. But when an arranged marriage into a rival clan makes Graeme Montgomery her husband, Eveline accepts her duty—unprepared for the delights to come. Graeme is a rugged warrior with a voice so deep and powerful that his new bride can hear it, and hands and kisses so tender and skilled that he stirs her deepest passions. Graeme is intrigued by the mysterious Eveline, whose silent lips are ripe with temptation and whose bright, intelligent eyes can see into his soul. As intimacy deepens, he learns her secret. But when clan rivalries and dark deeds threaten the wife he has only begun to cherish, the Scottish warrior will move heaven and earth to save the woman who has awakened his heart to the beautiful song of a rare and magical love.
When eighteen-year-old Lady Catriona Mackintosh discovers a wounded man in the forest near her Highland home, little does she know that he has sworn a sacred oath to kill her father and other members of the powerful Highland confederation known as Clan Chattan. Nor does she realize that she has met her soul mate. Independent, competent, intelligent, fiercely proud of her heritage, determined always to live near her own family, and known to her family as the "wee wildcat" because of her quick temper, Catriona is the daughter of a Highland chieftain and granddaughter of the even more powerful Chief (or Captain) of Clan Chattan. But her life changes forever when she persuades Sir Finlagh Cameron to return with her to her home to recover from his wounds. Sir Finlagh "Fin" Cameron is on a mission for the heir to Scotland's throne, who has sent him to the Highlands to persuade the Chief of Clan Chattan to arrange a secret meeting for him with two other great lords (the Lord of the Isles and the Lord of the North). Until Fin meets Catriona, however, he has no idea that her father was the Clan Chattan war leader who led them in the battle that wiped out many of Clan Cameron's best warriors, including Fin's own father. The sole survivor of that battle, Fin accepted a bequest of vengeance from his dying father, providing him with a dilemma to face as he begins to fall in love with Catriona. He is not the only one enticed by her charms, either. There are two other contenders, one of whom is his own master, the heir to Scotland's throne. With royal mischief afoot, if Catriona and Fin are ever to find happiness, they must first avoid disaster that could change Scotland's history, and find ways to be open and honest with each other.
The Gothic Wanderer Rises Eternal in Popular Literature From the horrors of sixteenth century Italian castles to twenty-first century plagues, from the French Revolution to the liberation of Libya, Tyler R. Tichelaar takes readers on far more than a journey through literary history. The Gothic Wanderer is an exploration of man's deepest fears, his eff orts to rise above them for the last two centuries, and how he may be on the brink finally of succeeding. Tichelaar examines the figure of the Gothic wanderer in such well-known Gothic novels as "The Mysteries of Udolpho," "Frankenstein," and "Dracula," as well as lesser known works like Fanny Burney's "The Wanderer," Mary Shelley's "The Last Man," and Edward Bulwer-Lytton's "Zanoni." He also finds surprising Gothic elements in classics like Dickens' "A Tale of Two Cities" and Edgar Rice Burroughs' "Tarzan of the Apes." From Matthew Lewis' "The Monk" to Stephenie Meyer's "Twilight," Tichelaar explores a literary tradition whose characters refl ect our greatest fears and deepest hopes. Readers will find here the revelation that not only are we all Gothic wanderers--but we are so only by our own choosing. Acclaim for "The Gothic Wanderer" ""The Gothic Wanderer" shows us the importance of its title figure in helping us to see our own imperfections and our own sometimes contradictory yearnings to be both unique and yet a part of a society. The reader is in for an insightful treat." --Diana DeLuca, Ph.D. and author of Extraordinary Things "Make no mistake about it, The Gothic Wanderer is an important, well researched and comprehensive treatise on some of the world's finest literature." --Michael Willey, author of Ojisan Zanoni Foreword by Marie Mulvey-Roberts, Ph.D. Learn more at www.GothicWanderer.com From Modern History Press www.ModernHistoryPress.com Literary Criticism: Gothing & Romance Literary Criticism: European - General
Welcome to the charming Scottish seaside town of Gandiegow—where two people have returned home for different reasons, but to find the same thing.… Caitriona Macleod gave up her career as an investigative reporter for the role of perfect wife. But after her husband is found dead in his mistress’s bed, a devastated Cait leaves Chicago for the birthplace she hasn’t seen since she was a child. She’s hoping to heal and to reconnect with her gran. The last thing she expects to find in Gandiegow is the Sexiest Man Alive! She just may have stumbled on the ticket to reigniting her career—if her heart doesn’t get in the way. Graham Buchanan is a movie star with many secrets. A Gandiegow native, he frequently hides out in his hometown between films. He also has a son he’ll do anything to protect. But Cait Macleod is too damn appealing—even if she is a journalist. Quilting with her gran and the other women of the village brings Cait a peace she hasn’t known in years. But if she turns in the story about Graham, Gandiegow will never forgive her for betraying one of its own. Should she suffer the consequences to resurrect her career? Or listen to her battered and bruised heart and give love another chance?
In the harsh Scottish highlands of 1565, superstition and treachery threaten a truce between rival clans. It's a weak truce at first, bound only by an arranged engagement between Anne MacGregor and Niall Campbell-the heirs of the feuding families. While Niall wrestles with his suspicions about a traitor in his clan, Anne's actions do not go unnoticed. And as accusations of witchcraft abound, the strong and sometimes callous Campbell heir must fight for Anne's safety among disconcerted clan members. Meanwhile his own safety in threatened with the ever-present threat of someone who wants him dead. Will Niall discover the traitor's identity in time? Can Anne find a way to fit into her new surroundings? Will the two learn to love each other despite the conflict? With a perfect mix of a burgeoning romance and thrilling suspense, this book is historical fiction at its best.
Lady Jane Crichton is one of the Edinburgh Seven, the first women to study medicine in the United Kingdom. Jane's real love is science and invention, and she builds a time machine. Her first flight, attended only by Dr. Joseph Bell, ends badly when she crash-lands in 13th-century Gaelic Scotland. Her rescuer, a gruff warrior woman named Ainslie, shows her the delights of island life and teaches her more than she'd ever learned in the university's hallowed halls.
The third book in the School for Heiressess series, by New York Times bestselling historical romance author Sabrina Jeffries, is a delightfully sexy regency-era romance. Lady Venetia Campbell's visit to her childhood home in Scotland takes a dramatic turn when she's kidnapped at pistol point by her father's sworn enemy. Sir Lachlan Ross is widely feared in his guise as The Scottish Scourge, but Venetia remembers her former neighbor as a handsome youth whose attentions she craved. Now a wickedly sexy man, Lachlan's appeal is even more intoxicating...and much more dangerous. Though Lachlan tries to treat her as his foe, his scorching kisses tell another story. And despite his plan to use her as a weapon against her father, Venetia is determined that Lachlan's lust for revenge will be trumped by an even more powerful desire...
Uses 19th and 20th-century Irish Gothic literary texts to argue that capitalism, the nuclear patriarchal family and Protestantism coincided with and reinforced the conditions for the plantation of Ireland and the colonization which followed.