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‘The Art of Speech offers to the English language a systematic, in-depth and thoroughly readable exploration of Rudolf Steiner’s original exercises. Langman’s contribution, developed over decades of research, performance and teaching, is filled with relevance for today’s speech artists. The powerful spiritual inspirations that stand behind the spoken word are infused throughout, giving this book its wings.’ – Dr Diane Caracciolo, Associate Professor of Educational Theatre, Adelphi University ‘Langman’s seminal work leads the artist through a portal to an experience of the heart and the genius of speech as “the activity of divine creative beings”.’ – Dr Jane Gilmer, Assistant Professor of Drama, VPA, National Institute of Education, Singapore ‘A prodigious work, intriguing, enlightening and passionate – and the co-ordination with Chekhov invaluable… Those fortunate enough to see Dawn’s solo performances of King Lear and Kaspar Hauser know that this book is the fruit of living and loving experience.’ – Sophia Walsh, pioneer teacher and artist of Speech Formation in the English language, Dornach, Switzerland The Art of Speech presents a dynamic path of practice leading to an experience of the Word as a living, healing and creative power. Helping to deliver Western intellectual speech from what Artaud described as ‘shrivelled throats’ and ‘monstrous talking abstractions’, Langman brings to life the spiritual realities out of which a true Art of Speech arises. Inspired by Rudolf Steiner and pioneered initially in the German language by Marie Steiner, this artform is illuminated here through the genius of the English language. Langman builds a bridge between mainstream research into the intrinsic nature of Speech, and the levels of spiritual cognition that led to Rudolf Steiner’s insights. Speech and language can no longer be reduced to an arbitrary collection of abstract symbols, she asserts. This book will inspire those working with these disciplines as practitioners (both artistic and therapeutic) as well as those who wish to understand their significance in human evolution, both past and future. Following her first book The Art of Acting, this volume completes a foundation of understanding for an exploration – in the conclusion of Langman’s trilogy – of an integrated art of speech and acting. Grounded in the spiritual reality of the human being, Langman presents a systematic methodology with which to explore Rudolf Steiner’s Speech and Drama Course.
Originally published in 1963, The Speech Chain has been regarded as the classic, easy-to-read introduction to the fundamentals and complexities of speech communication. It provides a foundation for understanding the essential aspects of linguistics, acoustics and anatomy, and explores research and development into digital processing of speech and the use of computers for the generation of artificial speech and speech recognition. This interdisciplinary account will prove invaluable to students with little or no previous exposure to the study of language.
Reprint of the original, first published in 1874.
Do you remember the topic of the last speech you heard? If not, you're not alone. In fact, studies show that audiences remember only 10% to 30% of speech or presentation content. Given those bleak statistics, why do we give speeches at all? We give them, says communications expert Nick Morgan, because they remain the most powerful way of connecting with audiences since ancient Greek times. But as we've evolved to a more conversational mode of public speaking, thanks to television, we have forgotten much of what the Greeks taught us about the nonverbal aspects of speech-giving: the physical connection with audiences that can create an almost palpable emotional bond. Morgan says this "kinesthetic connection" comes from truly listening to your audience—not just with your brain but with your body. In this book, he draws from more than 20 years as a speech coach and consultant, combining the best of ancient Greek oratory with modern communications research to offer a new, audience-centered approach to public speaking. Through entertaining and insightful examples, Morgan illustrates a 3 part process—focusing on content development, rehearsal, and delivery—that will enable readers of all experience levels to give more effective, passion-filled speeches that move audiences to action.
Be memorable. Whether you like it or loathe it, public speaking is something many of us have to do. Be it presentations to colleagues or speeches to a room full of near strangers, we all want to shine...or at least get through it with our dignity intact. Luckily Philip Collins, former Chief Speech Writer to Tony Blair, knows exactly what’s needed to give a storming speech. The secret, according to Philip, is content. Too many of us focus on how we’re presenting, and don’t spend enough time thinking about what we’re presenting. The secret to memorable, polished speeches is to think more about the material you’re sharing – to pay attention to detail and choose your works carefully. Speech writing is and art – and art we can all learn. When the content’s right, the confidence will follow. In The Art of Speeches and Presentations Philip Collins provides you with a concise set of tools, preparing you for any speaking occasion. Ranging from the ancient history of rhetoric to what makes Barack Obama such a good speaker, it’s packed with practical examples and tips to teach you the craft of speaking well and making people remember what to say. “Does Phil Collins know what he is talking about? Here’s the answer – he isn’t just good, he is the best. It’s as simple as that. I spent years writing speeches for major politicians and I now speak publicly myself all the time, and yet there is so much that I can pick up from him and anyone who re4ads this book will too.”—Daniel Finkelstein, Executive Editor, The Times and former speech writer to William Hague
"Introduction to Speech Science" is tailor made for the undergraduate Speech-Language Pathology and Audiology student. It provides a basic, student-friendly introduction to Speech and Hearing Science, alleviating frustration on the parts of both students and instructors who have been forced to use graduate-level texts in the past. The authors have many years of experience teaching undergraduate courses in Speech Science, and their book is written in simple, easy to understand language. It features extensive hints to students to reinforce concepts and assist science-shy students. At the end of each chapter, there are questions for students' review of the material. The book also includes recent references for further information, and a glossary of terms. For undergraduate Speech-Language Pathology and Audiology students, or those with an interest in this field.