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In Two Volumes: Volume 1, From The Earliest Times To The End Of The Middle Kingdom; Volume 2, The Hyksos Period And The New Kingdom, 1675-1080 B. C. A Background For The Study Of The Egyptian Antiquities In The Metropolitan Museum Of Art.
In 1895–96, William Matthew Flinders Petrie and James Edward Quibell discovered a shaft-tomb below the ‘Ramesseum’, the funerary temple of Ramses II at Thebes, Egypt. This is most famous for having the largest group of Middle Kingdom papyri – also known as the Ramesseum Papyri – found in a single spot together with a number of distinctive objects, such as carved ivory tusks and miniature figurines in various materials dated around XVIII century BC. Gianluca Miniaci attempts to thoroughly reconstruct the archaeological context of the tomb: the exact find spot (forgotten afterwards its discovery), its architecture, the identity of its owner(s) and recipient(s) of the assemblage of artifacts. A detailed analysis of the single artifacts – provided for the first with full color photographic records and drawings – and their network of relations gives new life to the Ramesseum assemblage after more than a century from its discovery.
This volume documents twenty-six monumental tombs of the ancient Egyptian Twelfth Dynasty that were excavated by the Metropolitan Museum Egyptian Expedition from 1906 to 1934 and 1984 to 1991. Focusing on the study and reconstruction of the architecture of the tombs, the book also publishes remains of reliefs and inscriptions that decorated the walls. The author demonstrates the astonishing variety of Middle Kingdom funeral architecture. Whereas some of the Lisht structures relate closely to Old Kingdom mastabas, there is also a new group of freestanding chapels that are derived from contemporary deity temples and foreshadow the temple-tombs of later periods in Egyptian history. Also included is an appendix by James P. Allen on the biographical inscription in one of the tombs
With detailed illustrations and archival images, Egyptologist Wolfram Grajetzki describes and compares the opulent tombs of eminent and royal women from the late Middle Kingdom, shedding new light on how the gendered and social identities of these women were viewed in the court and preserved in the grave.
The Egyptian Collection at Norwich Castle Museum represents the first full publication of this important collection which contains several outstanding objects. Part 1 begins with an outline of the acquisition history of the Egyptian collection and its display within Norwich Castle in 1894, when it was converted from a prison to a museum. The collection was largely acquired between the nineteenth and first part of the twentieth centuries. Its most prominent donor was Flaxman Spurrell, whose varied collection of flints, faience beads and necklaces as well as Late Antique cloths was obtained from Sir Flinders Petrie. Also prominent was the Norwich-based Colman family, most notable for its manufacture of mustard, whose collection was purchased in Egypt during the late-C19. Also included in this part are essays on several of the museum’s outstanding items – Ipu’s shroud, a rare early 18th Dynasty example with fragments also held in Cairo; the 22nd Dynasty finely decorated and well-preserved cartonnage and wooden lid of the priest, Ankh-hor; and the exceptional model granary of Nile clay painted with lively scenes, one showing the owner, Intef, playing senet. Part 2 is a detailed catalogue of the complete collection. It is organised into sections with objects grouped together mainly according to type – stelae, shabtis, scarabs, jewellery, amulets, vessels, flints, lamps, inscribed Book of the Dead fragments, metal figurines, and Late Antique cloths; and also according to function – such as cosmetics& grooming, and architectural & furniture elements. The inscribed materials have all been translated and individual entries give examples or parallels. Seventy colour plates illustrate each object.