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For over two hundred years, the Catskill Mountains have been repeatedly and dramatically transformed by New York City. In Making Mountains, David Stradling shows the transformation of the Catskills landscape as a collaborative process, one in which local and urban hands, capital, and ideas have come together to reshape the mountains and the communities therein. This collaboration has had environmental, economic, and cultural consequences. Early on, the Catskills were an important source of natural resources. Later, when New York City needed to expand its water supply, engineers helped direct the city toward the Catskills, claiming that the mountains offered the purest and most cost-effective waters. By the 1960s, New York had created the great reservoir and aqueduct system in the mountains that now supplies the city with 90 percent of its water. The Catskills also served as a critical space in which the nation's ideas about nature evolved. Stradling describes the great influence writers and artists had upon urban residents - especially the painters of the Hudson River School, whose ideal landscapes created expectations about how rural America should appear. By the mid-1800s, urban residents had turned the Catskills into an important vacation ground, and by the late 1800s, the Catskills had become one of the premiere resort regions in the nation. In the mid-twentieth century, the older Catskill resort region was in steep decline, but the Jewish "Borscht Belt" in the southern Catskills was thriving. The automobile revitalized mountain tourism and residence, and increased the threat of suburbanization of the historic landscape. Throughout each of these significant incarnations, urban and rural residents worked in a rough collaboration, though not without conflict, to reshape the mountains and American ideas about rural landscapes and nature.
From the 1890s through the 1920s, the postcard was an extraordinarily popular means of communication. Many of the postcards produced during this "golden age," and even some from later years, can today be considered works of art. Postcard photographers traveled the length and breadth of the nation snapping photographs of busy street scenes, documenting local landmarks, and assembling crowds of local children only too happy to pose for a picture. These images, printed as postcards and sold in general stores and five and dimes across the country, survive as telling reminders of an important era in America's history. This fascinating new history of the Catskills of New York showcases more than two hundred of the best, most evocative vintage postcards available.
Excerpt from The Sketch-Book of Geoffrey Crayon, Gent, Vol. 1 I entreat you to believe that I feel truly obliged by your kind intentions towards me, and that I entertain the most unfeigned respect for your most tasteful talents. My house is completely filled with work people at this time, and I have only an office to tran saet business in and yesterday I was Wholly occupied, or I should have done myself the pleasure of seeing you. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Excerpt from The Catskill Mountains and the Region Around: Their Scenery, Legends, and History; With Sketches in Prose and Verse, by Cooper, Irving, Bryant, Cole, and Others Early in the year 1860, the writer, or more properly, perhaps, the compiler of this work, was led, by professional duty, and the healthful climate of the mountains, to make his home in a place of peculiar and romantic beauty, on one of the lower cliffs of the Catskill range, directly in front of the high projection on which the Mountain House stands. Parochial visits, funerals, weddings, and excursions with friends from abroad, led to peculiar familiarity with scenes, objects and events of interest, in and near the mountains, as also with historical and traditionary matter, of permanent value, and importance. Events of early Indian and pioneer history were also met with, connected with war, captivity, and patriotic martyrdom, recorded only in early newspapers, manuscripts and pamphlets, rare, difficult to be found, and so worn and torn by long and frequent reading, as to have well-nigh passed away. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
The Harvard Classics Shelf of Fiction - Complete 20 Volumes is a monumental collection that traverses the rich territories of nineteenth and early twentieth-century literature, bringing together an unparalleled range of literary styles, from the gothic to the realist, the romantic to the naturalist. This anthology encapsulates the evolution of modern storytelling, showcasing seminal works that have shaped the literary canon. Its diversity is its strength, featuring texts that explore themes of love, morality, society, and human psychology, among others. The inclusion of works from a spectrum of authors, including standout pieces from heavyweights such as Dostoevsky, Dickens, Hugo, and Austen, offers readers a comprehensive insight into the era's diverse literary landscape. The contributing authors and editors, hailing from various cultural backgrounds and literary traditions, collectively present a multifaceted view of the human condition across different societies and historical moments. This collective effort aligns with significant historical, cultural, and literary movements, from the Enlightenment's emphasis on reason to Romanticism's celebration of emotion and individuality, offering a panoramic view of the shifts in thought that have influenced literature and society. By bringing together these varied voices, the anthology provides a unique lens through which to explore the complexities of the human experience, as conveyed through the art of storytelling. The Harvard Classics Shelf of Fiction - Complete 20 Volumes is an essential collection for anyone interested in the development of fiction and its role in reflecting and shaping our understanding of the world. Offering an extraordinary opportunity to engage with the thoughts and experiences of some of literature's most influential figures, this anthology is a treasure trove for scholars, students, and general readers alike. It encourages a deep dive into a multitude of perspectives, enriching the reader's appreciation of literature's power to provoke thought, evoke emotion, and connect disparate human experiences across time and space.
The Harvard Fiction Classics represent a specific selection of the greatest novels, novellas and short stories of seven national literatures, namely: English, American, French, Spanish, German, Russian, and Scandinavian. Table of Contents: Vols. 1 & 2: The History of Tom Jones by Henry Fielding Vol. 3: A Sentimental Journey by Laurence Sterne Pride and Prejudice by Jane Austen Vol. 4: Guy Mannering by Sir Walter Scott Vol. 5 & 6: Vanity Fair by William Makepeace Thackeray Vol. 7 & 8: David Copperfield by Charles Dickens Vol. 9: The Mill on the Floss by George Eliot Vol. 10: Nathaniel Hawthorne: The Scarlet Letter Rappaccini's Daughter Washington Irving: Rip Van Winkle The Legend of Sleepy Hollow Edgar Alan Poe: Eleonora The Fall of the House of Usher The Purloined Letter Francis Bret Harte: The Luck of Roaring Camp The Outcasts of Poker Flat The Idyl of Red Gulch Jim Smiley and His Jumping Frog by Mark Twain The Man Without a Country by Edward Everett Hale Vol.11: The Portrait of a Lady by Henry James Vol. 12: Notre Dame de Paris by Victor Hugo Vol. 13: French Fiction Old Goriot by Honoré de Balzac The Devil's Pool by George Sand The Story of a White Blackbird by Alfred de Musset Alphonse Daudet: The Siege of Berlin The Last Class The Child Spy The Game of Billiards The Bad Zouave Guy de Maupassant: Walter Schnaffs' Adventure Two Friends The Cripple Vols. 14 & 15: German Fiction J. W. von Goethe: Wilhelm Meister's Apprenticeship The Sorrows of Young Werther The Banner of the Upright Seven by Gottfried Keller The Rider on the White Horse by Theodor Storm Trials and Tribulations by Theodor Fontane Vols. 16–19: Russian Fiction Tolstoy: Anna Karenina Ivan the Fool Crime and Punishment by Dostoevsky Turgenev: A House of Gentlefolk Fathers and Children Vol. 20: Spanish & Scandinavian Fiction Pepita Jimenez by Juan Valera A Happy Boy by Bjørnstjerne Bjørnson Skipper Worse by Alexander L. Kielland
The Complete Harvard Classics Shelf, encompassing 51 Volumes of Essential Classics along with 20 Volumes of the Greatest Works of Fiction, embodies an unprecedented literary compilation that spans the spectrum of human thought and expression. This collection showcases a vast array of themesfrom the foundations of Western philosophy and the intricacies of political theory to the nuanced realms of personal experience and the rich tapestry of the human condition. Within its pages, readers will encounter a diverse range of literary styles, from the dramatic dialogues of Plato to the biting wit of Mark Twain, and from the Romantic visions of Percy Bysshe Shelley to the piercing observations of Jane Austen. The anthology stands as a testament to the enduring value of literature, inviting a re-examination of classic works that continue to challenge, inspire, and provoke dialogue across generations. The contributing authors and editors, each a luminary in their respective fields, bring together an illustrious tapestry of voices that reflect the breadth and depth of human experience. This collection spans epochs, continents, and genres, offering insights into the minds of figures like Johann Wolfgang von Goethe, Charles Darwin, and William Shakespeare, alongside those of Aristotle, Francis Bacon, and Ralph Waldo Emerson. By weaving together the contributions of such a diverse group, The Harvard Classics Shelf aligns itself not only with multiple historical and cultural movements but also with the evolution of literary and philosophical thought. The anthology serves as a bridge, connecting readers with the intellectual and creative endeavors that have shaped our world. This anthology is recommended for anyone with a passion for literature, philosophy, and history. It offers a unique opportunity to engage with the seminal works that have laid the foundation for much of contemporary thought and literature. Readers are encouraged to delve into its volumes to explore the multitude of perspectives, styles, and themes. The Complete Harvard Classics Shelf does more than furnish readers with a comprehensive education in literature and philosophy; it opens up a dialogue between past and present, inviting an exploration of the timeless human issues that continue to engage us today. For scholars, students, and lifelong learners alike, this collection promises an enriching journey through the landscape of human knowledge and creativity.
Musaicum Books presents to you this meticulously edited Harvard Classics collection: The Harvard Classics: V. 1: Franklin, Woolman & Penn V. 2: Plato, Epictetus & Marcus Aurelius V. 3: Bacon, Milton, Browne V. 4: Poems by John Milton V. 5: R. W. Emerson V. 6: Poems by Robert Burns V. 7: St Augustine & Thomas á Kempis V. 8: Nine Greek Dramas V. 9: Cicero and Pliny V. 10: The Wealth of Nations V. 11: The Origin of Species V. 12: Plutarch's Lives V. 13: Æneid V. 14: Don Quixote V. 15: Bunyan & Walton V. 16: Thousand and One Nights V. 17: Folklore & Fable V. 18: Modern English Drama V. 19: Goethe & Marlowe V. 20: The Divine Comedy V. 21: I Promessi Sposi V. 22: The Odyssey V. 23: Two Years Before the Mast V. 24: Edmund Burke V. 25: J. S. Mill & T. Carlyle V. 26: Continental Drama V. 27 & 28: English and American Essays V. 29: The Voyage of the Beagle V. 30: Scientific Papers V. 31: The Autobiography of Benvenuto Cellini V. 32: Literary and Philosophical Essays V. 33: Voyages & Travels V. 34: French & English Philosophers V. 35: Chronicle and Romance V. 36: Machiavelli, Roper, More, Luther V. 37: Locke, Berkeley, Hume V. 38: Harvey, Jenner, Lister, Pasteur V. 39: Prefaces and Prologues V. 40–42: English Poetry V. 43: American Historical Documents V. 44 & 45: Sacred Writings V. 46 & 47: Elizabethan Drama V. 48: Blaise Pascal V. 49: Epic and Saga V. 50: Reader's Guide V. 51: Lectures The Shelf of Fiction: V. 1 & 2: The History of Tom Jones V. 3: A Sentimental Journey & Pride and Prejudice V. 4: Guy Mannering V. 5 & 6: Vanity Fair V. 7 & 8: David Copperfield V. 9: The Mill on the Floss V. 10: Hawthorne, Irving, Poe, Harte, Twain, Hale V.11: The Portrait of a Lady V. 12: Notre Dame de Paris V. 13: Balzac, Sand, de Musset, Daudet, de Maupassant V. 14 & 15: Goethe, Keller, Storm, Fontane V. 16–19: Tolstoy, Dostoevsky, Turgenev V. 20: Valera, Bjørnson, Kielland