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Jenny Nordbak takes us to a place that few have seen, but millions have fantasized about, revealing how she transformed herself from a USC grad lacking in confidence into an elite professional dominatrix who finds her own voice, power and compassion for others. On an unorthodox quest to understand her hidden fantasies, Jenny led a double life for two years. By day she was a construction manager, but at night she became Mistress Scarlett. Working at LA’s longest-running dungeon, she catered to the secret fetishes of clients ranging from accountants to movie stars. She simultaneously developed a career in the complex and male-dominated world of healthcare construction, while spending her nights as a sex worker, dominating men. Far from the standard-issue powerful men who pay to be helpless, Mistress Scarlett’s clientele included men whose fantasies revealed more complex needs, from “Tickle Ed” to “Doggie Dan,” from the “Treasure Trolls” to “Ta-Da Ted.” The Scarlett Letters explores the spectacularly diverse array of human sexuality and the fascinating cast of characters that the author encountered along the way.
The classic novel by Nathaniel Hawthorne
One month after her novel Gone With the Wind was published, Margaret Mitchell sold the movie rights for fifty thousand dollars. Fearful of what the studio might do to her story—“I wouldn’t put it beyond Hollywood to have . . . Scarlett seduce General Sherman,” she joked—the author washed her hands of involvement with the film. However, driven by a maternal interest in her literary firstborn and compelled by her Southern manners to answer every fan letter she received, Mitchell was unable to stay aloof for long. In this collection of her letters about the 1939 motion picture classic, readers have a front-row seat as the author watches the Dream Factory at work, learning the ins and outs of filmmaking and discovering the peculiarities of a movie-crazed public. Her ability to weave a story, so evident in Gone With the Wind,makes for delightful reading in her correspondence with a who’s who of Hollywood, from producer David O. Selznick, director George Cukor, and screenwriter Sidney Howard, to cast members Clark Gable, Vivien Leigh, Leslie Howard, Olivia de Havilland and Hattie McDaniel. Mitchell also wrote to thousands of others—aspiring actresses eager to play Scarlett O’Hara; fellow Southerners hopeful of seeing their homes or their grandmother’s dress used in the film; rabid movie fans determined that their favorite star be cast; and creators of songs, dolls and Scarlett panties who were convinced the author was their ticket to fame and fortune. During the film’s production, she corrected erring journalists and the producer’s over-the-top publicist who fed the gossip mills, accuracy be damned. Once the movie finished, she struggled to deal with friends and strangers alike who “fought and trampled little children and connived and broke the ties of lifelong friendship” to get tickets to the premiere. But through it all, she retained her sense of humor. Recounting an acquaintance’s denial of the rumor that the author herself was going to play Scarlett, Mitchell noted he “ungallantly stated that I was something like fifty years too old for the part.” After receiving numerous letters and phone calls from the studio about Belle Watling’s accent, the author related her father was “convulsed at the idea of someone telephoning from New York to discover how the madam of a Confederate bordello talked.” And in a chatty letter to Gable after the premiere, Mitchell coyly admitted being “feminine enough to be quite charmed” by his statement to the press that she was “fascinating,” but added: “Even my best friends look at me in a speculative way—probably wondering what they overlooked that your sharp eyes saw!” As Gone With the Wind marks its seventy-fifth anniversary on the silver screen, these letters, edited by Mitchell historian John Wiley, Jr., offer a fresh look at the most popular motion picture of all time through the eyes of the woman who gave birth to Scarlett.
"'Thou and thine, Hester Prynne, belong to me.' With these chilling words a husband claims his wife after a two-year absence. But the child she clutches is not his, and Hester must wear a scarlet 'A' upon her breast, the sin of adultery visible to all. Under an assumed name her husband begins his search for her lover, determined to expose what Hester is equally determined to protect. Defiant and proud, Hester witnesses the degradation of two very different men, as moral codes and legal imperatives painfully collide." "Set in the Puritan community of seventeenth-century Boston, The Scarlet Letter also sheds light on the nineteenth century in which it was written, as Hawthorne explores his ambivalent relations with his Puritan forebears. The text of this edition is taken from the Centenary Edition of Hawthorne's works, the most authoritative critical edition."--BOOK JACKET.
These interpretative essays explore different topics and issues in the context of history and culture.
When an elderly English scholar discovers his young wife in the pillory, cradling an illegitimate child and wearing a scarlet A for Adulteress, he disguises himself as a doctor and begins a cruel and destructive search for the father of the child. Set in mid-seventeenth-century Boston, thispowerful tale of passion, puritanism, and revenge is one of the foremost classics of American literature. Covering the most recent developments in Hawthorne scholarship, this up-to-date edition contains full and detailed notes.
Scarlet Letters explores the fascination exerted by adultery throughout the long history of western cultures. Critics from the UK, USA and Australia, working in a variety of specialisms, have contributed to this substantial new collection of close readings and wider contextualisations. As well as focusing on the bourgeois nineteenth century as the high age of representations of adultery, the book offers historicist and psychoanalytic analyses of texts ranging from the Amphitryon myth to Fatal Attraction and The Piano .
The Scarlet Letter, published in 1850, is an American novel written by Nathaniel Hawthorne and is generally considered to be his magnum opus. Set in 17th-century Puritan Boston, it tells the story of Hester Prynne, who gives birth after committing adultery, refuses to name the father, and struggles to create a new life of repentance and dignity. Throughout the novel, Hawthorne explores questions of grace, legalism, sin and guilt.
Jane Eyre. Frankenstein. The Scarlet Letter. You’re familiar with these pillars of classic literature. You have seen plenty of Frankenstein costumes, watched the film adaptations, and may even be able to rattle off a few quotes, but do you really know how to read these books? Do you know anything about the authors who wrote them, and what the authors were trying to teach readers through their stories? Do you know how to read them as a Christian? Taking into account your own worldview, as well as that of the author? In this beautiful cloth-over-board edition bestselling author, literature professor, and avid reader Karen Swallow Prior will guide you through The Scarlet Letter. She will not only navigate you through the pitfalls that trap readers today, but show you how to read it in light of the gospel, and to the glory of God. This edition includes a thorough introduction to the author, context, and overview of the work (without any spoilers for first-time readers), the full original text, as well as footnotes and reflection questions throughout to help the reader attain a fuller grasp of The Scarlet Letter. The full series currently includes: Heart of Darkness, Sense and Sensibility, Jane Eyre, Frankenstein, The Scarlet Letter and Tess of the d'Urbervilles.