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The Eloquent Blood focuses on the changing construction of femininity and feminine sexuality in interpretations of the goddess Babalon. A central deity in Thelema, the religion founded by the notorious British occultist Aleister Crowley (1875-1947), Babalon is based on Crowley's favorable reinterpretation of the biblical Whore of Babylon, and is associated with liberated female sexuality and the spiritual ideal of passionate union with existence. Combining research on historical and contemporary Western esotericism with feminist and queer theory, the book sheds light on the ways in which esoteric movements and systems of thought have developed over time in relation to political movements.
It is no secret that an Adeptus Minor (5=6) in Tiphereth has a two-fold role. As an Outer Adept they shine the light of their Sun toward the Earth, while an Inner Adept turns around and faces the infinite stars of Nuit and of BABALON. The avatar, according to Crowley, is the Balance between these roles. The avatar acts as a channel bringing Gnosis from Above to the Below. The receiver on Earth can be either female or male, claiming the title of a Scarlet Woman or the Beast. Erica M Cornelius's masterfully kaleidoscopic new book, The Scarlet Woman and the Ancient Mercurial Serpent and Other Essays, carefully discloses the feminine formula in New-Aeonic Magick. What you do with this formula is your own business. However, it is no secret, both men and women will be forever changed after reading this book. Chapters Titles: I. To Achieve the Serpent; II. Transformation of the Snake into the Wingéd Dragon; III. The Scarlet Woman as Melusine; IV The Scarlet Woman as Daemonic; V. The Scarlet Woman as Kundry; VI. The Scarlet Woman, Sex Magick, and Divine Genius; VII. The Scarlet Woman, LAM, and Kundalini Shakti; VIII. Virginity, the Scarlet Woman, and the Four Worlds of Malkuth; IX. The Magickal Link, Baphomet, and the Worship of the Great Mother; X. The Magickal Link, Iliaster, and the Four Worlds of Yesod. Other essays by J. Edward Cornelius: "The Scarlet Women," "On the Scarlet Woman," and "On the Phases of the Moon."
The Book of Lies was written by English occultist and teacher Aleister Crowley under the pen name of Frater Perdurabo. As Crowley describes it: "This book deals with many matters on all planes of the very highest importance. It is an official publication for Babes of the Abyss, but is recommended even to beginners as highly suggestive." The book consists of 91 chapters, each of which consists of one page of text. The chapters include a question mark, poems, rituals, instructions, and obscure allusions and cryptograms. The subject of each chapter is generally determined by its number and its corresponding Qabalistic meaning.
Manic-depressive hacker Marlowe weaves his way through a psychedelic future where the fusion of man and machine is an expensive fetish. In a desperate attempt to flee his past, Marlowe becomes embroiled in a capricious and reckless love affair with Fiona, a volatile nymphette illegally working the hottest casino in town. But freakish holograms and ominous clues bespeak of dark tidings when Marlowe slowly uncovers a plot to turn his old girlfriend Celeste into something more human than human.
Written after his expulsion by Mussolini from the abbey of Thelema in Cefalu, Sicily, these records consolidate the work that Crowley began in Cefalu and explore more deeply the various techniques of cabalistic and sexual magic, as well as his contact with the Arab magic of North Africa.
A biographical history of Aleister Crowley’s activities in Berlin from 1930 to 1932 as Hitler was rising to power • Examines Crowley’s focus on his art, his work as a spy for British Intelligence, his colorful love life and sex magick exploits, and his contacts with magical orders • Explores Crowley’s relationships with Berlin’s artists, filmmakers, writers, and performers such as Christopher Isherwood, Jean Ross, and Aldous Huxley • Recounts the fates of Crowley’s friends and colleagues under the Nazis as well as what happened to Crowley’s lost art exhibition Gnostic poet, painter, writer, and magician Aleister Crowley arrived in Berlin on April 18, 1930. As prophet of his syncretic religion “Thelema,” he wanted to be among the leaders of art and thought, and Berlin, the liberated future-gazing metropolis, wanted him. There he would live, until his hurried departure on June 22, 1932, as Hitler was rapidly rising to power and the black curtain of intolerance came down upon the city. Known to his friends affectionately as “The Beast,” Crowley saw the closing lights of Berlin’s artistic renaissance of the Weimar period when Berlin played host to many of the world’s most outstanding artists, writers, filmmakers, performers, composers, architects, philosophers, and scientists, including Albert Einstein, Bertolt Brecht, Ethel Mannin, Otto Dix, Aldous Huxley, Jean Ross, Christopher Isherwood, and many other luminaries of a glittering world soon to be trampled into the mud by the global bloodbath of World War II. Drawing on previously unpublished letters and diary material by Crowley, Tobias Churton examines Crowley’s years in Berlin and his intense focus on his art, his work as a spy for British Intelligence, his colorful love life and sex magick exploits, and his contacts with German Theosophy, Freemasonry, and magical orders. He recounts the fates of Crowley’s colleagues under the Nazis as well as what happened to Crowley’s lost art exhibition--six crates of paintings left behind in Germany as the Gestapo was closing in. Revealing the real Crowley long hidden from the historical record, Churton presents “the Beast” anew in all his ambiguous and, for some, terrifying glory, at a blazing, seminal moment in the history of the world.
Do What Thou Wilt: An exploration into the life and works of a modern mystic, occultist, poet, mountaineer, and bisexual adventurer known to his contemporaries as "The Great Beast" Aleister Crowley was a groundbreaking poet and an iconoclastic visionary whose literary and cultural legacy extends far beyond the limits of his notoriety as a practitioner of the occult arts. Born in 1875 to devout Christian parents, young Aleister's devotion scarcely outlived his father, who died when the boy was twelve. He reached maturity in the boarding schools and brothels of Victorian England, trained to become a world-class mountain climber, and seldom persisted with any endeavor in which he could be bested. Like many self-styled illuminati of his class and generation, the hedonistic Crowley gravitated toward the occult. An aspiring poet and a pampered wastrel - obsessed with reconciling his quest for spiritual perfection and his inclination do exactly as he liked in the earthly realm - Crowley developed his own school of mysticism. Magick, as he called it, summoned its users to embrace the imagination and to glorify the will. Crowley often explored his spiritual yearnings through drug-saturated vision quests and rampant sexual adventurism, but at other times he embraced Eastern philosophies and sought enlightenment on ascetic sojourns into the wilderness. This controversial individual, a frightening mixture of egomania and self-loathing, has inspired passionate - but seldom fair - assessments from historians. Lawrence Sutin, by treating Crowley as a cultural phenomenon, and not simply a sorcerer or a charlatan, convinces skeptic readers that the self-styled "Beast" remains a fascinating study in how one man devoted his life to the subversion of the dominant moral and religious values of his time.
When philosophy rescued him from an emotional crisis, Jules Evans became fascinated by how ideas invented over two thousand years ago can help us today. He interviewed soldiers, psychologists, gangsters, astronauts, and anarchists and discovered the ways that people are using philosophy now to build better lives. Ancient philosophy has inspired modern communities — Socratic cafés, Stoic armies, Epicurean communes — and even whole nations in the quest for the good life. This book is an invitation to a dream school with a rowdy faculty that includes twelve of the greatest philosophers from the ancient world, sharing their lessons on happiness, resilience, and much more. Lively and inspiring, this is philosophy for the street, for the workplace, for the battlefield, for love, for life.
Aleister Crowley and Dion Fortune were two of the most controversial and powerful occultists of the 20th century. Crowley was regarded by many as a creature of the night, albeit one whose soul was streaked with brilliance; Fortune was viewed as one of the Shining Ones, who nevertheless wrestled with her own darkness. Between them they produced some of the best books on magick ever written, and their influence upon contemporary magicians has been profound. Written by occult scholar Alan Richardson, this unusual and provocative book draws upon unpublished material to reveal little-known aspects of Crowley and Fortune's relationship, and their role as harbingers of sweeping cultural changes--foreshadowing the women's movement, the sexual revolution, and 1960s counterculture--as well as other surprising influences upon our present culture.