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In this collection of "Cruel Tales," we meet a unique and colorful cast of extraordinary characters such as Akedysseril the Queen of India, Mayeris the big game hunter who capured the sacred white elephant, Maryelle the courtesan, Catalina the gypsy toast of Santander, Mahoin the brigand, the murderous Doctor Hallidon, Grand Inquisitor Tomas de Torquemada and Tomolo K K the Antipodean who traversed the Earth. The Comte de Villiers de l'Isle Adam (1838-1889), pioneer of the Symbolist Movement, is known for his proto-science fiction works Axel (1885) and L'Eve Future (1886). He also wrote many "cruel tales", only a handful of which have ever been translated before this publication of The Scaffold. Poet Paul Verlaine called Villiers' works a "genial melange of irony, metaphysics and terror"and translator Brian Stableford dubs it "a bizarre literary landmark." Brian Stableford has published more than fifty novels and two hundred short stories. This book is the first English-language edition, and includes an authoritative introduction and historical notes.
The latest edition of the world's foremost annual showcase of horror and dark fantasy fiction. Here are some of the very best short stories and novellas by today's finest exponents of horror fiction - including Kim Newman, Neil Gaiman, China Miéville, Paul McAuley, Glen Hirshberg, Ramsey Campbell and Tanith Lee. The Mammoth Book of Best New Horror 16 also contains the most comprehensive overview of horror around the world during the year, lists of useful contact addresses and a fascinating necrology. It is the one book that is required reading for every fan of macabre fiction.
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Everyone trembled at the mere mention of the name of Anne of the Isles. The blood of Joël Braz the warlock ran in her veins. She was a priestess and a sorceress. Woe betide any man whose path crossed hers!... The White Lady of the Marshes had avenged herself cruelly against the incredulous, they were well-advised never to entrust their boats to the current of the Oust once the north star had risen over the black trees of the Forêt-Neuve... Anne of the Isles, last priestess of the Celtic Gods... The vengeful White Lady of the Marshes... The last fairies of mythical Lyonesse... Only Paul Féval, the author of Vampire City and Revenants could paint the epic Gothic fantasies of mist-shrouded, storm-beaten Ancient Brittany with so much color and flamboyance.
The eleven stories and one novella of Mother Box, and Other Tales bring together everyday reality and something that is dramatically not in compelling narratives of new possibilities. In language that is both barb and bauble, bitter and unbearably sweet, Sarah Blackman spins the threads of stories where everything is probable and nothing is constant. The stories in Mother Box, and Other Tales occur in an in-between world of outlandish possibility that has become irrefutable reality: a woman gives birth to seven babies and realizes at one of their weddings that they were foxes all along; a girl with irritating social quirks has been raised literally by cardboard boxes; a young woman throws a dinner party only to have her elaborate dessert upstaged by one of the guests who, as it turns out, is the moon. Love between mothers and children is a puzzling thrum that sounds at the very edge of hearing; a muted pulse that, nevertheless, beats and beats and beats. In these tales, the prosaic details of everyday life—a half-eaten sandwich, an unopened pack of letters on a table—take on fevered significance as the characters blunder into revelations that occlude even as they unfold.