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This revolutionary photography collection is as close to time travel as it gets. Featuring 120 historic black-and-white photographs thoroughly restored and rendered in color, this book illuminates some of the most iconic moments in history, from the sinking of the Titanic to the construction of the Golden Gate Bridge. Brought to life with vibrant color, these incredible images effectively blur the distinction between past and present and bring history within arm's reach. With a timeline spanning more than 100 years, from 1839 to 1949, this unique collection will amaze history and photography buffs alike, offering new perspectives on significant moments of the 19th and 20th centuries.
Using a wide range of photographs, Simon Barley provides a collector’s guide to British saws.
First published in 2006 and now with over 10,000 copies sold, this award-winning book on the worldwide history of the chainsaw will captivate all gadget fanciers, even if they've never had a chainsaw in their hands.
If you were a fan of the SAW movies, you will love this book. If you weren't a fan, this will change your mind. The Cutting Edge: Philosophy of the SAW Films analyzes the SAW movies, revealing their deeper meaning, comparing their philosophical concepts to the views of many philosophers throughout history, and demonstrating that they convey a fascinating blend of traditional and innovative philosophical thought. The book also examines the primary characters of the movies and includes a comprehensive index of the infamous Jigsaw traps.
This book is a collection of some of the more famous and not so famous stories about animals in the Bible, the lives of Catholic saints, and instances in the author's own life. A sprinkling of theological reflection and biblical commentary helps us not only become more familiar with these amazing stories, but also appreciate how God sometimes uses his creation to draw us closer to him and help guide us to the life he wants us to live.
'A book which goes on a special shelf in my library.' P.G. Wodehouse What the Butler Saw (1962) is one of E.S. Turner's most pertinent and illuminating 'social histories', an exploration of the 'upstairs/downstairs' relationship across three centuries of English life. Drawing on literature, contemporary accounts and household manuals, Turner describes in fascinating detail how it came to be that the upper classes felt a need for an ever larger household staff, engaged in every imaginable form of drudgery; and, accordingly, how those in service - from high to low, butler to footman, housemaid to au pair - had to give satisfaction to their masters and mistresses while also, on occasions, contending with physical blows, tantrums, and (in the cases of some unfortunate servant girls) threats to their virtue.
Historians of the various tools trades have long wanted a work specifically on saws and this, the first, is an attempt to match the detail and scholarship of the best that cover planes, cutlery, spanners and measuring tools. The author is a frequent writer and lecturer on saws and the history of their manufacture, and is able to base his work on 15 years of original research and the building of a personal collection of saws - probably the largest in the world - which is housed with the renowned Ken Hawley Collection in Sheffield's Kelham Island Industrial Museum. Together, these collections form a unique research base and visitor attraction. This scholarly book is illustrated with almost 2000 photographs, the majority by the author, and with its listings of saw makers and dealers forms the most comprehensive directory to date of British names in the tool trades.
Introduces the parts and workings of a table saw, shows how to operate it safely, and discusses crosscutting, ripping and joinery.
The Saw films, often derided by critics as "torture porn" and an excuse to show blood and gore, are the highest-grossing horror series in cinema history. In view of their hold on audiences and their controversial content, they deserve study. This first collection of fresh essays by academic authors from Europe, America and Australia addresses the cultural, religious and philosophical facets of the films, investigating how the franchise reflects a post-9/11 shift in U.S. popular culture towards increasing pessimism and how it may be read as a metaphor for the "war on terror"; dissecting how the series explores such issues as freewill and determinism; assessing the films' representations of the body; and applying a Deleuzian perspective to the franchise.