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Excerpt from The Savoy Opera and the Savoyards To the Savoy opera and its merry men playgoers are indebted for many an agreeable hour and innumerable laughter-moving quips. I have thought, therefore, that some record of this pleasant home of song and humour would be welcome, and have gathered together everything about the plays, authors, and performers that is likely to be interesting. This will be found a propos, as the Savoy opera might be considered almost a new form of entertainment, which the public has accepted cordially. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Excerpt from Gilbert and Sullivan: And Their Operas; With Recollections and Anecdotes of Doyly Carte Other Famous Savoyards Whilst as litterateur he fears to fail, as raconteur he hopes to succeed. Just one more prefatory appeal before our Musical Director starts his overture. The act of committing to paper reminiscences so inestimably precious to himself must touch a tender chord in the soul of the narrator. Carried away by the bitter-sweet retrospect of thirty years' familiar intercourse with the founders of the Savoy - all now at rest - he may at intervals appear to express his thoughts in what his late friend, Sir William Gilbert, described as Heart-foam. What then If his admiration, his affection for his departed leaders and colleagues blinds him at moments to a due sense of proportion, shall not such emotion he held excusable? About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.
Excerpt from Savoy Operas Cross, who played the part, letter-perfect and note-perfect, two days later, with great success. The part of Mabel was played by Miss Marion Hood, a singularly beautiful young lady, and a brilliant vocalist. I believe it was her first appearance on the professional stage, and her excellent performance served to secure her many valuable offers. Two or three important members of the company claimed to be foreigners, and although they con sented, under pressure, to appear under English names, spoke nevertheless with strong Italian or French accents. One of them, an Italian, was brought to a sense of the situation by Mr. R. Barker, the stage manager, who was celebrated for his frank and unceremonious methods of address. Mr. Barker bore with the Italian gentleman for a week or two, but at last his patience was exhausted and he said to him Look here, my boy, we shall get on much better if you'll give us a little more Whitechapel and a little less of the Mediterranean. The Italian gentleman took the hint; he became a native of Whitechapel, and the Mediterranean knew him no more. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.