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Il testo è edito con caratteri che non affaticano la vista.Ludovico Ariosto (Reggio nell'Emilia, 8 settembre 1474 - Ferrara, 6 luglio 1533) è stato un poeta, commediografo, funzionario e diplomatico italiano.Le Satire sono l'opera ariostesca più apprezzata dalla storia dopo il Furioso. Si tratta di sette componimenti in terzine, scritti in forma di lettere indirizzate da Ariosto a parenti e amici realmente esistiti, plasmate secondo i canoni delle satire latine e in particolar modo secondo i canoni oraziani.Tali componimenti furono ultimati nel 1525
In Latin Poetry, the erudite and playful works of one of Italy's greatest poets, Ludovico Ariosto (1474-1533), are translated into English for the first time. This I Tatti edition provides a newly collated Latin text and offers unique insight into the formation of one of the Renaissance's foremost vernacular writers.
"The Cinque Canti represent an extremely critical period of Italian and European history. This translation is an outstanding achievement. . . . It aims for close fidelity to the original Italian and is highly readable, even elegant."—Albert R. Ascoli, author of Ariosto's Bitter Harmony
An interdisciplinary exploration of one of the most prolific and controversial figures of early modern Europe. This volume is comprised of seven sections, each devoted to a specific aspect Aretino’s life and works.
Building the Canon through the Classics. Imitation and Variation in Renaissance Italy (1350-1580) provides a comprehensive reappraisal of the construction of a literary canon in Renaissance Italy by exploring the multiple reuses of classical authorities. The volume reshapes current debate on the notion of canon by intertwining two perspectives: analyzing when and in what form a canon emerged, and determining the ways in which an ancient literary canon interacts with the urge to bestow a similar authority on some later and contemporaneous authors. Each chapter makes an original contribution to its selected topic, but the collective strength of the volume relies on its simultaneous appeal to readers in Italian Studies, intellectual history, comparative studies and classical reception studies.