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With my brother's life on the line, I'll do anything to get him back—even team up with an annoyingly sexy private eye for the heist of a lifetime. Ever since an important job went sideways, I've lived by three rules: never risk my team's safety, never trust outsiders, and never, ever fall in love with someone in the business. But to save my brother, I'll need an outsider's help. Malcom is infuriating, charming, and exactly the kind of man I swore I'd never work with again. He has the expertise we need, but with each passing day, the line between professional and personal blurs, and the undeniable chemistry between us becomes a variable I can’t control. He runs as hot as I run cold, questioning my every move, yet simultaneously pushing all of my buttons. I'll break my first two rules to save my brother. But Malcolm? He's determined to make me shatter the third. The San Marco Heist is the exhilarating first installment in the Reynolds Recoveries romantic suspense series about a heist crew who returns stolen items to their rightful owners. If you love all the banter of an enemies-to-lovers romance, a clever heroine who can change disguises without breaking stride in her stilettos, and a hero who can tear down her walls with a smile, you won’t be able to put this book down.
With my brother's life on the line, I'll do anything to get him back-even team up with an annoyingly sexy private eye for the heist of a lifetime. When I plan the recovery (don't ever call it theft) of stolen items for their rightful owners, nothing matters more than the safety of my team. I trust no one outside our tight-knit circle. Because a couple years ago I lost my fiancé in a heist gone wrong. My heist. My fault. But while undercover to take back a near-priceless manuscript, I encounter Malcolm Sharpe, an old friend of my brother's whose diamond-blue eyes and toe-curling smile almost cause me to blow the heist. We pull it off, beating another team to the prize, but I can't help feeling like I've dodged a bullet. The other team, though, will stop at nothing to get revenge. That includes kidnapping both Malcolm and my brother-and sending only Malcolm back with a message. They demand my crew steal a medieval relic in exchange for my brother's life. And then there's my brother's plea to trust Malcolm. Trust a freelance PI whose loyalty ends with a paycheck? Not a chance. But if I'm to get my brother back alive, I need all the help I can get. Even if it's from a man who's hiding a secret that could turn my entire world upside down. The San Marco Heist is the exhilarating first installment in the Reynolds Recoveries romantic suspense series, featuring charismatic heroes, smart heroines, and a thrilling heist in each novel.
Talia Inger is a rookie CIA case officer assigned not to the Moscow desk as she had hoped but to the forgotten backwaters of Eastern Europe--a department only known as "Other." When she is tasked with helping a young, charming Moldovan executive secure his designs for a revolutionary defense technology, she figures she'll be back in DC within a few days. But that's before she knows where the designs are stored--and who's after them. With her shady civilian partner, Adam Tyler, Talia takes a deep dive into a world where only criminal minds and unlikely strategies will keep the Gryphon, a high-altitude data vault, hovering in the mesosphere. Even Tyler is more than he seems, and Talia begins to wonder: Is he helping her? Or using her access to CIA resources to pull off an epic heist for his own dark purposes? In this Ocean's Eleven-meets-Mission Impossible thriller, former tactical deception officer and stealth pilot James R. Hannibal offers you a nonstop thrill ride through the most daring heist ever conceived.
A freak spring storm on a remote mountaintop makes a day at work turn into a misadventure. Pursued by a band of desperate bandits convinced the itinerant dentist would identify them, Dr. Kyle finds refuge in the home of Miz May, a woman whose wisdom will influence Kyle in a profound and lasting way.
Art Heist is a gallery of the most famous stolen artworks that have never been recovered, and an examination of the heists and their subsequent investigations.
Gabriel Allon, art restorer and occasional spy, searches for a stolen masterpiece by Caravaggio in #1 New York Times bestselling author Daniel Silva's latest action-packed tale of high stakes international intrigue. Sometimes the best way to find a stolen masterpiece is to steal another one... Legendary spy and art restorer Gabriel Allon is in Venice repairing an altarpiece when he receives an urgent summons from the Italian police. the art dealer Julian Isherwood has stumbled upon a murder scene in Lake Como, and is being held as a suspect. to save his friend, Gabriel must perform one simple task: find the most famous missing painting in the world. the dead man is a fallen spy with a secret: he's been trafficking in stolen artworks and selling them to a mysterious collector. Among those paintings is the world's most iconic missing work of art: Caravaggio's Nativity with St. Francis and St. Lawrence. Gabriel embarks on a daring gambit to recover the Caravaggio that will take him on an exhilarating hunt-from Marseilles and Corsica, to Paris and Geneva, and, finally, to a small private bank in Austria, where a dangerous man stands guard over the ill-gotten wealth of one of the world's most brutal dictators... 'Daniel Silva has few rivals in the realm of the big blockbuster spy story.' the Age
Alec, a fourteen year old diplomat son leads a double life. On the outside he might be your average teenager, but secretly he is on his way to become a notorious art thief. When he gets into an argument with his parents, he decides to put his skills to practice and play a little prank on them. But what first was only meant to be a prank takes an unexpected turn, challenging Alec like never before. And he can't help but wonder whether he'll make it out alive.
The contributions in this volume focus on the ways in which silence and music relate, contemplate each other and provide new avenues for addressing and gaining understanding of various realms of human endeavour. The book maps out this little-explored aspect of the sonic arena with the intention of defining the breadth of scope and to introduce interdisciplinary paths of exploration as a way forward for future discourse. Topics addressed include the idea of 'silent music' in the work of English philosopher Peter Sterry and Spanish Jesuit St John of the Cross; the apparently paradoxical contemplation of silence through the medium of music by Messiaen and the relationship between silence and faith; the aesthetics of Susan Sontag applied to Cage's idea of silence; silence as a different means of understanding musical texture; ways of thinking about silences in music produced during therapy sessions as a form of communication; music and silence in film, including the idea that music can function as silence; and the function of silence in early chant. Perhaps the most all-pervasive theme of the book is that of silence and nothingness, music and spirituality: a theme that has appeared in writings on John Cage but not, in a broader sense, in scholarly writing. The book reveals that unexpected concepts and ways of thinking emerge from looking at sound in relation to its antithesis, encompassing not just Western art traditions, but the relationship between music, silence, the human psyche and sociological trends - ultimately, providing deeper understanding of the elemental places both music and silence hold within world philosophies and fundamental states of being. Silence, Music, Silent Music will appeal to those working in the fields of musicology, psychology of religion, gender studies, aesthetics and philosophy.
Venice, one of the world's most storied cities, has a long and remarkable history, told here in its full scope from its founding in the early Middle Ages to the present day. A place whose fortunes and livelihoods have been shaped to a large degree by its relationship with water, Venice is seen in Dennis Romano's account as a terrestrial and maritime power, whose religious, social, architectural, economic, and political histories have been determined by its unique geography.
Italian filmmakers have created some of the most magical and moving, violent and controversial films in world cinema. During its twentieth-century heyday, Italy's film industry was second only to Hollywood as a popular film factory, exporting cinematic dreams with multinational casts to the world, ranging across multiple genres. 'Cinema Italiano' is the first book to discuss comprehensively and in depth this Italian cinema, both popular and arthouse. It is illustrated throughout with rare stills and international posters from this revered era in European cinema and reviews over 350 movies. Howard Hughes uncovers this treasure trove of Italian films, from Lucino Visconti's epic 'The Leopard' to the cult superhero movie 'Puma Man'. Dario Argento's bloody 'gialli' thrillers and Sergio Leone's spaghetti westerns are explored alongside films of Federico Fellini, Pier Paolo Pasolini and Michelangelo Antonioni. Chapters discuss the rise and fall of genres such as mythological epics, gothic horrors, science fiction, spy films, war movies, costume adventures, zombie films, swashbucklers, political cinema and 'poliziotteschi' crime films. They also trace the directorial careers of Mario Bava, Sergio Corbucci, Francesco Rosi, Lucio Fulci, Duccio Tessari, Enzo G. Castellari, Bernardo Bertolucci and Gillo Pontecorvo.