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In 1614 the shogunate prohibited Christianity amidst rumors of foreign plots to conquer Japan. But more than the fear of armed invasions, it was the ideological threat--or spiritual conquest--that the Edo shogunate feared the most. This book explores the encounter of Christianity and premodern Japan in the wider context of global and intellectual history. M. Antoni J. Ucerler examines how the Jesuit missionaries sought new ways to communicate their faith in an unfamiliar linguistic, cultural, and religious environment--and how they sought to re-invent Christianity in the context of samurai Japan. They developed an original moral casuistry or cases of conscience adapted to the specific dilemmas faced by Japanese Christians. This volume situates the European missionary enterprise in East Asia within multiple geopolitical contexts: Both Ming China and Warring States Japan resisted the presence of foreigners and their beliefs. In Japan, where the Jesuits were facing persecution in the midst of civil war, they debated whether they could intervene in military conflicts to protect local communities. Others advocated for the establishment of a Christian republic or civil protectorate. Based on little-known primary sources in various languages, The Samurai and the Cross explores the moral and political debates over religion, law, and reason of state that took place on both the European and the Japanese side.
Christians are called to be both servants and soldiers of Christ. As this book demonstrates, there is much to be learned from the teachings and example of the Samurai, legendary servant-warriors of Japan, in order for believers respond to Gods call as Christian Samurai. (Christian)
Considered one of the late Shusaku Endo's finest works, THE SAMURAI seamlessly combines historical fact with a novelist's imaginings. Set in the period preceding the Christian persecutions in Japan recorded so memorably in Endo's SILENCE, this book traces the steps of some of the first Japanese to set foot on European soil.
The sect was said to harbour dark designs to overthrow the government. Its teachers used a dead language that was impenetrable to all but the innermost circle of believers. Its priests preached love and kindness, but helped local warlords acquire firearms. They encouraged believers to cast aside their earthly allegiances and swear loyalty to a foreign god-emperor, before seeking paradise in terrible martyrdoms. The cult was in open revolt, led, it was said, by a boy sorcerer. Farmers claiming to have the blessing of an alien god had bested trained samurai in combat and proclaimed that fires in the sky would soon bring about the end of the world. The Shogun called old soldiers out of retirement for one last battle before peace could be declared in Japan. For there to be an end to war, he said, the Christians would have to die. This is a true story.
The daughter of a Chinese mother and a Japanese father, Gail Tsukiyama's The Samurai's Garden uses the Japanese invasion of China during the late 1930s as a somber backdrop for this extraordinary story. A 20-year-old Chinese painter named Stephen is sent to his family's summer home in a Japanese coastal village to recover from a bout with tuberculosis. Here he is cared for by Matsu, a reticent housekeeper and a master gardener. Over the course of a remarkable year, Stephen learns Matsu's secret and gains not only physical strength, but also profound spiritual insight. Matsu is a samurai of the soul, a man devoted to doing good and finding beauty in a cruel and arbitrary world, and Stephen is a noble student, learning to appreciate Matsu's generous and nurturing way of life and to love Matsu's soulmate, gentle Sachi, a woman afflicted with leprosy.
M. Antoni J. Ucerler examines how the Jesuit missionaries sought new ways to communicate their faith in an unfamiliar linguistic, cultural, and religious environment--and how they sought to ""re-invent"" Christianity in the context of samurai Japan. Based on little-known primary sources in various languages, The Samurai and the Cross explores the moral and political debates over religion, law, and ""reason of state"" that took place on both the European and the Japanese side
A betrayal and a murder in pro-Nazi Spain spark a struggle for power that grips a family for generations in this sweeping historical thriller Fierce, edgy, brisk, and enthralling, this brilliant novel by Victor del Árbol pushes the boundaries of the traditional historical novel and in doing so creates a work of incredible power that resonates long after the last page has been turned. When Isabel, a Spanish aristocrat living in the pro-Nazi Spain of 1941, becomes involved in a plot to kill her Fascist husband, she finds herself betrayed by her mysterious lover. The effects of her betrayal play out in a violent struggle for power in both family and government over three generations, intertwining her story with that of a young lawyer named Maria forty years later. During the attempted Fascist coup of 1981, Maria is accused of plotting the prison escape of a man she successfully prosecuted for murder. As Maria's and Isabel's narratives unfold they encircle each other, creating a page-turning literary thriller firmly rooted in history.
"Archeologists discover two skeletons, intertwined under the ash on the stairs of Kampara. Thus begins a story of Japan in the 1780's where Christians are persecuted for their faith, and women are bought and sold as merchandise. Tokugawa ruled and people walked to and from Tokyo, the center of government, facing untold dangers. The backdrop of this tale is the violent, Asama, erupting in 1783 causing damage and destruction. There is rich detail and historical accuracy as the story unwinds and the heroine, Mayami, is forced to run for her life. The question of survival for this beautiful young woman as well as the Kirishitans under a hostile government keep the reader enthralled." --back cover.
This book demonstrates how Japan's so-called harmonious collective culture is paradoxically connected with a history of conflict. Ikegami contends that contemporary Japanese culture is based upon two remarkably complementary ingredients, honorable competition and honorable collaboration. The historical roots of this situation can be found in the process of state formation, along very different lines from that seen in Europe at around the same time. The solution that emerged out of the turbulent beginnings of the Tokugawa state was a transformation of the samurai into a hereditary class of vassal-bureaucrats, a solution that would have many unexpected ramifications for subsequent centuries.
Japan, 1868: the last shogun has been defeated, the age of the emperors is about to begin and in Japan's frozen north a diehard band of loyalists plans a desperate last stand.