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My ?rst encounter with the world of crime and punishment was more than two decades ago, and it has since undergone vast changes. No one could have foreseen that crime-related problems would occupy such a prominent position in cultural awareness. Crime is on the rise, the public attention devoted to it has increased even more, and its political importance has mushroomed. The major change in the 1990s was perhaps the transformation of crime into a safety issue. Crime is no longer a matter involving offenders, victims, the police and the courts, it involves everyone and any number of agencies and institutions from security companies to the local authorities and from schools to pub and restaurant owners. Crime has become a much larger complex than the judicial system—a complex organized mentally and institutionally around this one concept of safety. In this book I make an effort to get to the bottom of this complex. It is the sequel to my dissertation Crime and Morality—The Moral Signi?cance of Criminal Justice in a Postmodern Culture (2000), where I hold that the victim became the essence of crime in Western culture, and that this in turn shaped public morality. In the second half of the twentieth century, a personal morality based on an awareness of our own and other people’s vulnerability, i. e. potential victimhood, succeeded the ethics of duty.
Utopia is a work of fiction and socio-political satire by Thomas More published in 1516 in Latin. The book is a frame narrative primarily depicting a fictional island society and its religious, social and political customs. Many aspects of More's description of Utopia are reminiscent of life in monasteries.
Transition Redesigned deals with the philosophical bases of different types of transition: change in the economy, organizational/institutional change, and change in social and individual relationships. The editors' primary goal is to give further impetus to a much-needed worldwide debate on the issue of transition towards a better future. The volume reviews transitions made in different areas of human activity, assesses their relevancy, and analyzes their contexts. During this century, different organizations and institutions will undergo a level of radical and global change that has rarely been seen. The expected shift must be addressed in terms of a multidimensional transition toward building a sustainable society. Do we have an understanding of transition relevant to the task of meeting at least some of the challenges presented in this volume? Do we need a radical innovation for redesigning the transition that may enforce real social and ethical responsibilities into organizational practice on different levels and bring to life new ideas? Transition Redesigned seeks to answer these questions.
Utopias come in every conceivable cultural and sexual shade: communist, fascist, anarchist, green, techno-fantastic, all male, all female. John Carey's anthology encompasses many noble schemes, as well as chilling attempts at social control.
Utopia of Usurers is a classic collection of political essays which comment upon the conditions of Great Britain by G.K. Chesterton. What is it that angers Chesterton and fills him with grim forebodings for the future of his island? Many things and, especially, many persons. But chiefly the capitalists, the upper middle class, the usurers, or however they be termed, and the fear of the servile state, the state in which art and literature and science and efficiency and morality and everything else that has value in the eyes of mortal man become the humble servants of the money-changers, in short, the "utopia of usurers." --The Dial, 1918.
The first full-length study of women's utopian spatial imagination in the seventeenth and eighteenth centuries, this book explores the sophisticated correlation between identity and social space. The investigation is driven by conceptual questions and thus seeks to link theoretical debates about space, gender and utopianism to historiographic debates about the (gendered) social production of space. Specific attention is given to spaces that feature widely in contemporary utopian imagination: Arcadia, the palace, the convent, the harem and the country house.
It is widely acknowledged that the size of the security industry has increased in virtually every country around the world, often eclipsing conventional police forces in personnel numbers and expenditures. Security providers differ from law enforcement officers in many ways, yet the nature of their crime reduction activities brings them into frequent contact with citizens, drawing to the forefront issues of training, professionalism and accountability. Unlike police officers, whose training and licensing standards are well established, regulations for security providers are often minimalist or entirely absent. This volume brings together research on regulatory regimes and strategies from around the globe, covering both the large private security sector and the expanding area of public sector ‘non-police’ protective security. It examines the nature and extent of licensing and monitoring, and the minimum standards imposed on the industry by governments across the world. The chapters in this book were originally published in the International Journal of Comparative and Applied Criminal Justice.
This volume brings together for the first time more than two dozen of Daphne PataiOs incisive and at times satirical essays dealing with the academic and intellectual orthodoxies of our time. Patai draws on her years of experience in an increasingly bizarre academic world, where a stifling politicization threatens genuine teaching and learning. Addressing the rise of feminist dogma, the domination of politics over knowledge, the shoddy thinking and moralizing that hide behind identity politics, and the degradation of scholarship, her essays offer a resounding defense of liberal values. Patai takes aim at the unctuous and also dangerous posturing that has brought us restrictive speech codes, harassment policies, and a vigilante atmosphere, while suppressing plain speaking about crucial issues. But these trenchant essays are not limited to academic life, for the ideas and practices popularized there have spread far beyond campus borders. Included are two new pieces written especially for this volume, one on the bullying tactics of a famous feminist and the other on Islamic fundamentalism.
Examining its relation to ancient and Renaissance political thought, George M. Logan sees Thomas More's Utopia whole, in all its ironic complexity. He finds that the book is not primarily a prescriptive work that restates the ideals of Christian humanism or warns against radical idealism, but an exploration of a particular method of political study and the implications of that method for normative theory. Originally published in 1983. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
How nineteenth-century social reformers devised a new set of radical blueprints for society In the middle of the nineteenth century, a utopian impulse flourished in the United States through the circulation of architectural and urban plans predicated on geometrically distinct designs. Though the majority of such plans remained unrealized, The Shape of Utopia emphasizes the enduring importance of these radical propositions and their ability to visualize alternatives to what was then a newly emerging capitalist nation. Drawing diagrammatic plans for structures such as octagonal houses, a hexagonal anarchist city, and circular centers of equitable commerce, these various architectural utopians applied geometric forms to envision a more just and harmonious society. Highlighting the inherent political capacity of architecture, Irene Cheng showcases how these visionary planners used their blueprints as persuasive visual rhetoric that could mobilize others to share in their aspirations for a better world. Offering an extensive and uniquely focused view of mid-nineteenth-century America’s rapidly changing cultural landscape, this book examines these utopian plans within the context of significant economic and technological transformation, encompassing movements such as phrenology, anarchism, and spiritualism. Engaging equally with architectural history, visual culture studies, and U.S. history, The Shape of Utopia documents a pivotal moment in American history when ordinary people ardently believed in the potential to reshape society.