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'where light meets darkness' is a prophet's call, a sage's whisper, a bard's song...asking us to listen, to pause, and to understand the wonder of present Grace; a Grace that traces our hearts and tells the story of our souls. this is a book of intersections, exploring the possibility of who we could be, meeting the wonder of who we already are. filled with stories, reflections, poetry and pointed thoughts, these words will ask you to long consider the truth of your life.
This small book provides an introduction to the rich and variegated subject of Christian currents through art and music down the ages, from Early Christian art to the present. It is personal and selective in its focus on favorite major artists and their subjects as exemplars of a wide range of sacred themes. The author’s lifelong professional focus on the Baroque giants Rubens and Bernini, along with the revolutionary Caravaggio, is evident in the central place they claim as he places them in the context of the broader tradition: medieval art, Michelangelo, Titian, Bellini, Rembrandt, Tiepolo, and other giants of the Renaissance and Baroque. Scribner’s focus is decidedly European—not global. The masters of music will be equally familiar to readers and listeners: from Palestrina and Vivaldi to Bach, Handel, Haydn, Mozart, and Verdi down to the 20th century. It is intended to be protreptic, something that will encourage and spur on the reader—teacher, student, amateur alike—to pursue her or his own explorations in periods and artists that likewise hold special appeal. Includes 45 color and b&w illustrations.
This work argues that there is a universal message that can be found in the study of religions. It offers a comprehensive examination of religions and their meaning, bound by the hope and affirmation that in some way they are universally connected. It affirms a universalism by wisdom, which contends that a moral and spiritual wisdom can be found in many of the world's religions.
The magnum opus of a Japanese master of speculative fiction, and a book that established Yoshio Aramaki as a leading representative of the genre, The Sacred Era is part post-apocalyptic world, part faux-religious tract, and part dream narrative. In a distant future ruled by a new Papal Court serving the Holy Empire of Igitur, a young student known only as K arrives at the capital to take The Sacred Examination, a text that will qualify him for metaphysical research service with the court. His performance earns him an assignment in the secret Planet Bosch Research Department; this in turn puts him on the trail of a heretic executed many years earlier, whose headless ghost is still said to haunt the Papal Court, which carries him on an interplanetary pilgrimage across the Space Taklamakan Desert to the Planet Loulan, where time stands still, and finally to the mysterious, supposedly mythical Planet Bosch, a giant, floating plant-world that once orbited Earth but has somehow wandered 1,000 light years away. K’s journey to this strange world, seemingly sprung from Hieronymus Bosch’s Garden of Earthly Delights, is a journey into inner and outer space, as the novel traffics in mystic and metaphysical questions only to transform them into technical and astrophysical problems, translating the substance of religious and mythic texts into the language of science fiction.
This study is based on an application of Jungian psychology to the love theme in the central books of The Faerie Queene. It elucidates the connection that Spenser makes between spiritual unfolding and the complementary interaction of the masculine and feminine throughout the poem.
This secularization has long been recognized as a decisive turning point in the history of American education. John Roberts and James Turner identify the forces and explain the events that reformed the college curriculum during this era.".