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Baptists have a long and rich heritage of congregational song. The hymns Baptists have sung and the books from which they have sung them have been shaping forces for Baptist theology, worship, and piety. Baptist authors and composers have provided songs that have made an impact not only among Baptists in America but also across denominational and geographic lines. Congregational singing continues to be a key component of Baptist worship in the twenty-first century. Beginning with an overview of the British background, this book is a survey of the history of Baptist hymnody in America from Baptist beginnings in the New World to the present. Its intent is to help the reader better understand the background against which current Baptist congregational song practices operate. Unlike earlier writings on the subject, this book provides both comprehensive coverage and a continuous narrative. It gives thorough attention to the major Baptist bodies in America as well as calling attention to the contributions of significant smaller groups. The British Baptist background is dealt with in an introductory section. The book also includes many texts and tunes as illustrations of the topics being discussed and focuses on some of the contributions of Baptist authors and composers to the repertory of congregational song. Book jacket.
An unrivaled master of the sacred art of tanbour, an ancient Kurdish lute with an unusually captivating sonority, Ostad Elahi considered his music above all as a means of delving within, discovering truths, and reaching the stage of divine love.
"A wide-ranging anthology of ethnopoetry including origin texts, visionary texts, texts about death, texts about events--collected from Africa, the Americas, Asia, Europe and the Ancient Near East, and Oceania."--Provided by publiher.
The lute played a central role in the rich musical culture of the seventeenth-century ‘Golden Age’ of the Dutch Republic. Like the piano in the nineteenth century, the lute was not just a popular instrument for solo music making, but was also used widely in ensembles and to accompany singers. Though mainly an instrument of the social elite and the aristocracy, it was also played by the numerous and prosperous burgher class. The first part of the book deals with psalm settings for the lute; the way professional lutenists coped with the harsh rules of the free market; Leiden as a veritable international lute centre; and the different types of lutes that can be reconstructed on the basis of the Dutch paintings of the period. The second part of the book is dedicated to Constantijn Huygens (1596–1687), the well-known poet and statesman, and avid player of, and composer for, the lute. The third and final section deals with Dutch sources of lute music, printed as well as those in manuscript. Taken together, this volume provides a broad and many-layered overview of the lute in the seventeenth century. Collectively, the articles will further the reader’s understanding of the lute in its social and cultural context, not only in the Netherlands, but also on the wider European canvas.
Ostad Elahi's Knowing the Spirit provides a concise and remarkably illuminating philosophic account of our unique place in the universe: of the creative expressions of the divine Spirit throughout nature, and of the process of the soul's deepening perfection through all the challenges and lessons of our existence in this world and beyond. This revealing book draws together in a single vision those symbolic teachings and spiritual insights familiar to many Western readers today through the classical mystical poetry of Rumi, Hafez, and Attar. The historical context and language of this study are marked by the confluence of classical Islamic philosophy and spirituality, including Sufi thought, and their scriptural sources. But Elahi's thought integrates those influences and marks them with the magisterial imprint of his own profound spiritual experience and characteristic simplicity, openness, and directness of expression. This volume offers a singular masterpiece of recent spiritual thought, opening up fundamental human perspectives and possibilities too often clouded by the distractions of current events. The emphatic universality of both the subject and presentation of Knowing the Spirit points the way to unsuspected bridges between different civilizations and religious traditions, indeed to the prospect of an inclusive "science of spirituality" based on the common ground of each person's spiritual life and experience.
This elementary level book is intended to introduce children to various geometric shapes found in nature through easy to read poems that teach the connections represented in sacred geometry.
Cultural Writing. Leela Fernandes' years of teaching women's studies courses at Rutgers-where she has seen frustration, paralysis and depression take hold of young students grappling with the hard realities of social activism-led her to examine the state of contemporary feminism and social justice movements. The result is an accessible social critique that goes directly to the heart of the issues. TRANSFORMING FEMINIST PRACTICE takes a hard, unrelenting look at social justice organizations, academia, and identity politics, refocusing the struggle and opening a dialogue for a new era.
"Spring focuses on the lute in Britain, but also includes two chapters devoted to continental developments: one on the transition from medieval to renaissance, the other on renaissance to baroque, and the lute in Britain is never treated in isolation. Six chapters cover all aspects of the lute's history and its music in England from 1285 to well into the eighteenth century, whilst other chapters cover the instrument's early history, the lute in consort, lute song accompaniment, the theorbo, and the lute in Scotland."--Jacket.