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This volume offers a critical analysis of one the most ambitious editorial projects of late Victorian Britain: the edition of the fifty substantial volumes of the Sacred Books of the East (1879-1910). The series was edited and conceptualized by Friedrich Max Müller (1823-1900), a world-famous German-born philologist, orientalist, and religious scholar. Müller and his influential Oxford colleagues secured financial support from the India Office of the British Empire and from Oxford University Press. Arie L. Molendijk documents how the series has become a landmark in the development of the humanities-especially the study of religion and language-in the second half of the nineteenth century. The edition also contributed significantly to the Western perception of the 'religious' or even 'mystic' East, which was textually represented in English translations. The series was a token of the rise of 'big science' and textualized the East, by selecting their 'sacred books' and bringing them under the power of western scholarship.
Reprint of the original, first published in 1891.
"The books included in the present volume are those which, loosely speaking, we call 'The Apocrypha.' They have a strange and piercing interest of their own. They are very old; most of them are very noble of sentiment and high of purpose; yet for one reason or another they have been tightly rejected from the Holy Scriptures into which they sought admission. The origin of most of them is doubtful."-From the Introduction.
This volume contains Russell's reviews of and introductions to other philosophical works including his famous introduction to Wittgenstein's Tractatus Logico-Philosophicus.
The Sacred Books of the East - Buddhist Suttas is an unchanged, high-quality reprint of the original edition of 1881. Hansebooks is editor of the literature on different topic areas such as research and science, travel and expeditions, cooking and nutrition, medicine, and other genres.As a publisher we focus on the preservation of historical literature.Many works of historical writers and scientists are available today as antiques only. Hansebooks newly publishes these books and contributes to the preservation of literature which has become rare and historical knowledge for the future.
J. R. R. Tolkien, the beloved author of The Hobbit and The Lord of the Rings, brings to his work a great treasure--his Christian faith. Tolkien's literary works are so popular in part because, in some sense, they pertain to the real world. This present volume is an attempt to understand better the deep Christian influences on his work but also to explore the relevance of Tolkien's work for theology today. After examining Tolkien's fiction in order better to appreciate Christian influences, this volume takes a closer look at Tolkien's theology of fantasy, his response to the more skeptical origins of religion research, and applies his work to contemporary questions about method in biblical studies. Tolkien's Christianity informed all he wrote. Moreover, his own theology of fantasy holds great promise for contemporary theology.
All the human senses become engaged in ritualizing sacred texts. These essays focus especially on ritualizing the iconic dimension of texts through the senses of sight, touch, kiss, and taste, both directly and in the imagination. Ritualized display of books engages the sense of sight very differently than does reading. Touching gets associated with reading scriptures, but touching also enables using the scripture as an amulet. Eating and consuming texts is a ubiquitous analogy for internalizing the contents of texts by reading and memorization. The idea of textual consumption reflects a widespread tendency to equate humans and written texts by their interiority and exteriority: books and people both have material bodies, yet both seem to contain immaterial ideas. Books thus physically incarnate cultural and religious values, doctrines, beliefs, and ideas. These essays bring theories of comparative scriptures and affect theory to bear on the topic as well as rich ethnographic descriptions of scriptural practices with Jewish, Sikh, Muslim, Christian, Buddhist and modern art and historical accounts of changing practices with sacred texts in ancient and medieval China and Korea, and in ancient Middle Eastern and Mediterranean cultures.