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Lilith The Forgotten Goddess The traditional story of creation holds a mystery that has been perpetuated for centuries. Was Eve really Adam's first wife? Many cultures around the world say not. According to these traditions, before Eve, God created another woman, one who refused to take on a subordinate role to the man represented by Adam. Lilith, rejecting submission, fled Eden and was later demonized by the patriarchal cultures that developed. However, Lilith has evolved from a figure associated with evil in ancient traditions to become a contemporary symbol of emancipated femininity. Through a detailed analysis of historical texts, mystical traditions and modern reinterpretations, this book explores the complexities of Lilith and her lasting influence on discussions of gender, power and autonomy. The narrative reveals how Lilith transcended her origins to become an icon of resistance and a reflection of cultural and social struggles for equality. Over the centuries, the figure of Lilith has been a controversial and multifaceted symbol, representing both a feared threat and a force for female empowerment. This book traces Lilith's evolution from her roots in Mesopotamian and Jewish traditions, where she was seen as an evil spirit, to her modern re-signification as an icon of emancipatory femininity. The work explores how Lilith, initially demonized for her refusal to submit to male authority, has been reconfigured over time, especially in mystical and esoteric contexts, as a figure of power and resistance. By analyzing her various representations, the book highlights Lilith's relevance in contemporary discussions about gender, power and autonomy, offering a comprehensive view of how ancient myths can influence and reflect modern struggles for equality. This narrative not only sheds light on Lilith's past, but also places her at the center of current debates on identity and freedom.
In a fascinating excursion through the history of her myth, Siegmund Hurwitz presents and interprets the ancient dark-winged goddess Lilith, also known as ’the first Eve.’ The author’s extraordinarily meticulous study of the original sources brings to light a striking figure long lost from our awareness, yet highly relevant to a psychological understanding of today’s evolving masculine and feminine identities. Case material from his analytical practice imbeds Lilith in the everyday problems of contemporary life. That an unbridled life-urge which refuses to be assimilated lies behind depression… seems to me to be a new and important discovery. By combining the experience of a contemporary man with this historical material, Siegmund Hurwitz sheds new light on both. -- From the Foreword by Marie-Louise von Franz
An alternative version of the birth of good and evil .
The second installment in Poet Unknown's Extensive Meditations on Blood and Semen. In "The Sacraments of Lilith," the Poet is driven into madness by his vision of the All Pan. Induced into magick delirium, the poet screams into the void, raving and ranting as a lunatic blinded by his vision of reality. A prophet or a fool? That's for you to decide.
When Denis Donoghue left Warrenpoint and went to Dublin in September 1946, he entered University College as a student of Latin and English. A few months later he also started as a student of lieder at the Royal Irish Academy of Music. These studies have informed his reading of English, Irish, and American literature. Now in this volume, one of our most distinguished readers of modern literature offers his most personal book of literary criticism. Donoghue's Words Alone is an intellectual memoir, a lucid and illuminating account of his engagement with the works of T. S. Eliot--from initial undergraduate encounters with "The Love Song of J. Alfred Prufrock" to later submission to Eliot's entire writings. "The pleasure of Eliot's words persists," Donoghue says, "only because in good faith it can't be denied." Submission to Eliot, in Donoghue's case, involves the ear as much as it does the mind. He is a reader who listens attentively and a writer whose own music in these pages commands attention. Whether he is writing about Eliot's poetry or confronting the (often contentious) prose, Donoghue eloquently demonstrates what it means to read and to hear a master of language.
The book of outstanding researchers A.G. Vinogradov and S.V. Zharnikova is devoted to the study of the ancestral home of the Indo-European peoples: Indian, Iranian, Slavic, Baltic, German, Celtic, Romance, Albanian, Armenian and Greek language groups. The book is devoted to archaic images of North Russian folklore. The book was written in 1989-90, but could not be published in Russia. Over the past time, additional materials have appeared that confirm the opinion of the authors.
The Russian North is an amazing, fabulous land. He is sung in our ancient songs, epics, traditions and legends. And not only in them. The most ancient myths of Greece tell about the distant northern side of Hyperborea, which lies near the coast of the cold Cronian Ocean. They told us that it was here, behind the harsh northeastern wind of Boreas, that there is a land where a wonderful tree with golden apples of eternal youth grows. At the foot of this tree, feeding its roots, a spring of living water gushes - the water of immortality. Here, for the golden apples of the maiden-birds of the Hesperides, the hero Hercules once went. In the far north, in Hyperborea, at Tartessa - "the city where the wonders of the whole world sleep until the time comes for them to be born and come out to mortals on earth", the golden boat of the Sun was waiting for Hercules. And this is not surprising, because Hyperborea is the birthplace of the solar Apollo and here, according to the ancient Greek myth, snow-white winged swan horses brought him here every summer.