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An updated edition of this comprehensive narrative history, first published in 1989, incorporating a new chapter on the latest developments in Russian literature and additional bibliographical information. The individual chapters are by well-known specialists, and provide chronological coverage from the medieval period on, giving particular attention to the nineteenth and twentieth centuries, and including extensive discussion of works written outside the Soviet Union. The book is accessible to students and non-specialists, as well as to scholars of literature, and provides a wealth of information.
Reinventing Romantic Poetry offers a new look at the Russian literary scene in the nineteenth century. While celebrated poets such as Aleksandr Pushkin worked within a male-centered Romantic aesthetic—the poet as a bard or sexual conqueror; nature as a mother or mistress; the poet’s muse as an idealized woman—Russian women attempting to write Romantic poetry found they had to reinvent poetic conventions of the day to express themselves as women and as poets. Comparing the poetry of fourteen men and fourteen women from this period, Diana Greene revives and redefines the women’s writings and offers a thoughtful examination of the sexual politics of reception and literary reputation. The fourteen women considered wrote poetry in every genre, from visions to verse tales, from love lyrics to metaphysical poetry, as well as prose works and plays. Greene delves into the reasons why their writing was dismissed, focusing in particular on the work of Evdokiia Rostopchina, Nadezhda Khvoshchinskaia, and Karolina Pavlova. Greene also considers class as a factor in literary reputation, comparing canonical male poets with the work of other men whose work, like the women’s, was deemed inferior at the time. The book also features an appendix of significant poems by Russian women discussed in the text. Some, found in archival notebooks, are published here for the first time, and others are reprinted for the first time since the mid-nineteenth century.
It deals extensively with Decembrism, the political conspiracy so known after its culmination in a failed attempt to overthrow the tsarist autocracy in December 1825. The Decembrist writers and other romantics influenced by Freemasonry, including Kondraty Ryleyev, Alexander Bestuzhev-Marlinsky, and Alexander Pushkin, were adept in the application of thaumaturgical skills to literature.
This book explores the North in Russian romantic literature as a symbol of national particularity. It largely ignores the vogue of Ossian, being primarily concerned with the significance of the North for Russia's national self-image. The author demonstrates how, starting with Lomonosov, the North initially functions as a symbol of Russia's 'new' European identity. Gradually it acquires a different ideological charge, giving voice to growing resentment over the inroads of western culture. By the turn of the century, the North no longer denotes Russia's supposed Europeanness, but its 'unique national' spirit, believed to have been polluted by the slavish imitation of the West. By this time, the theme of winter was discovered as an appropriate vehicle for the expression of nationalist sentiments, culminating in the popular myth of the winter of 1812 as an ally of the Russian people. This study also investigates the theme of 'northern homesickness' as opposed to the lure of the South and concludes by examining the national stereotypes of Russia's northern neighbours, the Swedes and the Finns.
Romantic Russian Phrase Book is an easy to learn course of conversational Russian for English speakers. Developed specifically for those who are seeking to establish romantic relationships in Russia, the phrase book is also a perfect tool for every beginner who would like to get the taste of Russian language and culture. To simplify the process of language study for learners, the author selected hundreds of most common, very short, easy to pronounce Russian phrases, which everyone comes across during international travel. This is why the Romantic Russian Phrase Book is a perfect item to keep in a handbag and use continuously on the way. Full audio support for every unit of the phrase book is available on the author's Web site to let the learners get acquainted with specificities of Russian pronunciation and intonation. The links to audio files are provided everywhere throughout the book. The current edition is more than just a phrase book: it is an efficient tool to learn necessary things about Russian people, culture, and lifestyle. The book contains hundreds of examples of romantic communication, sample dialogs, numerous tips from the best linguists and relationships experts, useful notes about Russian lifestyle, a bit of easy grammar to keep in mind, transliteration support to master pronunciation, and the author's contact information to request additional counseling and/or language training. The 18 thematic units of the phrase book are: UNIT 1. How To Be Polite In Russian UNIT 2. Greetings UNIT 3. Your First Meeting With Her UNIT 4. How To Say A Compliment To Her UNIT 5. Making Her A Gift UNIT 6. Romantic Dinner For Two UNIT 7. When She Is Silent And Thoughtful UNIT 8. Moments Of Intimacy UNIT 9. When Doing Things Together UNIT 10. Creating Cute Nicknames/ Having Fun Together UNIT 11. Asking For Things UNIT 12. Speaking To Her On The Phone UNIT 13. Riding In A Taxi UNIT 14. Shopping Together UNIT 15. Meeting Her Family UNIT 16. Some Conversation Starters UNIT 17. Some Phrases To Use In Love Letters UNIT 18. Common Words To Use In Conversation You are welcome to try this phrasebook. Feel free to contact the author for additional information and training. Learn Russian with love! Good luck in your wonderful Russian adventure!
Dostoevsky and Romantic Realism is Donald Fanger's groundbreaking study of the art of Dostoevsky and the literary and historical context in which it was created. Through detailed analyses of the work of Balzac, Dickens, and Gogol, Fanger identifies romantic realism, the transformative fusion of two generic categories, as a powerful imaginary response to the great modern city. This fusion reaches its aesthetic and metaphysical climax in Dostoevsky, whose vision culminating in Crime and Punishment is seen by Fanger as the final synthesis of romantic realism.