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This alphabetically-arranged dictionary provides concise biographies of Russian emigres from the former Russian Empire that occurred after the revolutions and Civil War of 1917-21. Presenting a selection of the most well-known and influential members of the Russian diaspora, each entry describes the places and dates of their birth (and death, when known), their reasons for emigrating, a brief personal and political history, and their achievements and publications. Annotation copyrighted by Book News Inc., Portland, OR
How did a regime that promised utopian-style freedom end up delivering terror and tyranny? For some, the Bolsheviks were totalitarian and the descent was inevitable; for others, Stalin was responsible; for others still, this period in Russian history was a microcosm of the Cold War. The Fate of the Bolshevik Revolution reasons that these arguments are too simplistic. Rather, the journey from Bolshevik liberation to totalitarianism was riddled with unsuccessful experiments, compromises, confusion, panic, self-interest and over-optimism. As this book reveals, the emergence (and persistence) of the Bolshevik dictatorship was, in fact, the complicated product of a failed democratic transition. Drawing on long-ignored archival sources and original research, this fascinating volume brings together an international team of leading scholars to reconsider one of the most important and controversial questions of 20th-century history: how to explain the rise of the repressive Stalinist dictatorship.
Networking the Russian Diaspora is a fascinating and timely study of interwar Shanghai. Aside from the vacated Orthodox Church in the former French Concession where most Russian émigrés resided, Shanghai today displays few signs of the bustling settlement of those years. Russian musicians established the first opera company in China, as well as choirs, bands and ensembles to play for their own and other communities. Russian musicians were the core of Shanghai’s lauded Municipal Orchestra, and taught at China’s first conservatory. Two Russian émigré composers in particular -- Alexander Tcherepnin and Aaron Avshalomov – experimented with incorporating Chinese elements into their compositions as harbingers of intercultural music that has become a well-recognized trend in composition since the late twentieth century. The Russian musical scene in Shanghai was the embodiment of musical cosmopolitanism, anticipating the hybrid nature of twentieth-first century music arising from cultural contacts through migration, globalization, and technological advancement. Networking the Russian Diaspora is a pioneering study of the Russian community, especially its musical activities and influence in Shanghai. While the focus of the book is on music, it also gives insight into the social dynamics between Russians and other Europeans on the one hand, and with the Chinese on the other. The volume co-authored by Chinese music specialists makes a significant contribution to studies of diaspora, cultural identity, and migration through focusing on a little studied area of Sino-Russian cultural relations and Russian influence in modern China. The discoveries stretch the boundaries of music studies by addressing the relational aspects of Western music – how it has articulated national and cultural identities but also served to connect people of different origins and cultural backgrounds.
This popular and highly-acclaimed series includes an abundance of photos, accurate line drawings, fascinating evaluations of aircraft design, and complete histories of aircraft manufacturers.
A study, based on Soviet and German archival sources, of Soviet partisan activities in the rear of the German Army Group North 1941-44.
Soviet official culture underwent a dramatic shift in the mid-1930s, when Stalin and his fellow leaders began to promote conventional norms, patriarchal families, tsarist heroes, and Russian literary classics. For Leon Trotsky—and many later commentators—this apparent embrace of bourgeois values marked a betrayal of the October Revolution and a retreat from socialism. In the first book to address these developments fully, David L. Hoffmann argues that, far from reversing direction, the Stalinist leadership remained committed to remaking both individuals and society—and used selected elements of traditional culture to bolster the socialist order. Melding original archival research with new scholarship in the field, Hoffmann describes Soviet cultural and behavioral norms in such areas as leisure activities, social hygiene, family life, and sexuality. He demonstrates that the Soviet state's campaign to effect social improvement by intervening in the lives of its citizens was not unique but echoed the efforts of other European governments, both fascist and liberal, in the interwar period. Indeed, in Europe, America, and Stalin's Russia, governments sought to inculcate many of the same values—from order and efficiency to sobriety and literacy. For Hoffmann, what remains distinctive about the Soviet case is the collectivist orientation of official culture and the degree of coercion the state applied to pursue its goals.
The downfall of tsarism in 1917 left the peoples of Russia facing an uncertain future. Nowhere were those anxieties felt more than among the Cossacks. The steppe horsemen had famously guarded the empire's frontiers, stampeded demonstrators in its cities, suppressed peasant revolts in the countryside and served as bodyguards to its rulers. Their way of life, intricately bound to the old order, seemed imperiled by the revolution and especially by the Bolshevik seizure of power. Many Cossacks took up arms against the Soviet regime, providing the anticommunist cause with some of its best warriors--as well as its most notorious bandits. This book chronicles their decades-long campaign against the Bolsheviks, from the tumultuous days of the Russian Civil War through the doldrums of foreign exile and finally to their fateful collaboration with the Third Reich.
The author analyzes the history of the USSR from a new perspective. Detailed examination of ideological heritage of the XIXth and XXth centuries shows new aspects of the Russian Revolution.
Published by the University of Nebraska Press, Lincoln, and Yad Vashem, Jerusalem The Holocaust in the Soviet Union is the most complete account to date of the Soviet Jews during the World War II and the Holocaust (1941-45). Reports, records, documents, and research previously unavailable in English enable Yitzhak Arad to trace the Holocaust in the German-occupied territories of the Soviet Union through three separate periods in which German political and military goals in the occupied territories dictated the treatment of the Jews. Arad's examination of the differences between the Holocaust in the Soviet Union compared to other European nations reveals how Nazi ideological attacks on the Soviet Union, which included war on "Judeo-Bolshevism," led to harsher treatment of Jews in the Soviet Union than in most other occupied territories. This historical narrative presents a wealth of information from German, Russian, and Jewish archival sources that will be invaluable to scholars, researchers, and the general public for years to come.