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The bibliographic holdings of family histories at the Library of Congress. Entries are arranged alphabetically of the works of those involved in Genealogy and also items available through the Library of Congress.
This book contains eleven carefully selected papers, all discussing negative constructions in English. The aim of this volume is to bring together empirical research into the development of English negation and analyses of syntactic variations in Present-day English negation. The first part "Aspects of Negation in the History of English" includes six contributions, that focus on the usages of the negative adverbs ne and not, the decline of negative concord, and the development of the auxiliary do in negation. Most of the themes discussed here are then linked to the second part "Aspects of Negation in Present-day English". Especially, the issue of negative concord is repeatedly explored by three of the five papers in this part, one related to British English dialects in general, another to Tyneside English, and the other to African American Vernacular English. This book uniquely highlights the importance of continuity from Old English to Present-day English, while, in its introduction, it provides a useful detailed survey of previous studies on English negation.
Based on extensive fieldwork, and research into John Ruskin's still little-interpreted archival material, notebooks and drawings (in the Ruskin Library, Lancaster University, UK and elsewhere), Stephen Kite offers an unprecedented account of the evolution of Ruskin's architectural thinking and observation in the context of Italy where his watching of building achieved its greatest intensity. Venice naturally figures large in a work that also examines other key sites including Verona, Lucca, Pisa, Florence, Milan and Monza; here, the fabrics are vividly read in their contexts against the rich evidence of Ruskin's diaries, his pocket-book sketches, architectural worksheets, drawings, and daguerrotypes (the early form of photography), and the drafts and published editions of the texts. Kite presents the complex story of Ruskin's visual thinking in architecture as a narrative of deepening interpretation and representation, focusing on the humbler monuments of Italy. He shows how Ruskin's early picturesque naturalism was transformed by the realisation that to understand the built realities confronting him in Italy demanded a closer engagement with the substance of the stones themselves; reflecting Ruskin's sense of his task as a near-archaeological gleaning and gathering of remains 'hidden in many a grass grown court, and silent pathway, and lightless canal'.