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THEY ARE DEAD. THEY ARE HIDEOUSLY DEAD. FIVE WOMEN ARE DEAD. A HOMICIDAL MANIAC HAS KILLED FIVE WOMEN. Three down when Ferrara, a psychiatrist, and Valerie Broome, New York feature writer, arrive in the Adirondacks to see when the local Jack the Ripper will kill again. Fatalities and failed assaults ensue. Is it Steven Hook, failed actor, alcoholic, track loser? Or Jack Cross, local newspaperman, with too much mother and a girl who's pregnant? They have their reasons to rage against women...
'Beasts of a Little Land is a stunning achievement’ TLS 'Spectacular' Lisa See, author of The Island of Sea Women 'I loved it' Brandon Hobson, author of The Removed 'Unforgettable' Nguyễn Phan Quế Mai, author of The Mountains Sing An epic story of love and war, set during the turbulent decades of Korea's fight for independence It is 1917, and Korea is under Japanese occupation; the country is yet to be divided into north and south. With the threat of famine looming, a young girl named Jade is sold by her family to Miss Silver's courtesan school in cosmopolitan Pyongyang, an act of desperation that will cement her place in the lowest social class. But the city's days as a haven are numbered. Jade flees to Seoul where she forms a deep friendship with an orphan boy called JungHo, who scrapes together a living begging on the streets. As Jade becomes a sought-after performer with unexpected romantic prospects, JungHo is swept up in the revolutionary fight for independence. Soon, Jade must decide between following her own ambitions or risking everyone for the one she loves. From the perfumed chambers of the courtesan school to the glamorous cafés of a modernising Seoul, the unforgettable characters of Beasts of a Little Land unveil a world where friends become enemies and enemies become saviours, where heroes are persecuted and beasts take many shapes.
Beasts! is a classic mythological menagerie, comprised only of creatures that were thought at one time to actually exist, depicted by about a hundred of the most acclaimed artists and cartoonists coming from the most avant-garde ambits of the art world. The Beasts project has fired the imaginations of luminaries such as Craig Thompson, Souther Salazar, Jeff Soto, Glenn Barr, Dave Cooper, Tim Biskup, Seonna Hong, Jeremy Fish and Jay Ryan, who will present never-before-seen art completely original to this book, superbly laid out in breathtaking, full-color two-page spreads. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.9px Arial; color: #424242}
Tragedy upends a Long Island town in a crime novel that “captures the familiar rhythms of summertime, following young people on the edge of violence” (Kirkus Reviews). Turnbull is a working-class town full of weary people who struggle to make ends meet. Evictions, alcoholism, and random violence are commonplace. In the heat of July 1983, when eight-year-olds James, Dallas, and Felix leave their homes to play in the woods, they have to navigate between the potentially violent world of angry adults and even angrier teens. Little do they know that within a few short hours, one of them will lie dead, after a bit of playful bullying from older teens escalates to tragedy. Loosely based on a real crime that took place on Long Island in 1979, Little Beasts is a panorama of a poor, mostly white neighborhood surrounded by the affluent communities of the East End. After the murder, the novel’s main characters must come to grips with the aftermath, face the decisions they’ve made, and reestablish their faith in the possibility of a better world. “The reader knows one of the three will be a victim, but not which one, and we read with our hearts in our throats as we grow closer to each boy. . . . In the aftermath of that day, McGevna shows us how the brutality and tragedy of that event affect the families. . . . There will be justice, of some sort, and even redemption. But, as in real life, there is no happy ending.” —ReviewingTheEvidence.com “A gripping exploration of teenage alienation and temporary depravity.” —The East Hampton Star “All it takes is one or two characters to carry you through to the heartbreaking end—a finale that offers enough hope and redemption to equal the book’s climatic horror.” —TheCattanoogan.com “A brave, beautiful book.” —Richard Bausch, author of Before, During, After
A celebration of the visual contributions of the bestiary--one of the most popular types of illuminated books during the Middle Ages--and an exploration of its lasting legacy. Brimming with lively animals both real and fantastic, the bestiary was one of the great illuminated manuscript traditions of the Middle Ages. Encompassing imaginary creatures such as the unicorn, siren, and griffin; exotic beasts including the tiger, elephant, and ape; as well as animals native to Europe like the beaver, dog, and hedgehog, the bestiary is a vibrant testimony to the medieval understanding of animals and their role in the world. So iconic were the stories and images of the bestiary that its beasts essentially escaped from the pages, appearing in a wide variety of manuscripts and other objects, including tapestries, ivories, metalwork, and sculpture. With over 270 color illustrations and contributions by twenty-five leading scholars, this gorgeous volume explores the bestiary and its widespread influence on medieval art and culture as well as on modern and contemporary artists like Pablo Picasso and Damien Hirst. Published to accompany an exhibition on view at the J. Paul Getty Museum at the Getty Center May 14 to August 18, 2019.
Painter is a leo - part man, part lion - the result of one of man's genetic experiments, a powerful, beautiful, enigmatic creature deemed a 'failure' to be be hunted down. But Painter has two advantages in this world of small bickering nation states and political accommodation and compromise: his own strength and integrity, and the guile of Reynard, another of man's experiments, a subtle and potent intriguer, a king-maker...
A sumptuously magical, brand new take on a tale as old as time - read the Beast's side of the story at long last. 'Utterly Enchanting' - Kate Forsyth, author of Bitter Greens and The Wild Girl 'A beautiful retelling . . . poetical, imaginative, inventive' - New York Journal of Books '5 out of 5 stars . . . magical romance at its best' - Sam Hawke, author of City of Lies ********* I am neither monster nor man - yet I am both. I am the Beast. I know why I was cursed; I know the legacy of evil I carry in my tainted blood. So how could she ever love me? My Isabeau. She opened my eyes, my mind and my heart when I was struggling just to be human. And now I might lose her forever. Lose yourself in this gorgeously rich and magical retelling of The Beauty and the Beast that finally lays bare the beast's heart.
Alternating chapters of prose and comics (illustrated by Eisner Award-winning graphic novelist Nate Powell) are interwoven in Cecil Castelucci's extraordinary YA novel about jealousy and grief, and how they cut us off from the ones we love. Every summer the trucks roll in, bringing the carnival and its infinite possibilities to town. This year Tessa and her younger sister Lulu are un-chaperoned and want to be first in line to experience the rides, the food . . . and the boys. Except this summer, jealousy will invade their relationship for the first time, setting in motion a course of events that can only end in tragedy, putting everyone's love and friendship to the test. Castellucci's deft shifting between straight prose and graphic novel visualize how Tessa processes the events of the summer, seeing herself and her friends as freaks personified by characters from Greek mythology.
Do you dare to join Goldie in her hardest task ever as she walks down the mysterious Beast Road, deep inside the Museum of Thieves? No one knows where it goes and no one has ever returned from it. The city of Jewel is in peril once again, as it is held captive by the frightful Fugleman, his band of Blessed Guardians, and an army of merciless mercenaries. There's no doubt that Goldie and Toadspit want to get their city back, but how can a small group of children fight against such overwhelming forces of evil? And how, as Goldie is determined, can they avoid bloodshed in a war that will set thieves against soldiers, and trickery and deception against a mighty cannon that shoots cannonballs bent on destruction? As Toadspit fights the Fugleman in a duel to the death, Goldie must face her hardest task yet. If she is to save the city, she must walk the mysterious Beast Road, deep inside the Museum of Thieves. No one knows where it goes and no one has ever returned from it.
A bright, talented junior at Catamount College in the druggy 1970s, Gillian Brauer strives to realise more than a poet's craft in her workshop with the charismatic, anti-establishment professor Andre Harrow. For Gillian has fallen in love - with Harrow, with his aesthetic sensibility and bohemian lifestyle, with his secluded cottage, with the mystique of his imposing, russet-haired French wife, Dorcas. A sculptress, Dorcas has outraged the campus and alumnae with the crude, primitive, larger than life-sized wooden totems that she has exhibited under the motto 'We are beasts and this is our consolation'.As if mesmerised, Gillian enters the rarefied world of the Harrows. She is special, even though she knows her classmates have preceded her here. She is helpless. She is powerful. And she will learn in full the meaning of Dorcas' provocative motto . . .