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“A great storyteller . . . These vignettes of life in the southern Appalachians are an important contribution to the literature of the region.” —Chattanooga Times In language both spare and colorful, sure in its command of Appalachian dialect and poetic in its evocation of mountain settings, James Still’s stories reveal the lives of his people—lives of privation and struggle, lived with honesty as well as humor. With a foreword by Cleanth Brooks and an afterword by the author, The Run for the Elbertas features thirteen stories from one of America’s masters of the short story. Enjoyable and enriching, Still’s stories sparkle with wisdom and joy. “Still is an eavesdropper on the human heart. He doesn’t create ‘characters’ in a story; he is a bright-eyed, keen-eared owl in a thicket, reporting on the human beings he sees and hears . . . A marvelous book.” —Lexington Herald-Leader “James Still offers us the rhythm of the poet’s phrasing, the excitement of the word, the expression, that strikes like a little silver hammer, along with an uproarious humor and the lustiness of living of the common man.” —Marjorie Kinnan Rawlings, author of The Yearling “The unprogressive enclaves of Troublesome Creek and Shoal Creek cry out to us what is fundamental about life, and what superfluous . . . The marvels here are truly those of art.” —The Louisville Courier-Journal
Best known as the author of the acclaimed novel River of Earth (1940), Alabama native James Still is one of the most critically acclaimed writers of Appalachian literature. This compilation of scholarly essays (new and reprinted from hard-to-find sources) exploring Still's literary work is the first book-length collection of its kind and features contributions from leading scholars and writers, including Wendell Berry, Fred Chappell, Jim Wayne Miller, Jeff Daniel Marion, Diane Fisher, Dean Cadle, and Hal Crowther. The book explores the full range of Still's literary interests, with separate chapters devoted to River of Earth, his short stories, poetry, folkloric writings, and writings for children.
"[B]rings the Commonwealth [of Kentucky] to life."-cover.
Collects into a single volume every story by the Kentuckian author best known for his novel River of Earth, including tales that were originally featured in The Atlantic, The Saturday Evening Post and the O. Henry Memorial Award Stories and Best American Short Stories collections.
James Still (1906–2001) first achieved national recognition in the 1930s as a poet, and he remains one of the most beloved and important writers in Appalachian literature. Though he is best known for the seminal novel River of Earth—which Time magazine called a "work of art" and which is often compared to John Steinbeck's The Grapes of Wrath as a poignant literary exploration of the Great Depression—Still is also recognized as a significant writer of short fiction. His stories were frequently published in outlets such as the Atlantic and the Saturday Evening Post and won numerous awards, including the O. Henry Memorial Prize. In the definitive biography of the man known as the "dean of Appalachian literature," Carol Boggess offers a detailed portrait of Still. Despite his notable output and importance as a mentor to generations of young writers, Still was extremely private, preferring a quiet existence in a century-old log house between the waters of Wolfpen Creek and Dead Mare Branch in Knott County, Kentucky. Boggess, who befriended the author in the last decade of his life, draws on correspondence, journal entries, numerous interviews with Still and his family, and extensive archival research to illuminate his somewhat mysterious personal life. James Still: A Life explores every period of Still's life, from his childhood in Alabama, through the years he spent supporting himself in various odd jobs while trying to build his literary career, to the decades he spent fostering other talents. This long-overdue biography not only offers an important perspective on the author's work and art but also celebrates the legacy of a man who succeeded in becoming a legend in his own lifetime.
Coal miners evoke admiration and sympathy from the public, and writers—some seeking a muse, others a cause—traditionally champion them. David C. Duke explores more than one hundred years of this tradition in literature, poetry, drama, and film. Duke argues that as most writers spoke about rather than to the mining community, miners became stock characters in an industrial morality play, robbed of individuality or humanity. He discusses activist-writers such as John Reed, Theodore Dreiser, and Denise Giardina, who assisted striking workers, and looks at the writing of miners themselves. He examines portrayals of miners from The Trail of the Lonesome Pine to Matewan and The Kentucky Cycle. The most comprehensive study on the subject to date, Writers and Miners investigates the vexed political and creative relationship between activists and artists and those they seek to represent.
Published in 1995 this book provides an account of a detailed research project focusing on a rural school in West Virginia. Researched from several social science perspectives the book strives to capture intersections between biography and history in a particular public school – Burnsville High and Middle school in Braxton County - that has been influenced by social, political, and economic forces, eventually leading to its closure. The author also discusses how the example of this school can be applied within the framework of American public education and Western culture itself. Based on research from unstructured interviews, oral histories, historical records, and intermittent fieldwork that took place between 1989 and 1992, the book provides an in-depth look at a specific school, offering a basis for discussing rural schools in general. It challenges the idea that bigger schools are better and more efficient schools in terms of the individual, the social life of the school, and the surrounding community, and considers the lack of scholarly accounts available on the issues, controversies, and social dynamics that surround these vital community matters.
Appalachian women have been the subject of song, story, and report for nearly two centuries. Now for the first time a fully annotated bibliography makes accessible this large body of literature. Works covered include novels, short stories, magazine articles, manuscripts, dissertations, surveys, and oral history tapes—altogether over 1,200 items. The annotated listings are grouped under broad subject headings, including biography, coal mining, education, fiction, health care, industry, migrants, music, poetry, and religion. An author/title/subject index provides easy access to the listings.
“A bountiful smorgasbord of classic and lesser known stories by accomplished Kentucky writers who provide a feast for readers of modern short fiction.” —Ann Charters, author of The Story and Its Writer With an introduction by Wade Hall Morris Grubbs has sifted through vintage classics, little-known gems, and stunning debuts to assemble this collection of forty stories by popular and critically acclaimed writers. In subtle and profound ways, they challenge and overturn accepted stereotypes about the land their authors call home, whether by birth or by choice. Kentucky writers have produced some of the finest short stories published in the last fifty years, much of which focuses on the tension between the comforts of community and the siren-like lure of the outside world. Arranged chronologically, from Robert Penn Warren’s “Blackberry Winter” to Crystal E. Wilkinson’s “Humming Back Yesterday,” these stories are linked by their juxtaposition of departures and returns, the familiar and the unknown, home and beyond. “The story of the Commonwealth of Kentucky is told and retold by a mixed but balanced chorus of voices that sings like the wind down the ridges and along the creekbeds.” —Appalachian Journal “Readers needn’t be from Kentucky to appreciate these stories . . . Prepare to be wowed by these superior examples of the form.” —The Bloomsbury Review “From Robert Penn Warren to Bobbie Ann Mason, Kentucky hatches writers like other states create tourist traps.” —The Nashville Tennessean “If you love Kentucky authors, this anthology of short stories is a must for your Kentucky collection.” —Bourbon Times