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Two American women. Two Turkish men. In steamy Istanbul, selling rugs is a way of doing business.
Five British children discover in their new carpet an egg, which hatches into a phoenix that takes them on a series of fantastic adventures around the world.
Handmade rugs are perpetual objects of desire, sought after for their expressive designs and intricate combinations of pattern and color. Whether hand-knotted or handwoven, their tactile quality completes any well-furnished interior. A rug often occupies fully a third of a room and, if antique, is also often its most expensive single item, yet there has never been a book presenting decorative carpets as an integral component of interior design until now. Decorative carpet expert Alix G. Perrachon has, for the first time, compiled a book to guide all interested in placing handmade carpets in contemporary spaces—from individual homeowners to interior designers and their clients. Inside, thirty-two of America’s most celebrated designers—including Penny Drue Baird, Samuel Botero, Clodagh, Jamie Drake, David Easton, Thomas Jayne, Juan Montoya, Suzanne Tucker, Bunny Williams, and Vicente Wolf—discuss in animated terms how, and which pieces, they choose from the infinite array of handmade decorative carpets available in the market today. Their selections are illustrated with luxurious images drawn from their own work, revealing rugs ranging from Agras, Aubussons, and Axminsters to modern Tibetan and transitional designs in every style of interior from traditional to contemporary. In addition to engaging, accessible text and 300 full-color illustrations, The Decorative Carpet provides purchasing and care essentials, presents the twenty most popular types of rugs used by designers today—along with a brief description of the defining characteristics and history of each—and includes a glossary and suggestions for further reading, providing all the tools necessary for all those eager to explore the intriguing, expansive world of handmade decorative carpets to begin.
From Italian textiles featuring Islamic and Asian motifs to ceramics and glassware that reflected Syrian techniques and ornamental concepts, this book gives an extraordinary view of the influence of imported Oriental goods in Italy over three crucial centuries of artistic development, from 1300 to 1600.".
The Silk Road conjures images of the exotic and the unknown. Most travellers simply pass along it. Brit Chris Alexander chose to live there. Ostensibly writing a guidebook, Alexander found life at the heart of the glittering madrassahs, mosques and minarets of the walled city of Khiva - a remote desert oasis in Uzbekistan - immensely alluring, and stayed. Immersing himself in the language and rich cultural traditions Alexander discovers a world torn between Marx and Mohammed - a place where veils and vodka, pork and polygamy freely mingle - against a backdrop of forgotten carpet designs, crumbling but magnificent Islamic architecture and scenes drawn straight from "The Arabian Nights". Accompanied by a large green parrot, a ginger cat and his adoptive Uzbek family, Alexander recounts his efforts to rediscover the lost art of traditional weaving and dyeing, and the process establishing a self-sufficient carpet workshop, employing local women and disabled people to train as apprentices. A Carpet Ride to Khiva sees Alexander being stripped naked at a former Soviet youth camp, crawling through silkworm droppings in an attempt to record their life-cycle, holed up in the British Museum discovering carpet designs dormant for half a millennia, tackling a carpet-thieving mayor, distinguishing natural dyes from sacks of opium in Northern Afghanistan, bluffing his way through an impromptu version of "My Heart Will Go On" for national Uzbek TV and seeking sanctuary as an anti-Western riot consumed the Kabul carpet bazaar. It is an unforgettable true travel story of a journey to the heart of the unknown and the unexpected friendship one man found there.
At the age of thirteen, David Alliance was taken out of school by his father and apprenticed into the Grand Bazaar in Tehran, where he learned the business skills that were to prove invaluable in one of the most successful business careers of modern times. In 1950, with just ?14 in his pocket, he arrived in Manchester in search of textile bargains, going hungry and sometimes forced to sleep on the street. Six years later, however, when he was still only twenty-four, he bought a loss-making textile mill, turned it around in six months and went on to build the biggest textile company in the Western world. At one stage his businesses, including his mail-order company, N Brown Group, employed more than 80,000 people. He did it through a mixture of incredibly hard work, creativity and nerve, and some of his takeovers, often of companies many times larger than his own, were breathtaking in their ingenuity. No obstacle was unscalable - his guiding principle all his life was that everything is achievable 'if you put your heart and soul into it'. Humble, charming and delightfully honest, Alliance's extraordinary rags-to-riches tale is not only that of a remarkable journey, but goes far beyond the world of business. Among many stories which have until now remained secret, Alliance tells of how he used the skills he learned in the bazaar to negotiate with the dictator Mengistu Haile Mariam to allow the Ethiopian Jews to be airlifted to Israel, his friendship with the Shah of Iran and the first-hand insight into the infamous Guinness affair. In A Bazaar Life, written with Ivan Fallon, he sets out the lessons he has learned in a long career, and the principles that have guided him. Young - and older - entrepreneurs can learn a lot from his story.