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Anglophiles and students of portraiture will find that The Royal Portrait fills a surprising void in the literature, as Scott (Royal Collection) presents for the first time a survey of British portraits housed in the various venues of the Royal Collection. The broad scope ranges from Richard II (the first British king portrayed) to Queen Elizabeth II; the latter monarch, along with Queen Victoria, is the subject of an independent chapter, while other chapters focus on images of royals from a particular dynastic house, such as the Stuart and the Hanoverian. Through an interesting selection of diverse media and formats employed in different periods, Scott explores the central question of "what constitutes a royal portrait?" The answers are multifaceted and contingent on such factors as patronage, function, royal control, and artistic intention; nevertheless symbolic visual conventions can still be traced in the representations of British monarchs over the centuries. This is a clearly written, well-illustrated survey; for more in-depth analyses of particular works one will need to turn to specialized sources, e.g., D. Howarth's Images of Rule (1997). Summing Up: Highly recommended. Lower-division undergraduates through researchers/faculty; general readers. General Readers; Lower-division Undergraduates; Upper-division Undergraduates; Graduate Students; Researchers/Faculty. Reviewed by J. K. Dabbs.
The Collection of the National Portrait Gallery, London, embraces over 500 years of British history, more than 60,000 sitters and explores ideas of social change, power and influence. Arguably as powerful and influential as any individual are the heads of state and empire, whose portraits are among the most popular in the Gallery_s Collection. For the exhibition that accompanies this book, the portraits of kings, queens, statesmen and stateswomen featured will go on tour for the first time, providing international audiences with the opportunity to encounter these famous historical and contemporary personalities face to face. The publication traces major events in British history and examines the ways in which royal portraiture has reflected individual sitters_ personalities and wider social, cultural and historical change. Works are arranged chronologically in sections, each of which is prefaced by an introductory text and timeline providing context to the period in question. Particularly significant portraits from each period are ac companied by extended captions that provide key information on the sitter and the artist. Tudors to Windsors also considers how each dynasty has been perceived and interpreted subsequently, with reference to popular culture and contemporary sources. A number of features on topics such as Royal Favourites, Royal Weddings, Satire, Royals at War, and Royal Fashion and Jewellery provide insights into particular aspects of royal portraiture and trends within the genre. The publication includes a foreword by the Gallery_s Director, a fully illustrated introductory essay discussing royal patronage and key artists in royal portraiture, and an essay by David Cannadine on the historical role of the monarchy in Britain.
"Roayl watcher Colin Edwards has devoted his life to taking photographs of the Royal family in their most endearing public moments. His personal collection documents and celebrates their joyous interaction with the general public, providing a captivating visual story spanning over six decades. Covering every memorable Royal moment--from the Coronation to the Diamond Jubilee--A personal portrait of the Royal family is a fasciating pictorial record of the House of Windsor"--Back cover.
In this new scrapbook Avatar: The Last Airbender’s beloved character Uncle Iroh shares his memories and mementos with Prince Zuko. In Avatar: The Last Airbender: Legacy of the Fire Nation, discover long-kept secrets carried by Uncle Iroh as he records his stories for Prince Zuko. Read letters from family, friends, and more in this special collection of mementos and keepsakes. Iroh has held many roles in his long life, including crown prince of the Fire Nation, mentor to Prince Zuko, and ally of Avatar Aang. In the peace following the end of the Hundred Year War, Iroh has compiled many thoughts, memories, artifacts, and stories from his long life to share with Prince Zuko. Filled with amazing removable mementos from Iroh, Avatar: The Last Airbender: Legacy of the Fire Nation presents an exclusive look into one of the series’ most-loved characters.
This is a photographic portrait of Queen Elizabeth II, from her first official photograph as a baby in 1926 to her greeting President Obama at Buckingham Palace in 2009. Each chapter begins with a text by bestselling historian and biographer Philip Ziegler, covering the key royal and historical events of the period.
This remarkable book brings you face-to-face with an incredible selection of pioneering women who have reshaped the creative industries. From legendary visual artists Yoko Ono and Tracey Emin, to groundbreaking musicians like Annie Lennox and Debbie Harry, to fashion giants such as Miuccia Prada and Diane von Fürstenberg, this collection of original interviews and Polaroid photographs of almost 30 trailblazing women spans creative industries, nationalities and generations to bring together a never-before- published collection of leading voices. Featuring an astounding range of names including FKA Twigs, Isabelle Huppert and Rei Kawakubo, this book creates both a portrait of each individual woman and – collectively – a powerful portrait of the impact of women on the creative industries. Each pioneering creative is interviewed and photographed by the Mexican artist Hugo Huerta Marin. The women speak openly with Huerta Marin about their challenges and joys; their vulnerabilities and their triumphs. Cate Blanchett reflects on the differences between acting on stage and in film; Marina AbramoviÐ discusses her most radical piece of performance art; Annie Lennox reminisces about London in the 1970s; Carrie Mae Weems discusses the relationship between race and photography —these and other conversations are further brought to life by Huerta Marin’s candid, intimate Polaroid images. These photographs, which allow readers to lock eyes with their subjects, reflect the natural tone of each conversation, allowing the reader rare insight into the lives of these renowned artists. Inspiring and revealing, this collection of interviews and photographs gives readers an unparalleled connection with some of the most fascinating women working in the arts today.
"Here are some of the most famous images of Diana ever published ... hundreds of ... candids, outtakes, and portraits, the definitive photographic document of Diana's life--as fiancee, wife, and then ex-wife of the Prince of Wales; as mother to Princes William and Harry; as philanthropist, as ambassador, as fashion muse. But more than a ... collection of images, [this] is a personal..memoir with behind-the-scenes insight into the moods and complex personality of Diana. This narrative, a collaborative effort with royal writer Judy Wade, incorporates detailed impressions and experiences gathered in photographing the Princess"--The publisher.
A fresh and lively biography of the revolutionary landscape painter John Constable. John Constable, who captured the landscapes and skies of southern England in a way never before seen on canvas, is beloved but little-understood artist. His paintings reflect visions of landscape that shocked and perplexed his contemporaries: attentive to detail, spontaneous in gesture, brave in their use of color. His landscapes show that he had sharp local knowledge of the environment. His skyscapes show a clarity of expression rarely seen in other artist's work. The figures within show an understanding of the human tides of his time. And his late paintings of Salisbury Cathedral show a rare ability to transform silent, suppressed passion into paint. Constable was also an active and energetic correspondent. His letters and diaries reveal a man of opinion, passion, and discord. His letters also reveal the lives and circumstances of his extended family who serve to define the social and economic landscape against which he can be most clearly seen. These multifaceted reflections draw a sharp picture of the person, as well as the painter. James Hamilton's biography reveals a complex and troubled man. Hamilton's portrait explodes previous mythologies about this timeless artist and establishes him in his proper context as a giant of European art.
____________________________________________________________________________________ THE SUNDAY TIMES TOP 10 BESTSELLER 'It is a beautifully written book about a unique and extraordinary man who was the longest-serving consort to the longest reigning monarch in British history. I have read many other books about Philip but this is the best.' - DAILY EXPRESS 'Gloriously witty and incisive' - DAILY MAIL 'It's bloody brilliant, totally inspiring ... it's a joy to read a book that comes from a perspective of fondness. There are whole pages I want to read to the kids and stick to the fridge.' - KIRSTIE ALLSOPP, THE TIMES 'As a sparkling celebration of Prince Philip, the book will be hard to beat' - THE TELEGRAPH 'Brandreth explores a temperament on the brink of anger and agitation with immense tact, even affection.' - THE SPECTATOR 'This affectionate biography of Prince Philip is stuffed with entertaining anecdotes ... so readable and refreshing even after the millions of words that have been written about Prince Philip in the past couple of weeks.' - THE TIMES 'Brilliant... there is so much in this book you won't find anywhere else.' - LORRAINE 'A stately, respectful and joyful tribute. It is an extraordinary story, told with unique insight and authority by an author who knew him for more than 40 years.' - EDINBURGH EVENING NEWS 'A warm, affectionate portrait of the much-missed Duke ... a rich source of insights and anecdotes.' - SAGA MAGAZINE ______________________________________________________________________________________ This is the story of Prince Philip, Duke of Edinburgh - the longest-serving consort to the longest-reigning sovereign in British history. It is an extraordinary story, told with unique insight and authority by an author who knew the prince for more than forty years. Philip - elusive, complex, controversial, challenging, often humorous, sometimes irascible - is the man Elizabeth II once described as her 'constant strength and guide'. Who was he? What was he really like? What is the truth about those 'gaffes' and the rumours of affairs? This is the final portrait of an unexpected and often much-misunderstood figure. It is also the portrait of a remarkable marriage that endured for more than seventy years. Philip and Elizabeth were both royal by birth, both great-great-grandchildren of Queen Victoria, but, in temperament and upbringing, they were two very different people. The Queen's childhood was loving and secure, the Duke's was turbulent; his grandfather assassinated, his father arrested, his family exiled, his parents separated when he was only ten. Elizabeth and Philip met as cousins in the 1930s. They married in 1947, aged twenty-one and twenty-six. Philip: The Final Portrait tells the story of two contrasting lives, assesses the Duke of Edinburgh's character and achievement, and explores the nature of his relationships with his wife, his children and their families - and with the press and public and those at court who were suspicious of him in the early days. This is a powerful, revealing and, ultimately, moving account of a long life and a remarkable royal partnership.