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This is the 50th anniversary edition of the western that made Max Evans famous.
Set against the backdrop of New York's high-stakes underground poker world, Rounders is the story of one man's journey to pursue his ultimate dream. The film features a first class line-up of stars, including Matt Damon and Edward Norton, and is directed by John Dahl. Kevin Canty is the highly acclaimed author of A Stranger in This World and Into the Great Wide Open.
Studies of the Irish presence in America have tended to look to the main corridors of emigration, and hence outside the American South. Yet the Irish constituted a significant minority in the region. Indeed, the Irish fascination expresses itself in southern context in powerful, but disparate, registers: music, literature, and often, a sense of shared heritage. Rethinking the Irish in the American South aims to create a readable, thorough introduction to the subject, establishing new ground for areas of inquiry. These essays offer a revisionist critique of the Irish in the South, calling into question widely held understandings of how Irish culture was transmitted. The discussion ranges from Appalachian ballads, to Gone with the Wind, to the Irish rock band U2, to Atlantic-spanning literary friendships. Rather than seeing the Irish presence as “natural” or something completed in the past, these essays posit a shifting, evolving, and unstable influence. Taken collectively, they offer a new framework for interpreting the Irish in the region. The implications extend to the interpretation of migration patterns, to the understanding of Irish diaspora, and the assimilation of immigrants and their ideas.
Glenn Ford—star of such now-classic films as Gilda, Blackboard Jungle, The Big Heat, 3:10 to Yuma, and The Rounders—had rugged good looks, a long and successful career, and a glamorous Hollywood life. Yet the man who could be accessible and charming on screen retreated to a deeply private world he created behind closed doors. Glenn Ford: A Life chronicles the volatile life, relationships, and career of the renowned actor, beginning with his move from Canada to California and his initial discovery of theater. It follows Ford’s career in diverse media—from film to television to radio—and shows how Ford shifted effortlessly between genres, playing major roles in dramas, noir, westerns, and romances. This biography by Glenn Ford’s son, Peter Ford, offers an intimate view of a star’s private and public life. Included are exclusive interviews with family, friends, and professional associates, and snippets from the Ford family collection of diaries, letters, audiotapes, unpublished interviews, and rare candid photos. This biography tells a cautionary tale of Glenn Ford’s relentless infidelities and long, slow fade-out, but it also embraces his talent-driven career. The result is an authentic Hollywood story that isn’t afraid to reveal the truth. Best Books for General Audiences, selected by the American Association of School Librarians Best Books for General Audiences, selected by the Public Library Reviewers
The untold story of baseball’s nineteenth-century origins: “a delightful look at a young nation creating a pastime that was love from the first crack of the bat” (Paul Dickson, The Wall Street Journal). You may have heard that Abner Doubleday or Alexander Cartwright invented baseball. Neither did. You may have been told that a club called the Knickerbockers played the first baseball game in 1846. They didn’t. Perhaps you’ve read that baseball’s color line was first crossed by Jackie Robinson in 1947. Nope. Baseball’s true founders don’t have plaques in Cooperstown. They were hundreds of uncredited, ordinary people who played without gloves, facemasks, or performance incentives. Unlike today’s pro athletes, they lived full lives outside of sports. They worked, built businesses, and fought against the South in the Civil War. In this myth-busting history, Thomas W. Gilbert reveals the true beginnings of baseball. Through newspaper accounts, diaries, and other accounts, he explains how it evolved through the mid-nineteenth century into a modern sport of championships, media coverage, and famous stars—all before the first professional league was formed in 1871. Winner of the Casey Award: Best Baseball Book of the Year
Four chronically homeless people–Amelia One Sky, Timber, Double Dick and Digger–seek refuge in a warm movie theatre when a severe Arctic Front descends on the city. During what is supposed to be a one-time event, this temporary refuge transfixes them. They fall in love with this new world, and once the weather clears, continue their trips to the cinema. On one of these outings they meet Granite, a jaded and lonely journalist who has turned his back on writing “the same story over and over again” in favour of the escapist qualities of film, and an unlikely friendship is struck. A found cigarette package (contents: some unsmoked cigarettes, three $20 bills, and a lottery ticket) changes the fortune of this struggling set. The ragged company discovers they have won $13.5 million, but none of them can claim the money for lack proper identification. Enlisting the help of Granite, their lives, and fortunes, become forever changed. Ragged Company is a journey into both the future and the past. Richard Wagamese deftly explores the nature of the comforts these friends find in their ideas of “home,” as he reconnects them to their histories.
Provides information on common poker tells and gives a mental framework for analyzing and remembering that behavior.
Legendary western author Max Evans has spent his entire life working with cows and horses. These rangeland animals, and other creatures both domestic and wild, play pivotal roles in his stories. This magnificent collection, beautifully illustrated by cowboy artist Keith Walters, showcases twenty-six animal tales penned by Evans during his long and celebrated career. Both fiction and nonfiction, the stories in this collection get us inside the heads and hearts of numerous four-legged critters—dogs, horses, burros, goats, cattle, deer, coyotes, and more. “The Old One,” for example, shows us the world through the eyes of a prairie dog as she watches her latest litter of pups rolling and tumbling around the mound and thinks of all the things she will need to teach them. And in “The One-Eyed Sky,” an aging cow with a new calf and an old coyote with a litter to feed circle each other warily, trying to protect their young, until a rancher intervenes. Not one to shy away from difficult subjects, Evans also delves into the “animal nature” of human beings, as in “The Heart of the Matter,” where two Vietnam vets and friends kill a deer and then turn their rifles on each other. These captivating tales display Evans’s trademark mix of raucous humor and vivid, poetic descriptions of the high plains of West Texas and his beloved Hi-Lo Country in northeastern New Mexico. He reminds his readers of simpler times and more honorable people even as he evokes the merciless environment in which his characters, both animal and human, struggle to survive.
When a young screenwriter goes online to check out the promotional website for a new poker movie called Rounders, he’s shocked to discover how similar it is to a screenplay he wrote a few years earlier and submitted to a number of studios. When he later sees the Miramax-produced film in theaters, he is astonished by the number of overlapping elements—the protagonist playing Texas Hold ’em to pay his way through college while deceiving the girlfriend who believes he’s quit, the loss of everything he has in a single hand of high-stakes Hold ’em, a character named “Worm,” and many other commonalities that form the foundation of what will become his lawsuit against Miramax. He leaves the theater that day feeling that not only has the studio stolen his script, but his life, which had encompassed years of professional poker playing that informed the screenplay he hoped would open the door to a writing career in Hollywood. Against all odds, he proceeds to take on Miramax and the Hollywood system with the help of an ingenious lawyer. Jeffrey Grosso simply has to prove how it could have happened and convince a judicial system that often favors studios over writers that he’s a victim of intellectual property theft, which results in a ten-year landmark legal battle against Hollywood’s most notorious studio. Part comic legal thriller, part nail-biting poker memoir, Dirty Dealing: Grosso v. Miramax—Waging War Against Harvey Weinstein, and the Screenplay that Changed Hollywood is the entertaining look at one man’s fight to get the credit he believes he deserves. Does he have a case or are the similarities just an illusion the mind plays on a creator? Perhaps there are only five stories in Hollywood, as his lawyer points out, and no idea is truly original. You be the judge.