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In the movie industry, the rough cut is defined as the raw, first edition of a movie, which provides an idea of what the finished product will look like, giving indications of where it has problems and where it excels.

Much like a rough cut movie, Rough Cut Men are not the “finished product”. We are a work in progress. Philippians 1:6 reads: “being confident of this, that he who began a good work in you will carry it on to completion until the day of Christ Jesus.”

Men today have hundreds of acquaintances, but most have no real friends. Men are isolated and struggling alone. And while the Bible says we are to “Pity the man who falls and has no one to help him up.” (Ecc. 4:10), most guys go into the battles of life with no covering fire. Every man needs a battle buddy.

Rough Cut Men utilizes a strategic blend of “guy” movie scenes, real world tales of men, Biblical Truth and even throws in some of the author’s personal testimony to accomplish one focused mission: To get men talking to each other about what’s really going on in their lives. Each chapter contains hard-hitting questions designed to drive men deeper in their walk with other men and with Christ.

Rough Cut Men is real, raw and authentic. And it will equip you for the battle.

Cut to the Monkey is the story of a filmmaker's journey through Hollywood—revealing the techniques behind how the experts find the funny in any project—by a filmmaker who has worked with some of the funniest people in the business and has edited Emmy-nominated episodes from series such as Curb Your Enthusiasm, Veep, and Who Is America? Nobody knows who first said, "Dying is easy, comedy is hard." But almost everyone in the film business agrees it's true. Roger Nygard shares his anecdotal experiences in television, features, and documentaries as a filmmaker and editor—struggles and successes any filmmaker can identify with. Nygard also includes tips for Hollywood professionals and fans alike on how to successfully navigate the business of being funny. Along with a major focus on film editing, the author shares filmmaking stories that will leave readers feeling inspired and better prepared to deal with their own struggles. The book also features contributions about writing, creating, and editing comedy from some of the biggest names in the comedy business, including Judd Apatow (Girls, The 40-Year-Old Virgin), Alec Berg (Silicon Valley, Barry), Sacha Baron Cohen (Borat, Who Is America?), Mike Binder (The Upside of Anger, Black or White), Larry David (Seinfeld, Curb Your Enthusiasm), Julia Louis-Dreyfus (Seinfeld, Veep), David Mandel (Veep, The White House Plumbers), Jeff Schaffer (The League, Dave), Krista Vernoff (Shameless, Grey's Anatomy), and others.
Riley Vasher hasn’t spoken to her friend Piper Kingsley for years . . . now she’s making a documentary about her murder. Documentary filmmaker Riley Vasher has been living a low-key life on the island of Oahu with her long-time boyfriend Brody. This all changes when Brody overhears on his police scanner that popular TV weathergirl Piper Kingsley has been murdered. When Piper’s boyfriend, Ethan Jakes, is arrested for the crime, a high-profile murder trial is sure to follow – and Riley and Brody sense their chance to make a name for themselves. Riley convinces Ethan she can help him if they make a documentary about the trial, and recommends the brilliant but eccentric defense lawyer Nicholas Church. But as the trial nears and Riley becomes personally involved in the case, the lines of truth soon begin to blur and she finds herself becoming part of the story.
This is the second volume of the widely acclaimed Art of the Cut book published in 2017. This follow-up text expands on its predecessor with wisdom from more than 360 interviews with the world’s best editors (including nearly every Oscar winner from the last 30 years). Because editing is a highly subjective art form, and one that is critical to the success of motion picture storytelling, it requires side-by-side comparisons of the many techniques and solutions used by a wide range of editors from around the world. That is why this book compares and contrasts methodologies from a wide array of diverse voices and organizes that information so that it is easily digested and understood. There is no one way to approach editorial problems, so this book allows readers to see multiple solutions from multiple editors. The interviews contained within are carefully curated into topics that are most important to film editors and those who aspire to become film editors. The questions asked, and the organization of the book, are not merely an academic or theoretical view of the art of editing but rather the practical advice and methodologies of actual working film and TV editors, bringing benefits to both students and professional readers. The book is supplemented by a collection of downloadable online exclusive chapters, which cover additional topics ranging from Choosing the Project to VFX. In addition to the supplementary chapters, access to the full-color, full-resolution images printed in the book—and other exclusive images—is included.
Ms. Aurora Bourne would do anything to protect her students from harm … even if that means going up against the most powerful corporation on the planet. While getting her fourth grade classroom ready for Fall, Aurora begins to feel sick, and it’s more than back-to-school blues. Outside her windows next to the playground, strawberry fields have just been fumigated and pesticides are drifting into the classrooms, causing serious health issues for children and adults. When the teenage sister of a migrant student goes missing from the strawberry fields, it becomes clear that pesticide poisoning isn’t the only thing threatening the children’s safety, and Aurora begins to understand why farmworkers call strawberries Fruta del Diablo — the Fruit of the Devil. Aurora starts asking questions and gets caught in a web of gangs, drugs, trafficking, and high-level corporate crime. When a Catholic priest comes to her aid, she falls in love with him, complicating her life further. She has no idea he’s actually an ancient nature god out of Pacific Coast indigenous legends.
Rebecca Lamond is traumatized by the vicious murder of her husband during their honeymoon in Paris. She is shocked to learn that his last request is that she journey to the war-torn nation of Sierra Leone, in West Africa, to locate some medical supplies. Although her employers grant her leave from her job at a museum, they demand that on the same trip she also find and acquire three ancient wooden carvings. In Sierra Leone, the civil war is over but a far more lethal war is just beginning, and Rebecca is quickly surrounded by the violence and corruption of postwar Africa. Her main support and protection comes from Aaron Cavanaugh, a man to whom she is passionately drawn, but whose violent nature she fears. When she stumbles across the real reason for her husband’s murder, Rebecca realizes that her two tasks are linked and that her own life is in danger. One of the carvings that she has acquired gives the location of a hidden al-Qaeda camp in the rainforest of Sierra Leone, and Rebecca discovers that the terrorists are developing the perfect biological weapon to unleash on the world.
Horror legend Harry Tuttle is desperate for a hit. Harry’s career has been on a painful slide ever since he directed a couple of box office winners in the 1980s. Enter Marcus Stegman, a young unknown with a horror picture of his own. It’s not only a brilliant debut — it’s the movie Harry always dreamed of making. A rivalry ensues — and it’s about to become bloody. A suspicious film critic, beautiful young starlet, and deranged fan become entangled in the cut-throat competition where hungry hopefuls will go to any means necessary to break into the big-time...and no one is safe.