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THE INSPIRATION BEHIND THE BBC DRAMA THE CRIMSON FIELD 'On the face of it, ' writes Lyn Macdonald, 'no one could have been less equipped for the job than these gently nurtured girls who walked straight out of Edwardian drawing rooms into the manifest horrors of the First World War ...' Yet the volunteer nurses rose magnificently to the occasion. In leaking tents and draughty huts they fought another war, a war against agony and death, as men lay suffering from the pain of unimaginable wounds or diseases we can now cure almost instantly. It was here that young doctors frantically forged new medical techniques - of blood transfusion, dentistry, psychiatry and plastic surgery - in the attempt to save soldiers shattered in body or spirit. And it was here that women achieved a quiet but permanent revolution, by proving beyond question they could do anything. All this is superbly captured in The Roses of No Man's Land, a panorama of hardship, disillusion and despair, yet also of endurance and supreme courage. 'Lyn Macdonald writes splendidly and touchingly of the work of the nurses and doctors who fought their humanitarian battle on the Western Front' Sunday Telegraph Over the past twenty years Lyn Macdonald has established a popular reputation as an author and historian of the First World War. Her books are based on the accounts of eyewitnesses and survivors, told in their own words, and cast a unique light on the First World War. Most are published by Penguin.
World War I is regarded as the first modern war, driven by fearful new technologies of mechanized combat. The unprecedented carnage rapidly advanced military medicine, transforming the nature of wartime caregiving and paving the way for modern nursing practice. Drawing on firsthand accounts of American nurses, as well as their Canadian and British counterparts, historian Paul E. Stepansky describes nurses' encounters with devastating new forms of injury--wounds from high-explosive artillery shells, poison gas burns, "shell shock," the Spanish Flu. Comparing nursing practice on the western front with nursing care during the American Civil War, the Spanish-American War, and the Anglo-Boer War, the author is especially attentive to the emergent technologies employed by nurses of the Great War.
This is the tale of two men.The first is Henry Tandey, an ordinary man later deemed to be ‘a hero of the old berserk type’, born and brought up in Leamington Spa, Warwickshire, who displayed extraordinary courage to emerge from the First World War as the most decorated British private to survive. The second is Adolf Hitler, who was highly decorated in his service to Germany in the First World War and went on to become one of the most infamous dictators in history, later bringing the world to the brink of destruction during the Second World War. It seems unlikely that their fates should collide. Yet in 1938 Hitler named Tandey as the soldier who spared his life on 28 September 1918 in the aftermath of the Battle of Marcoing – an assertion that came as a surprise to Tandey himself. The Man Who Didn’t Shoot Hitler tells the story of Tandey’s and Hitler’s Great War, the moment when their lives became intertwined – if in fact they did – and how Tandey lived with the stigma of being known not for his chestful of medals for gallantry in service of King and Country, but as the man who let Hitler live.
Gas! GAS! Quick, boys! reveals for the first time the true extent of how chemistry rather than military strategy determined the shape, duration and outcome of the First World War. Chemistry was not only a destructive instrument of war but also protected troops, and healed the sick and wounded. From bombs to bullets, poison gas to anaesthetics, khaki to cordite, chemistry was truly the alchemy of the First World War. Michael Freemantle explores its dangers and its healing potential, revealing how the arms race was also a race for chemistry to the extent that Germany's thirst for the chemicals needed to make explosives deprived the nation of fertilizers and nearly starved the nation. He answers question such as: What is guncotton? What is lyddite? What is mustard gas? What is phosgene? What is gunmetal? This is a true picture of the horrors of the 'Chemists' War'.
For Home and Country examines the propaganda that targeted noncombatants on the home front in the United States and Europe during World War I. Cookbooks, popular magazines, romance novels, and government food agencies targeted women in their homes, especially their kitchens, pressuring them to change their domestic habits. Children were also taught to fear the enemy and support the war through propaganda in the form of toys, games, and books. And when women and children were not the recipients of propaganda, they were often used in propaganda to target men. By examining a diverse collection of literary texts, songs, posters, and toys, Celia Malone Kingsbury reveals how these pervasive materials were used to fight the war's cultural battle.