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Excerpt from The Roses of New Castle, 1929 Climbing White American Beauty. Hybrid Tea. Strong grower. Variety similar to Kaiserin Augusta Victoria, but of much more vigorous growth and greater freedom of bloom. More double than Silver Moon with but one flower to the stem. A grand, new, hardy climbing rose. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
"The Blue Castle" tells the story of a young woman named Valancy Stirling, who lives a dull and uneventful life in the restrictive and judgmental society of the early 20th century. She is unmarried and lives with her overbearing mother and cousin, and has resigned herself to a life of spinsterhood and conformity. However, everything changes when Valancy receives a devastating medical diagnosis that gives her only a year to live. This news acts as a catalyst, prompting Valancy to break free from the constraints placed upon her and start living life on her own terms. She decides to leave her oppressive family environment and embrace her dreams and desires. Valancy's journey takes her to the fictional Blue Castle, a place of love and freedom that exists only in her imagination. In this imagined space, she meets a mysterious man named Barney Snaith, who becomes a symbol of hope and adventure in her life. Through "The Blue Castle," Montgomery explores themes such as self-discovery, the power of imagination, and the importance of living authentically. The novel challenges societal norms and expectations, highlighting the barriers placed on women during the early 20th century. Valancy's transformation from a meek and submissive woman to a vibrant and independent individual is both inspiring and empowering. Montgomery's writing is vivid and evocative, immersing readers in the beauty of the Canadian landscape and the emotions of the characters. Her descriptions of nature and the Blue Castle itself transport readers to a place of enchantment and possibility. The author's knack for creating memorable characters shines through in Valancy's journey, as well as in the supporting cast that includes eccentric family members and quirky townspeople. "The Blue Castle" stands apart from Montgomery's more famous works due to its departure from the author's usual setting of Prince Edward Island. The novel is set in the fictional Muskoka region of Ontario, providing a fresh and captivating backdrop. This change of scenery adds another layer of charm and uniqueness to the story. Overall, "The Blue Castle" is a delightful and heartwarming tale of self-discovery, courage, and love. It portrays the transformative power of embracing one's true desires and finding joy in unexpected places. Montgomery's masterful storytelling and the endearing characters make this a book you won't want to put down.
A murder in a crowded Broadway theater presents a full house of suspects—the first in this classic mystery series starring Ellery Queen! Despite the dismal Broadway season, Gunplay continues to draw crowds. A gangland spectacle, it’s packed to the gills with action, explosions, and gunfire. In fact, Gunplay is so loud that no one notices the killing of Monte Field. In a sold-out theater, Field is found dead partway through the second act, surrounded by empty seats. The police hold the crowd and call for the one man who can untangle this daring murder: Inspector Richard Queen. With the help of his son Ellery, a bibliophile and novelist whose imagination can solve any crime, the Inspector attacks this seemingly impenetrable mystery. Anyone in the theater could have killed the unscrupulous lawyer, and several had the motive. Only Ellery Queen, in his debut novel, can decipher the clue of the dead man’s missing top hat.
Lindsay Allason-Jones has been at the forefront of small finds and Roman frontier research for 40 years in a career focussed on, but not exclusive to, the north of Britain, encompassing an enormous range of object types and subject areas. Divided into thematic sections the contributions presented here to celebrate her many achievements all represent at least one aspect of Lindsay’s research interests. These encompass social and industrial aspects of northern frontier forts; new insights into inscribed and sculptural stones specific to military communities; religious, cultural and economic connotations of Roman armour finds; the economic and ideological penetration of romanitas in the frontiers as reflected by individual objects and classes of finds; evidence of trans-frontier interactions and invisible people; the role of John Clayton in the exploration and preservation of Hadrian’s Wall and its material culture; the detailed consideration of individual objects of significant interest; and a discussion of the widespread occurrence of mice in Roman art.
Drama unfolds between the servants and masters of an aristocratic Irish household in this “classic upstairs-downstairs story” set during World War II—for fans of Downton Abbey (Time) The war has led to a scarcity of experienced staff at the vast hereditary house of an aristocratic Anglo-Irish family. When Eldon the butler dies, Raunce—the head footman—is assigned his job. The other servants are taken aback by this irregular promotion, but lovely young Edith, a recent hire, is quite attracted to the older Raunce and a flirtation begins. And it is Edith who discovers Mrs. Tennant’s daughter-in-law, whose husband is fighting at the front, in bed with a neighbor one morning, scandalizing the whole household. When the Tennants depart for England, Raunce is left in charge of the house and struggles to control its disputatious inhabitants as well as to secure the love of Edith, especially after a precious family jewel disappears. In Loving, Henry Green explores the deeply precarious nature of ordinary life against the background of the larger world at war.
During the Silent Era, when most films dealt with dramatic or comedic takes on the "boy meets girl, boy loses girl" theme, other motion pictures dared to tackle such topics as rejuvenation, revivication, mesmerism, the supernatural and the grotesque. A Daughter of the Gods (1916), The Phantom of the Opera (1925), The Magician (1926) and Seven Footprints to Satan (1929) were among the unusual and startling films containing story elements that went far beyond the realm of "highly unlikely." Using surviving documentation and their combined expertise, the authors catalog and discuss these departures from the norm in this encyclopedic guide to American horror, science fiction and fantasy in the years from 1913 through 1929.
Science Fiction, Alien Encounters, and the Ethics of Posthumanism offers a typology of alien encounters and addresses a range of texts including classic novels of alien encounter by H.G. Wells and Robert Heinlein; recent blockbusters by Greg Bear, Octavia Butler and Sheri Tepper; and experimental science fiction by Peter Watts and Housuke Nojiri.
The 120 Days of Sodom by Marquis de Sade relates the story of four wealthy men who enslave 24 mostly teenaged victims and sexually torture them while listening to stories told by old prostitutes. The book was written while Sade was imprisoned in the Bastille and the manuscript was lost during the storming of the Bastille. Sade wrote that he "wept tears of blood" over the manuscript's loss. Many consider this to be Sade crowing acheivement.