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A masterful, dystopian science fiction thriller of telepathic evil greys, mysterious rebellion, martial arts, and Alien Vampires.
Sandy Cox believed WW3 was over. But for those Alien Vampires, war has just begun. Forty-eight hours after a World War 3 treaty is signed Sandy Cox awakens in an underground compound unable to move. Tied to machines, she screams for help but no one answers. At least no one human. And they've taken her unborn child. Phil is a rebel freedom fighter who has had more than his share of Alien Vampires. Armed with The Blades, a sacred alien martial arts weapon, he enters the compound on a mission to find Sandy. But as he battles through the compound, Phil discovers Sandy has her own agenda. Finding her stolen child is all that matters. But the Vampires have their own plan and Sandy's baby is at the heart of their diabolical plot. Joined by a crew of rogue soldiers, they must navigate the underground compound, combating genetically mutated humans, aliens, and monsters. When battling Alien Vampires, one thing is certain...Get Ready To Bleed! Fans of The Hunger Games, Blake Crouch, VE Schwab, Star Wars, and Ancient Aliens will be fascinated by this high-powered, edge-of-your-seat dystopian science fiction thriller.
Kay Kenyon, noted for her science fiction world-building, has in this new series created her most vivid and compelling society, the Universe Entire. In a land-locked galaxy that tunnels through our own, the Entire is a bizarre and seductive mix of long-lived quasi-human and alien beings gathered under a sky of fire, called the bright. A land of wonders, the Entire is sustained by monumental storm walls and an exotic, never-ending river. Over all, the elegant and cruel Tarig rule supreme. Into this rich milieu is thrust Titus Quinn, former star pilot, bereft of his beloved wife and daughter who are assumed dead by everyone on earth except Quinn. Believing them trapped in a parallel universe—one where he himself may have been imprisoned—he returns to the Entire without resources, language, or his memories of that former life. He is assisted by Anzi, a woman of the Chalin people, a Chinese culture copied from our own universe and transformed by the kingdom of the bright. Learning of his daughter’s dreadful slavery, Quinn swears to free her. To do so, he must cross the unimaginable distances of the Entire in disguise, for the Tarig are lying in wait for him. As Quinn’s memories return, he discovers why. Quinn’s goal is to penetrate the exotic culture of the Entire—to the heart of Tarig power, the fabulous city of the Ascendancy, to steal the key to his family’s redemption. But will his daughter and wife welcome rescue? Ten years of brutality have forced compromises on everyone. What Quinn will learn to his dismay is what his own choices were, long ago, in the Universe Entire. He will also discover why a fearful multiverse destiny is converging on him and what he must sacrifice to oppose the coming storm. This is high-concept SF written on the scale of Philip Jose Farmer’s Riverworld, Roger Zelazny’s Amber Chronicles, and Dan Simmons’s Hyperion.
A brilliantly brain-warping thriller and a love story that leaps back and forth in time – All Our Yesterdays is an amazing first novel, perfect for fans of The Hunger Games. Em is locked in a bare, cold cell with no comforts. Finn is in the cell next door. The Doctor is keeping them there until they tell him what he wants to know. Trouble is, what he wants to know hasn't happened yet. Em and Finn have a shared past, but no future unless they can find a way out. The present is torture – being kept apart, overhearing each other's anguish as the Doctor relentlessly seeks answers. There's no way back from here, to what they used to be, the world they used to know. Then Em finds a note in her cell which changes everything. It's from her future self and contains some simple but very clear instructions. Em must travel back in time to avert a tragedy that's about to unfold. Worse, she has to pursue and kill the boy she loves to change the future . . .
This series comprises the saga of the universe next door: The Entire. Reviewers have called Kay Kenyon’s series "a grand world," "an enormous stage," and "a bravura concept." Titus Quinn has forged an unstable peace with the Tarig lords, enforced by the nanotech surge weapon he possesses. But it is a sham. In what the godwoman Zhiya calls a fit of moral goodness, he has thrown the weapon into the space-folding waters of the River Nigh. But now he must face his enemies from earth, where a small cadre plans to take the Entire for itself and leave the earth in ruins. In the fabled Rim City encircling the heart of the Entire, Quinn at last finds his daughter, now called Sen Ni. Despite their troubled past, he seeks her help against the people who would destroy the earth. But Sen Ni has her own plans and allies, among them a boy-navitar of the Nigh, who is willing and supremely able to break his vows and bend the world. Quinn casts his fate with the beautiful and resourceful Ji Anzi who, sent on a journey to other realms, now holds the key to Quinn's heart and his overarching mission. But as he approaches the innermost sanctuary of the Tarig, he is alone. Waiting for him are powerful adversaries, including a warrior whose chaotic mind will soon be roused from an eternal slumber. "Lush, captivating and entrancing." —SFF World "Truly a series that demands to be read. Only, be sure to start at the beginning. You don't want to miss a word." —Fantasy Magazine "The Entire and The Rose is without doubt one of the most fascinating sci-fi series on the market today. In City Without End, Kenyon elevates this series to new heights." —Pat's Fantasy Hotlist
She was the wood. He was the flame. After this, they would be ash. A cruel twist of fate leaves Jasmine Hennessy stranded in a remote cabin with her worst nightmare—her ex-husband, James Roth, who she hasn’t seen in five years. He isn’t acting like the man she married, but did she ever really know him? One night together kicks off a series of events that threatens her freedom as Roth seeks vengeance on those who ruined him seven years ago. He’s determined to bring her back into the world she left behind where money is king, reputation is everything, and people will kill to keep their secrets. Author's Note: This is a dark romance novel with triggers and mature themes that may make some readers uncomfortable.
From the New York Times bestselling author of A TERRIBLE LOVE... comes a dark dystopian paranormal romance, where humans who possess extraordinary powers fall under the government's covert efforts of exploitation and control. Death books 1-7 available now!
From a beautiful antique that gives its owner a show he'd rather forget, to 'ghost detective' whose exorcism goes horribly wrong and a sinister masked ball which seems to have one too many guests, these ghost stories of supernatural terror are guaranteed to make you shiver, thrill and look under the bed tonight. From rural England to colonial India, in murky haunted mansions and under modern electric lighting, these master storytellers - some of the best writers in the English language - unfold spinetinglers which pull back the veil of everyday life to reveal the nightmares which lurk just out of sight. They are lessons in ingenuity and surprise, sometimes building slowly to a chilling climax, sometimes springing horror on you from the utterly banal. And as you'd expect from these writers, the stories are more than simply frightening - they're also disquieting exposures of mortality, loneliness and the human capacity for both evil and remorse. We wish you pleasant dreams. Contains ghost stories by: Ruth Rendell, M. R. James, Rudyard Kipling, Edith Wharton, E. F. Benson, E. Nesbit, Saki, W. W. Jacobs, W. F. Harvey, Hugh Walpole, Chico Kidd and LP Hartley.
* 2020 Nomo Awards Shortlist for "Best Novel" * A Best Book of 2019 —LitReactor, Entropy Triangulum is an ambitious, often philosophical and genre-bending novel that covers a period of over 40 years in South Africa’s recent past and near future—starting from the collapse of the apartheid homeland system in the early 1990s, to the economic corrosion of the 2010s, and on to the looming, large-scale ecological disasters of the 2040s. In 2040, the South African National Space Agency receives a mysterious package containing a memoir and a set of digital recordings from an unnamed woman who claims the world will end in ten years. Assigned to the case, Dr. Naomi Buthelezi, a retired professor and science-fiction writer, is hired to investigate the veracity of the materials, and whether or not the woman's claim to have heard from a “force more powerful than humankind” is genuine. Thus begins TRIANGULUM, a found manuscript composed of the mysterious woman’s memoir and her recordings. Haunted by visions of a mysterious machine, the narrator is a seemingly adrift 17-year-old girl, whose sick father never recovered from the shock of losing his wife. She struggles to navigate school, sexual experimentation, and friendship across racial barriers in post-apartheid South Africa. When three girls go missing from their town, on her mother's birthday, the narrator is convinced that it has something to do with "the machine" and how her mother also went missing in the '90s. Along with her friends, Litha and Part, she discovers a puzzling book on UFOs at the library, the references and similarities in which lead the friends to believe that the text holds clues to the narrators’s mother's abduction. Drawing upon suggestions in the text, she and her friends set out on an epic journey that takes them from their small town to an underground lab, a criminal network, and finally, a mysterious, dense forest, in search of clues as to what happened to the narrator's mother. With extraordinary aplomb and breathtaking prose, Ntshanga has crafted an inventive and marvelous artistic accomplishment.
Julianna Baggott presents her beautifully written, riveting, breakout novel, PURE, the first volume in her new post-apocalypse thriller trilogy. We know you are here, our brothers and sisters . . . Pressia barely remembers the Detonations or much about life during the Before. In her sleeping cabinet behind the rubble of an old barbershop where she lives with her grandfather, she thinks about what is lost-how the world went from amusement parks, movie theaters, birthday parties, fathers and mothers . . . to ash and dust, scars, permanent burns, and fused, damaged bodies. And now, at an age when everyone is required to turn themselves over to the militia to either be trained as a soldier or, if they are too damaged and weak, to be used as live targets, Pressia can no longer pretend to be small. Pressia is on the run. Burn a Pure and Breathe the Ash . . . There are those who escaped the apocalypse unmarked. Pures. They are tucked safely inside the Dome that protects their healthy, superior bodies. Yet Partridge, whose father is one of the most influential men in the Dome, feels isolated and lonely. Different. He thinks about loss-maybe just because his family is broken; his father is emotionally distant; his brother killed himself; and his mother never made it inside their shelter. Or maybe it's his claustrophobia: his feeling that this Dome has become a swaddling of intensely rigid order. So when a slipped phrase suggests his mother might still be alive, Partridge risks his life to leave the Dome to find her. When Pressia meets Partridge, their worlds shatter all over again.