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Join with Sádi and Observe his Miracle Words! بنی آدم اعضای یکدیگرند که در آفرینش ز یک گوهرند The sons of Adam are limbs of each other Having been created of one essence. چو عضوی به درد آورد روزگار دگر عضوها را نماند قرار When the calamity of time afflicts one limb The other limbs cannot remain at rest. تو کز محنت دیگران بی غمی نشاید که نامت نهند آدمی If thou hast no sympathy for the troubles of others Thou art unworthy to be called by the name of a man. Sádi's prose style of writing is simple but vigorous and described as "simple but impossible to imitate" flows quite naturally and effortlessly. Its simplicity, however, is based on a semantic web consisting of synonymity, homophony, and oxymoron buttressed by internal rhythm and external rhyme. Gulistan consisting of 8 chapters is primarily in prose. The book widely addresses kings’ morality, dervishes’ behavior, benefits of contentment, the advantage of silence, love and youthfulness, weakness in old age, the effect of education, and the rules for conduct life. Golestan can be considered Saadi's report of the society of his time, in which the cultural and social conditions of the people are depicted in real life. In some stories, there are imaginary or real third-party characters, and they play a role, but in some stories, the author is present and observes some of these events, the real events of his life and some are merely fictional events. Sádi attempts to advise people to live freely and to improve the quality of their lives in Gulistan. The translation appearing in this book is by Edward Rehatsek in 1888. Goethe and Andre du Ryer presented Sádi to the west for the first time in 1634. The first full translation of Gulistan in English was finished by Sir Richard Francis Burton. Gulistan is a masterpiece of Persian writing and rhetoric and one of the most influential prose books in Persian literature. This book has been used for many years as an educational resource for schools and helps your understanding of Persian culture and literature. Published by: Persian Learning Center www.persianbell.com
Shaykh Mushrifuddin Sa'di of Shiraz finished his collection of moral tales in 1258 AD, and over the centuries it has been one of the most widely read and influential books in the Persian sphere. The first English translation was during the 18th century; Wheeler M. Thackston (Persian, Harvard U.) presents a new edition and new translation on facing pages. Written by Sa'd of Shiraz (c. 1200-c.1290), the Gulistan is probably the best-known nonreligious text in all of Persian literature. A baggy collection of anecdotes, short didactic tales, maxims, and bits of wise advice, it is divided into eight broad chapters of mixed prose and verse that view life through an Islamo-Persian lens. Sa'd's fame is due less to the content, which is conventional wisdom, than to his brilliant style, which combines great concision with puns, rhymed prose, and wordplay exploiting the full range of Persian rhetoric in a manner that Persians call something like "impossible simplicity," irreproducible in English.
Saadi is one of the greatest figures of classical Persian literature. His best-known work of poetry is the ‘Bustan’ (The Orchard), composed entirely in epic metre and consisting of stories illustrating the standard virtues recommended to Muslims, as well as offering reflections on the behaviour of dervishes and their ecstatic practices. Saadi also wrote the ‘Gulistan’, a prose collection featuring stories and personal anecdotes. The text is interspersed with a variety of short poems, containing aphorisms, advice and humorous reflections. Saadi’s works are characterised by their unusual blend of kindness and cynicism, always wishing to avoid the hard dilemma, making him, for many, the most widely admired poet of Persian literature. The Delphi Poets Series offers readers the works of literature’s finest poets, with superior formatting. This volume presents Saadi’s collected works, with related illustrations and the usual Delphi bonus material. (Version 1) * Beautifully illustrated with images relating to Saadi’s life and works * Concise introduction to Saadi’s life and poetry * All of the major verse and prose texts of Saadi * Images of how the poetry books were first printed, giving your eReader a taste of the original texts * Excellent formatting of the poems * Easily locate the sections you want to read * Includes the rare poetry collection ‘Pand Namah’, first time in digital print * Features a bonus biography — discover Saadi’s intriguing life and poetry * Scholarly ordering of texts into chronological order and literary genres Please visit www.delphiclassics.com to see our wide range of poet titles CONTENTS: The Life and Poetry of Saadi Shirazi Brief Introduction: Saadi by Epiphanius Wilson Bustan (translated by A. Hart Edwards) Pand Namah (translated by Arthur N. Wollaston) The Prose Gulistan (translated by James Ross) The Biography Introduction to Saadi by Arthur N. Wollaston Please visit www.delphiclassics.com to browse through our range of poetry titles or buy the entire Delphi Poets Series as a Super Set
GHAZALS of SADI Translation & Introduction Paul Smith Sadi (Saadi or Sa'di) of Shiraz (1210-1291), a contemporary of Rumi who influenced him, was a Sufi Perfect Master (Qutub) Poet who expressed himself in the ruba'i form as well as hundreds of ghazals in his beautiful Divan that often also contained images from dervish dancing. Sadi was a great traveller who spent forty years on the road throughout the Middle-East, North Africa and India and many of the incidents he experienced he wrote down in his two most famous works when he finally returned to his beloved birth-place... The Rose Garden (Gulistan) and The Orchard (Bustan). Sadi's mystical love poetry, his ghazals, although almost unknown in the West, are loved by his fellow-countrymen almost as much as those of Hafiz whom he greatly influenced. Here for the first time in English they can be read in all their beauty and power and spirit. The correct rhyme-structure has been kept as well as the beauty and meaning of these unique mystical poems. All of the wonderful 603 ghazals from Sadi's Badayi and Tayyibat have been translated in clear, modern, meaningful English. Introduction: Life & Times & Poetry of Sadi of Shiraz and his influence on the East and the West and on the form and meaning of the ghazal. a Sufi Glossary and a large Selected Bibliography. Large Format Paperback "7 x 10" 517 pages. COMMENTS ON PAUL SMITH'S TRANSLATION OF HAFIZ'S 'DIVAN'. "It is not a joke... the English version of all the ghazals of Hafiz is a great feat and of paramount importance. I am astonished." Dr. Mir Mohammad Taghavi (Dr. of Literature) Tehran. "Superb translations. 99% Hafiz 1% Paul Smith." Ali Akbar Shapurzman, translator of many works in English into Persian and knower of Hafiz's Divan off by heart. "Smith has probably put together the greatest collection of literary facts and history concerning Hafiz." Daniel Ladinsky (Penguin Books author). 'Perfect Translation." Amir, Amazon.com Paul Smith (b.1945) is a poet, author and translator of many books of Sufi poets from the Persian, Arabic, Urdu, Turkish, Pashtu and other languages... including Hafiz, Sadi, Nizami, Rumi, 'Attar, Sana'i, Jahan Khatun, Obeyd Zakani, Mu'in, Amir Khusrau, Nesimi, Kabir, Anvari, Ansari, Jami, Omar Khayyam, Rudaki, Yunus Emre, Baba Farid, Shah Latif, Mu'in, Lalla Ded, 'Iraqi, Ghalib, Nazir, Bulleh Shah, Ibn 'Arabi, Ibn Farid, Rab'ia, Majnun, Mansur Hallaj, Rahman Baba, Iqbal, Ghalib and many others as well as his own poetry, fiction, plays, biographies, children's books and a dozen screenplays. www.newhumanitybooks.com
The Gulistan is a landmark of Persian and Shia Islamic Irfan/Sufi literature, perhaps its single most influential work of prose. Written in 1259 CE, it is one of two major works of the Persian poet Sa'di, considered one of the greatest medieval Persian poets. It is also one of his most popular books, and has proved deeply influential in the West as well as the East. The Gulistan is a collection of poems and stories, just as a rose-garden is a collection of roses. It is widely quoted as a source of wisdom and esoterics. The well-known aphorism still frequently repeated in the western world, about being sad because one has no shoes until one meets the man who has no feet "whereupon I thanked Providence for its bounty to myself" is from the Gulistan.
Catalog of an exhibition held at the Queen's Gallery, Buckingham Palace, London, United Kingdom in June 2018.