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By comparing Spanish artist Joan Miro's finished paintings and sculptures with more than 1200 of his sketches and preparatory studies, Gimferrer places Miro's art in a surprising new perspective. Marvelously illustrated with 285 radiant color plates and 1276 in black-and-white, this intensive analysis of Miro's creative process explains how he would first isolate some element from the teeming outside world, then incorporate a graphic sign into it, thus setting in motion a transfigurative process in which objects, signs and symbols underwent a constant metamorphosis. In placing Miro's preliminary drawings alongside the pictures to which they gave rise, Spanish poet and art critic Gimferrer illuminates the inner alchemy by which Miro discovered his major motifs and set them loose in a free-floating pictorial universe.
"Richard White's study of the collapse into 'dependency' of three Native American subsistence economies represents the best kind of interdisciplinary effort. Here ideas and approaches from several fields--mainly anthropology, history, and ecology--are fruitfully combined in one inquiring mind closely focused on a related set of large, salient problems. . . . A very sophisticated study, a 'best read' in Indian history."--American Historical Review "The book is original, enlightening, and rewarding. It points the way to a holistic manner in which tribal histories and studies of Indian-white relations should be written in the future. It can be recommended to anyone interested in Indian affairs, particularly in the question of the present-day dependency plight of the tribes."--Alvin M. Josephy, Jr., Western Historical Quarterly "The Roots of Dependency is a model study. With a provocative thesis tightly argued, it is extensively researched and well written. The nonreductionist, interdisciplinary approach provides insight heretofore beyond the range of traditional methodologies. . . . To the historiography of the American Indian this book is an important addition."--W. David Baird, American Indian Quarterly Richard White is a professor of history at the University of Washington. He is the winner of the Albert J. Beveridge Award of the American Historical Asso-ciation, the James A. Rawley Prize presented by the Organization of Ameri-can Historians and the Francis Parkman Prize from the Society of American Historians. His books include The Middle Ground: Indians, Empires, and Republics in the Great Lakes Region, 1650–1815, "It's Your Misfortune and None of My Own": A History of the American West and The Organic Machine: The Remaking of the Columbia River
Taking Joan Miró's notorious declaration of 1927--"I want to assassinate painting"--as its point of departure, this richly illustrated volume is the first to focus on Miró the "anti-painter," identifying the core practices and strategies the artist used to challenge painting between 1927 and 1937. Joan Miró Painting and Anti-Painting 1927-1937 surveys the various material, iconographical and rhetorical forms of Miró's attacks on painting by presenting, in chronological sequence, 12 distinct series of works, beginning with a remarkable group of paintings on unprimed canvas and concluding with Miró's return to Realism in "Still Life with Old Shoe" (1937). Acidic color, grotesque disfigurement, stylistic heterogeneity and the use of resistant, ready-made materials are among the key tactics of aggression that are explored in this extraordinary presentation of the interrelated and oppositional series of paintings, collages, objects and drawings Miró produced during this crucial decade of his long career. This volume integrates close scrutiny of Miró's materials and processes with historical and iconographic analysis, leading to an expanded understanding of the underappreciated aggressiveness of an artist long regarded as Surrealism's most lyrical painter-poet. Joan Miró was born in 1893 in Barcelona. After his first trip to Paris in 1920, and through 1931, Miró generally spent half of each year in the French capitol and half in his native Catalonia, returning to live in France after the outbreak of the Spanish Civil War in 1936. One of the twentieth century's greatest Modern artists, Miró created a pictorial world of intense imaginative power, in which visionary and cosmic elements are inextricably intertwined with the earthly and mundane. He died in 1983 in Palma de Mallorca, Spain.
Adopted from India when she was six and raised in Spain, the author takes a heart-wrenching trip back to India as an adult to uncover her roots and discover a sister she never knew.
In Constellations of Miro, Breton Paul Hammond unravels some of the mysteries of the call-and-response of these two Surrealists by reading the pictures against the poetry, the poetry against the pictures, and both against the madness of a history that none of us has left that far behind."--BOOK JACKET.
A compelling new look at the late works by one of art history's most renowned and inventive modern artists This groundbreaking publication offers a reassessment of renowned modernist Joan Miró's late-career works, created between 1963 and 1981. This body of work, almost entirely unknown in the United States, showcases Miró's exceptional ingenuity as both a painter and sculptor. Miró The Experience of Seeing includes color illustrations of nearly 50 paintings, drawings, and sculptures that show the breadth and contrast of this body of work--from bold, colorful canvases with expressive gestures to the most minimal calligraphic markings on white fields. His sculptures made of found objects are a revelation. Comparisons between paintings and sculptures highlight startling connections between shapes and symbols that Miró used in each medium. These mature works represent the culmination of the artist's development of an innovative and personal visual language. Engaging texts, including a contribution by noted Spanish filmmaker Pere Portabella, explain Miró's role as a political figure and his quest to speak about the most intangible subjects through the materiality of objects and the painted gesture. This important new examination of Miró's later work allows for a richer, deeper understanding of this significant modern artist's distinguished career. Published in association with the Seattle Art Museum in collaboration with the Museo Nacional Centro de Arte Reina Sofia Exhibition Schedule: Seattle Art Museum (02/13/14-05/25/14) The Nasher Museum of Art (09/11/14-02/22/15) Denver Art Museum (03/22/15-06/28/15)
In the last decades of the nineteenth century and early years of the twentieth, a new class—the oligarchy—consolidated its wealth and political power in Latin America. Its members were the sugar planters, coffee growers, cattle barons, and bankers who were growing rich in a rapidly expanding global economy. Examining these immensely powerful groups, Dennis Gilbert provides a systematic comparative history of the rise and ultimate demise of the oligarchies that dominated Latin America for nearly a century. He then sketches a fine-grained portrait of three prominent Peruvian families, providing a vivid window into the everyday exercise of power. Here we see the oligarchs arranging the deportation of “political undesirables,” controlling labor through means subtle and brutal, orchestrating press campaigns, extending credit on easy terms to rising military officers, and financing the overthrow of an unfriendly government. Gilbert concludes by answering three questions: What were the sources of oligarchic power? What were the forces that undermined it? Why did oligarchies persist longer in some countries than in others? His clear, comprehensible, and illuminating analysis will make this an invaluable book for all students of modern Latin America.
Beautiful full-color survey examines the work of the master surrealist painter covering the full range of his extraordinary career. Insightful text and extensive captions treat the lfie and the work of this playful, enigmatic painter.
Squeezed between more powerful France and Spain, Catalonia has endured a violent history. Its medieval empire that conquered Naples, Sicily and Athens was crushed by Spain. Its geography, with the Pyrenees falling sharply to the rugged Costa Brava, is tormented, too. Michael Eaude traces this history and it monuments: roman Tarragona, celebrated by the poet Martial; Greek Empúries, lost for centuries beneath the sands; medieval Romanesque architecture in the Vall de Bo:i churches (a World Heritage Series) and Poblet and Santes Creus monasteries. He tells the stories of several of Catalonia's great figures: Abbot Olivia, who brought Moorish learning to Europe, the ruthless mercenary, Roger de Flor, and Verdaguer, handsome poet-priest. Catalonia is famous today for its twentieth-century art. This book focuses on the revolutionary Art Nouveau buildings (including the Sagrada Família) of Antoni Gaudí. It also explores the region's artistic legacy: the young Picasso painting Barcelona's vibrant slums; Salvador Dalí, inspired by the twisted rocks of Cap de Creus to paint his landscapes of the human mind; and Joan Miró, discovering the colors of the red earth at Montroig.