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Original publication and copyright date: 2005.
Madder, matter, mater--a weed, a state of mind, a material, a meaning, a mother. Poet and horticulturist Marco Wilkinson searches for the roots of myths and memories among plant families and family trees. "My life, these weeds." Marco Wilkinson's intimate vignettes of intergenerational migration, queer sexuality, and willful forgetting use the language of plants as both structure and metaphor--particularly weeds: invisible yet ubiquitous, unwanted yet abundant, out-of-place yet flourishing. Madder combines meditations on nature with memories of Wilkinson's Rhode Island childhood and glimpses of his maternal family's life in Uruguay. The son of a fierce immigrant mother who tried to erase his absent father from their lives, Wilkinson investigates his heritage with a mixture of anger and empathy as he wrestles with the ambiguity of the past. Using a verdant iconography rich with wordplay and symbolism, Wilkinsonoffers a mesmerizing portrait of finding belonging in an uprooted world.
Madder red is an ancient dyestuff, extracted from the root of the madder plant, growing in many countries around the world. The secret and devilishly complex Oriental dyeing process to obtain the lustrous colour known as Turkey Red was avidly sought by Europeans, from the time before the fall of Ancient Rome. It was finally cracked by the French about 1760, who were able to dye wool, silk and cotton bright red. After the lowlands of the Caspian Caucasus had been subdued by the Russians in the early 1800s, madder was cultivated there and rapidly became the main crop. The quest for Turkey Red went hand in hand with an avalanche of scientific research, which not only improved the yield of dyestuff from the roots but led to its chemical synthesis and in 1870 the collapse of the world-wide madder industry. Many of the nascent dye companies grew into chemical giants of our time. Further regional and cultural background may be found in Chenciner's Daghestan: Tradition and Survival, also published in the Caucasus World series.
College golf is the breeding ground for the PGA, and the sport’s overlooked chapter. And in 1995 college golf saw its ultimate showdown. At the NCAA championship, a freshman who would become the sport’s biggest icon stood on the green in a sudden-death playoff that would settle the score in a tense and heated rivalry. Would Tiger Woods sink the putt? Based on exhaustive reporting and interviews, The Last Putt tells the story of an epic rivalry that encapsulated the changing face of the game. On one side was Oklahoma State, a true golfing dynasty featuring the young bloods of a privileged golf family and a coach whose winning record and reputation for toughness made him a mythical figure. On the other side was Stanford, born of the creative recruiting of an unforgettable group of players: Notah Begay (golf ’s first prominent Native American), Casey Martin (who broke down barriers by playing with a severe disability), and Tiger Woods. A stirring ensemble tale of young men carving out their futures on and off the course, The Last Putt makes for compelling, stroke-for-stroke reading down to the last putt.
A Heritage of Colour explores the techniques that can be used to create a wealth of colours from 50 plants, including many that have been in constant use as dyes for over 2000 years. Inspired by the colours on textile fragments from the Iron Age and by the achievements of early dyers, the author describes some of the dyes and methods of the past and considers how they can be adapted for use by today's dyers. The book covers all the basics of natural dyeing and explains in detail how to experiment with local plants, wherever you may live, to produce a wide range of beautiful, rich colours on textile fibres. A Heritage of Colour also includes sections on dyeing with fungi, contact printing on cloth and dyeing multi-coloured fibres and fabrics. The emphasis throughout is on environmentally-friendly methods and on the thrill of personal discovery through practical experience. Follow Jenny's blog on http://www.jennydean.co.uk/
"A riveting...saga of survival against formidable odds" (Washington Post) about one man who survived a World War II plane crash in Alaska's harsh Yukon territory Shortly before Christmas in 1943, five Army aviators left Alaska's Ladd Field on a routine flight to test their hastily retrofitted B-24 Liberator in harsh winter conditions. The mission ended in a crash that claimed all but one-Leon Crane, a city kid from Philadelphia with no wilderness experience. With little more than a parachute for cover and an old Boy Scout knife in his pocket, Crane now found himself alone in subzero temperatures. Crane knew, as did the Ladd Field crews who searched unsuccessfully for the crash site, that his chance of survival dropped swiftly with each passing day. But Crane did find a way to stay alive in the grip of the Yukon winter for nearly twelve weeks and, amazingly, walked out of the ordeal intact. 81 Days Below Zero recounts, for the first time, the full story of Crane's remarkable saga. In a drama of staggering resolve and moments of phenomenal luck, Crane learned to survive in the Yukon's unforgiving wilds. His is a tale of the capacity to endure extreme conditions, intense loneliness, and flashes of raw terror-and emerge stronger than before.
Grant: Snee Reinhardt Charitable Foundations.
"Field Book of Western Wild Flowers" by J. J. Thornber, Margaret Armstrong. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.
This long-awaited guide serves as a tool to explain the general principles of natural dyeing, and to help dyers to become more accomplished at their craft through an increased understanding of the process. Photos of more than 450 samples demonstrate the results of actual dye tests, and detailed information covers every aspect of natural dyeing including theory, fibers, mordants, dyes, printing, organic indigo vats, finishing, and the evaluation of dye fastness. Special techniques of printing and discharging indigo are featured as well. The book is intended for dyers and printers who wish to more completely understand the "why" and the "how," while ensuring safe and sustainable practices. Written by a textile engineer and chemist (Boutrup) and a textile artist and practitioner (Ellis), its detailed and tested recipes for every process, including charts and comparisons, make it the ideal resource for dyers with all levels of experience.
Jenny Dean's Wild Colour is the modern classic title on traditional dyeing methods. A celebration of the wealth of natural dyes that can be obtained from over 60 species of plants from common marigolds to rhubarb. Part one introduces the concept of natural dyeing and demonstrates how easy it is to get started. All the techniques are explained with step-by-step sequences and photographs. Colour charts help you to work out which method is best for each dye plant and material.Part two reveals the wide range of plants that you can use for natural dyeing. Colour swatches show the tried and tested range of colours you can extract from each plant.