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"The Romantics and the British landscape focuses on the work of four of the most famous Romantic poets, William Wordsworth, Samuel Taylor Coleridge, John Keats and John Clare, and reveals how their appreciation of the natural world was highly subjective, changing according to the writer's purpose, mood and state of mind ..." --book jacket.
Since at least the Reformation, English men and women have been engaged in visiting, exploring and portraying, in words and images, the landscape of their nation. The Invention of the English Landscape examines these journeys and investigations to explore how the natural and historic English landscape was reconfigured to become a widely enjoyed cultural and leisure resource. Peter Borsay considers the manifold forces behind this transformation, such as the rise of consumer culture, the media, industrial and transport revolutions, the Enlightenment, Romanticism, and the Gothic revival. In doing so, he reveals the development of a powerful bond between landscape and natural identity, against the backdrop of social and political change from the early modern period to the start of the Second World War. Borsay's interdisciplinary approach demonstrates how human understandings of the natural world shaped the geography of England, and uncovers a wealth of valuable material, from novels and poems to paintings, that expose historical understandings of the landscape. This innovative approach illuminates how the English countryside and historic buildings became cultural icons behind which the nation was rallied during war-time, and explores the emergence of a post-war heritage industry that is now a definitive part of British cultural life.
Review: "Written to stress the crosscurrent of ideas, this cultural encyclopedia provides clearly written and authoritative articles. Thoughts, themes, people, and nations that define the Romantic Era, as well as some frequently overlooked topics, receive their first encyclopedic treatments in 850 signed articles, with bibliographies and coverage of historical antecedents and lingering influences of romanticism. Even casual browsers will discover much to enjoy here."--"The Top 20 Reference Titles of the Year," American Libraries, May 2004.
For the past century, governments have been compelled, time and again, to return to the search for solutions to the housing and economic challenges posed by a restructured countryside. This book provides an analysis of the complexity of housing and development tensions in the rural areas of England, Wales, and Scotland. It looks at a range of topics related to community and planning issues, including attitudes to rural development, economic change, land use, planning, and counter-urbanization. The Rural Housing Question emphasizes the need for serious debate on government's rural housing policies and on the broad approach to development and communities in the countryside.
The name Lancelot 'Capability' Brown has become synonymous with the eighteenth-century English landscape garden: between 1751 and 1783 his consultancy handled over 170 major commissions. Ruthlessly efficient, he could stake out the 'capabilities' of a particular terrain within an hour on horseback. Rising to the position of Master Gardener to George III, his trademark features included bald lawns, clumped trees, undulating lakes and enclosing belts of woodland on the estate's perimeter. With this standard park formula Brown and his followers held the commercial monopoly on garden design well into the following century, resisting the more rugged topography advocated by Richard Payne Knight's new generation of Romantics.
Romantic Visualities offers a culturally informed understanding of the literary significance of landscape in the Romantic period. Labbe argues that the Romantic period associated the prospect view with the masculine ideal, simultaneously fashioning the detailed point of view as feminised. An interdisciplinary study, it discusses the cultural construction of gender as defined through landscape viewing, and investigates property law, aesthetic tracts, conduct books, travel narratives, artistic theory, and the work of Wordsworth, Keats, Coleridge, Charlotte Smith, Ann Francis, Dorothy Wordsworth and others.
The relationship between landscape and identity is explored to reveal how Englishness encompasses the urban and rural, and the north and south.