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The book remains a central work of criticism for all students of literature.
Rich selection of 123 poems by six great English Romantic poets: William Blake (24 poems), William Wordsworth (27 poems), Samuel Taylor Coleridge (10 poems), Lord Byron (16 poems), Percy Bysshe Shelley (24 poems) and John Keats (22 poems). Introduction and brief commentaries on the poets. Includes 2 selections from the Common Core State Standards Initiative: "Ozymandias" and "Ode on a Grecian Urn."
The romantic ideology and its persistence in contemporary poetry -- Eavan Boland's challenge to the "romantic heresy" -- Layered aesthetics in Gillian Clarke's poetry -- Proposing the impossible: poetry as ecology in John Burnside's works -- Kathleen Jamie's post-romantic formations of nature.
"Essays that highlight the pervasive role of Romantic poetry and poetics on modern and contemporary innovative poetry"--
The Book Can Be Regarded As A Contribu¬Tion To Knowledge; ... It Results From A Deep Knowledge Of Modern Romanti¬Cism And Its Critics.... The Author ... Has A Balanced, Sensible Attitude To The Poets He Has Selected For Discussion (His In¬Clusion Of Thomas And De La Mare Is Highly Intelligent)... He Displays An Ex¬Cellent Knowledge Of Other Critics Views, Despite The Modest Disclaimer In His Preface....He Displays An Excellent Ca¬Pacity For Incisive Criticism.... Norman A. JeffaresDr. Raghavan S Book Is A Competent And Well-Informed Exploration Of The Problems Of The Romantics And Romantic Elements In Modern English Poetry. He Has Made A Very Analytical Study Of The Field And Has Been Able To Refer To The Hidden Strains Of The Romanticism In The Modern Period. His Chapters On Yeats And Eliot Are Commendable. The Work Is Quite Useful For Post-Graduate And Research Students. C. Subba RaoThe Book Is A Highly Commendable Piece Of Research Work.... The Actual Investiga¬Tion Into The Contributions Of Edward Thomas, Walter De La Mare And W.B. Yeats And Of Course T.S. Eliot Provides Revealing Insights With Commendable Clarity Into The Whole Concept Of English Romanticism.... It Is A Comprehensive Account Of The Romantic Tendencies Of The First Half Of The Twentieth Century English Poetry. N. SubramanianThe Amount Of Perceptive Reading That Has Gone Into These Pages Is Extraordi¬Nary. One Could Hardly Better It. R.A. JayanthaThe Writer Is Well-Read And Very Intelli¬Gent. Jack Stillinger
Philip Larkin (1992-1985) Is Today Acclaimed As A British National Cultural Icon. Historically A Movementeer, Larkin Followed The Pleasure Principle To Democratize Poetry By Forging A Distinctive Philistine Aesthetic, By Employing A Defiantly Demotic Diction, And By Building His Poems Around A Structure Of Rational Discourse.Philip Larkin : Poetry That Builds Bridges Is A Well-Researched And Immensely Readable Book. It Is Perhaps The Only Work Available Today That Offers A Comprehensive Critical Account Of The Full Range Of Larkin S Poetry. A Significant Contribution To Larkin Studies, This Book Provides A Between-The-Lines Analysis Of Almost All The Poems Embodied In The Four Major Collections Of Larkin The North Ship, The Less Deceived, The Whitsun Weddings And High Windows.By Exploiting The Resources Of Larkin S Letters, His Prose Writings And His Biography, The Author Traces, Much Against The Grain Of Contemporary Larkin Criticism, The Poet S Thematic, Attitudinal And Technical Development From One Book Of His Poetry To The Next, And Shows The Trend Of Larkin S Evolution.With A Holistic Approach To The Total Corpus Of Larkin S Poetry, The Author Perspectivises The Poet, And Argues The Larkin S Achievements Lie In His Success In Building Bridges Between Aestheticism And Philistinism, Between Empiricism And Transcendentalism, Between Classicism And Romanticism, Between Modernism And Postmodernism, Between The Native British Poetic Tradition And The Anglo-Franco-American Experimental Line, And, Above All, Between Poetry And The Reading Public.This Book Also Contends The Larkin S Vision Of Life Is Neither Pessimistic Nor Optimistic, But Tragic And Melioristic.
This insightful and elegantly written book examines how the popular media of the Victorian era sustained and transformed the reputations of Romantic writers. Tom Mole provides a new reception history of Lord Byron, Felicia Hemans, Sir Walter Scott, Percy Bysshe Shelley, and William Wordsworth—one that moves beyond the punctual historicism of much recent criticism and the narrow horizons of previous reception histories. He attends instead to the material artifacts and cultural practices that remediated Romantic writers and their works amid shifting understandings of history, memory, and media. Mole scrutinizes Victorian efforts to canonize and commodify Romantic writers in a changed media ecology. He shows how illustrated books renovated Romantic writing, how preachers incorporated irreligious Romantics into their sermons, how new statues and memorials integrated Romantic writers into an emerging national pantheon, and how anthologies mediated their works to new generations. This ambitious study investigates a wide range of material objects Victorians made in response to Romantic writing—such as photographs, postcards, books, and collectibles—that in turn remade the public’s understanding of Romantic writers. Shedding new light on how Romantic authors were posthumously recruited to address later cultural concerns, What the Victorians Made of Romanticism reveals new histories of appropriation, remediation, and renewal that resonate in our own moment of media change, when once again the cultural products of the past seem in danger of being forgotten if they are not reimagined for new audiences.
The only short introduction to Romanticism that incorporates not only the English but the Continental movements, and not only literature but music, art, religion, and philosophy.-publisher description.